Chapter 8 of 16 from Carlos Santana

Melody Is Supreme

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Learn Carlos’s strategies for writing a melody that moves listeners to their core.

Topics include: Slow Down • Write a Melody by Playing a Poem • Playing a Poem: "Samba Pa Ti" • Don't Be Afraid of Silence • Build Islands in the Song • Heroic Phrases

Learn Carlos’s strategies for writing a melody that moves listeners to their core.

Topics include: Slow Down • Write a Melody by Playing a Poem • Playing a Poem: "Samba Pa Ti" • Don't Be Afraid of Silence • Build Islands in the Song • Heroic Phrases

Carlos Santana

Carlos Santana Teaches the Art and Soul of Guitar

Carlos Santana teaches you how he creates a distinct, soulful guitar sound that moves the hearts of audiences.

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Find the heart of your sound

With 10 Grammys and almost 50 years on stage, Carlos teaches you his spiritual take on playing guitar. Learn how he weaves emotion, artistic expression, and musical styles from across the world to create a sound that transcends genre and connects with audiences. Join Carlos in his studio as he breaks down his process note by note—so you can discover the soul of your sound.

Genre-defying legend Carlos Santana teaches his unique approach to playing, with bonus lessons on techniques, and words of inspiration for artists.

A downloadable workbook accompanies the class with exclusive tablature for Carlos’s improvised music and essential listening lists.

Upload videos to get feedback from the class. Carlos will also critique select student work.

Reviews

4.7
Students give MasterClass an average rating of 4.7 out of 5 stars.

spot-on so far, really enjoy the focus on bringing the whole body/mind/spirit into the music

Worth its weight in gold; not just about playing guitar but how to inject/infuse/etc. yourself into whatever it is you play or sing.

Nice to sit with another Master of His Craft - Carlos Santana. He reminds us, as Musicians and as People, why we do what we do. Very inspirational and beautiful. ✌🏼

I am so tremendously grateful for this Masterclass. I've been struggling for over 40 years since my first guitar teacher passed - my older brother. Music has been both calling me and challenging me ever since. I have this amazing feeling of having arrived right now. Thank-you.

Comments

Ellak E.

I love Samba Pa Ti song. Interesting to know the poem in it and the history of it. Though for me is like a place in time where I can trust in life and reminds me of my own softness of thought. Interesting to get to know the skills of Carlos Santana and his point of view of music. Very interesting MasterClass. I am enjoying it very much. EK

Emmanuel D.

just started reading “The Music Lesson” by Victor Wooten and have the impression to listen to Michael

Brett B.

This lesson gave me some great ideas to help me connect better to an audience. I perform a lot, and one of the reasons I signed up for this class is that I want to make a stronger emotional projection with my playing, and the idea of having a conversation with the listener or reciting a poem, and doing it with compassion is something I believe will work if I put it into practice. Yay! Samba Pa Ti is such a beautiful and moving piece, I spent some time learning to play the melody as Santana demonstrates in this video. Here is my offering. https://youtu.be/imOxXD1IqtM I also enjoyed riffing on the "Heroic" phrase he learned from Miles Davis at 13:14, and although the Tab is helpful, it still has a lot of errors as in example 8.3 =( Also, I am not sure what to do with the Practice Pieces at the end of the lesson. I wish there were some audio examples of how they should sound, or some instructions on what to do with them. Anyone else feeling this?

Joe C.

Poetry to melody - time to dig out those poems I wrote in high school - a few made it to the yearbook. Thanks Carlos.

Max C.

Again i'm so happy I decided to listen to Carlos's lessons. I'm learning so much.

Doug H.

Love this way he talks about silence. He does this so well in his guitar playing.

Dan A.

They should make like a musical with only guitar melodies... and have like a guitar hero, but also a guitar villain and a guitar damsel in distress... other guitar people... instead of singing they play melodies on guitars. the only thing i can think of that comes close is Crossroads with Ralph Macchio (also the Karate Kid).

Transcript

What I learned through my years is that I'm fascinated, again, with melody. Chord changes do not fascinate me. Someone said to Albert King, hey, we noticed that you don't play any chords, you just play lead. And he goes, what do you think I pay this mm-hm all this money for? Let the keyboard player play with chords, man. I just play lead, you know? And I started laughing, because there was something to that, because when he plays lead, oh, he plays lead. You know? Now, there's some people who play lead with chords. That's a whole other level of knowing. You know, Wes Montgomery plays chords. You know, he can play lead, but he played chords. I'm not excusing anything. I'm saying that both are good, but for me, melody is supreme. [ELECTRIC GUITAR PLAYING SLOWLY] If you want to get better at carrying a melody and making a melody present, with magnetism, the stuff that attracts the listener-- listener to-- to-- to-- to stay with you, you have to practice being present. And you practice being present by slowing everything down. It's amazing how, in your mind, you have to will-- will your mind. When you slow everything down, things become deeper, juicier, and obviously-- obviously, more meaningful. So slow it [INHALES] down. It was Wayne Shorter who said, you have to think faster to play slower. Those are for the, you know, the people who played really fast. You have to think-- you have to think slower to play faster, and you have to think faster to play slower, people who play a ballad. There's a lot of insight in that. This is the "Samba Pa Ti" melody, and it goes like this. [PLAYS "SAMBA PA TI"] Well, that's the first verse, you know? The second was like-- [PLAYS GUITAR] So you're putting a little bit more on it so to-- to-- so it-- it would be very different than the first time round. Now you're taking more liberties and you're-- you know, you're putting more garlic and more onions in it, you know, to give it more flavor. So again, slow it down. [ELECTRIC GUITAR PLAYING] It's going to be all right, you know? [SINGS IN SPANISH] It's going to be all right. (SPEAKING) You know? So though I'm not saying it in English, that's exactly what I'm saying. [PLAYS GUITAR] Though it's really hot-- [PLAYS GUITAR] --I'm next to this beautiful lady. [PLAYS GUITAR] It's going to be all right. [PLAYS GUITAR] I played "Europa" to help this lady, that she was having a bad LSD experience, because she didn't like what was going on inside her head, because it was all inside her head. "The Mushroom Lady." (SINGING) The mushroom lady's coming to town. [VOCALIZES] And she's like, oh. All of a sudden, her craziness, and her fear, and paranoia wasn't important. She was like, oh, you're writing this song for me? Look at any poem by anyone that you love, and then try-- you know, nobody's grading you. Nobody's giving you grades or-- or marks. You know, just practice looking at the poem and pu...