Preview of Sketching Your Ideas
I've always found that sketching helps me to think things through.
And so in the process of working towards seeing the first prototype, or the muslin, the first muslin, I like to kind of doodle, and sketch, and draw out outfits or pieces of clothing on a croquis.
And sometimes I-- it helps me sort of have a visual reference of different options.
Or just it helps me to sort of think things through before we pass something on to pattern maker.
And I sketch.
Everybody in the design room sketches in some way.
But I do find that the sketching part of the process helps me to think about what we are going to make.
So I usually set myself up with a stack of just paper from the Xerox machine, some number two pencils, sometimes a couple of colored pencils, a Sharpie marker or two, and once in awhile, I'll have some colored markers around.
Usually, I'll take colored markers out if I want to sort of think about a color combination or something like that.
And that usually comes later in the process.
But normally, the first part of the sketching process for me is just doing some line drawings of silhouettes, just drawing some exaggerated versions of lengths, and proportions, widths-- again, something to give the pattern maker some indication of what I hope the muslin, the first muslin, will look like.
Some people believe that you don't need to be able to sketch.
Some people-- I think there are designers who don't sketch.
And some people or designers that I've heard have people sketch for them.
As I went to Parsons, and I studied at High School of Art and Design, and enjoyed figure drawing, and life drawing, and fashion illustration, sketching to me seems like an essential part of the design process.
I sketch-- mostly, I sit in the design room, and I set up an area where there's enough tablespace that I can lay the sketches out.
Again, as it's a kind of helped me in the editing process and the decision process, what I like to do is a number of sketches and lay them on the table.
So if I'm doing a jacket, I might sketch the same jacket with a different color, with a different revers, button, single-breasted, double-breasted.
I might sketch at different proportions.
And I'll lay them out.
And when I have a number of sketches laid out on the table, then I kind of do a selection or an edit of the things that I'd like to try.
In other words, I'd like to go to the workroom, or the sample room to the pattern makers to start working on a muslin.
OK, so as far as paper goes, I like a rough paper.
And again, it comes right from the Xerox machine.
I just don't like a smooth, glossy paper, because I like resistance when I draw.
So I like using a number two pencil, and I'm very heavy handed.
And I like a kind of variety in line when I sketch, especially when it's rough.
So I prefer a number two pencil because it's soft.
Reviews for Marc Jacobs' MasterClass
Love the juxtapositioning ideas. Would like to see how fabric was actually draped on the model or mannequin to achieve the design. - Catherine W.
Thoroughly enjoyed the comments and descriptions in the storytelling. So many things are relavent to all types of design. - Linda B.
As a fashion design student, Marc has answered questions that have been pressing on my mind. I am so glad I have watched his MasterClass! - Lourdes T.
Marvelous! While I'm a natural designer, I lack the nomenclature for terms associated with design. I also wanted to get another perspective on the industry processes from start to finish. I felt very informed. 0 Bridget J.