Arts & Entertainment, Music
Insecurity and Instincts
Lesson time 12:28 min
Artists are filled with doubt. Danny talks about how to manage that doubt and move forward. He opens up about his vulnerabilities, how he overcomes them, and how he sharpened his instincts to make better career decisions.
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Topics include: Insecurity · Instincts · Picking and Choosing Jobs · Ego: The Elephant in the Room
[MUSIC PLAYING] - I never had a mentor, and the reason why I'm talking to you all now is to share my experiences so that you might find yourself in a similar situation and go, OK, he didn't have the answer, and he felt really insecure, so the fact that I feel insecure about this may not be the end of the world. I don't think any of the really good composers-- composers are arrogant fucks. There's no doubt about that. But the fact is, the arrogance is generally hiding great insecurity that we all carry. I don't think it's different between a composer and an actor that way. Sometimes the more bravado they have about themselves, it's covering a deep insecurity. I'm constantly insecure about what I'm doing. I never know if it's right. Of course I wish I had a mentor. Somebody that I can go to that I respected, and go, just tell me what you think of this and that they can give me some solid advice. But I just never had that in my life, so I had to learn to trust my instincts. And what I'm telling you right now is that it's OK to feel unsure of yourself. And it's OK to feel insecure, even during the process, even at the end of the process. You might have moments where you feel like I've triumphed. I've done this scene. This scene came out OK. And then find yourself one week later going, I've failed. I just-- I don't know where I am right now. I painted myself into a corner. I don't know how to get out of it. It's OK. You've got to watch your clock. You've got to keep yourself moving. But it's OK to not feel really confident in exactly what you're doing all the time. And I could tell you after 105, 100-and-something films, rarely that I approach it feeling really confident. And generally when I was really confident that way is because, it's was a sequel. And I'd already done the heavy lifting, and now I could approach it with a sense of, oh yeah, I got this. I know what I'm doing. And it's because it's a sequel, and all I really have to do is kind of reinvent some things and move around and play with what I've already done. But that, by far, is not the majority of the writing. It's filled with doubt. And I think all artists that are worth their anything are filled with doubt all the time. And the few that just don't have any doubt, I think they're destined become-- they could be very successful. They could be good workmen. They could be good craftsmen. But they're not gonna be the really great artists. Because I think doubt and art are kind of combined. They're just-- it's almost impossible to pull them apart doubt. Doubting yourself and then finding confidence and moving forward and then doubting what you've just done and then working through that, I think this is the life of a composer, and I think it's the life of an artist in general. And it's OK to feel that way. Having said all that, my doubt, do I ever express that to the director or a producer? No way. Never. Never. There is what you feel and what you ...
About the Instructor
From The Simpsons theme to the soundtracks of Tim Burton’s Pee-wee’s Big Adventure and The Nightmare Before Christmas, Danny Elfman’s compositions are original, memorable, and exuberantly weird. Now the Oingo Boingo founder and four-time Oscar nominee shares his unconventional (and uncensored) creative process. Step into Danny’s studio and learn his techniques for evoking emotion and elevating a story through music.
Featured Masterclass Instructor
Oscar-nominated composer Danny Elfman teaches you his eclectic creative process and his approach to elevating a story with sound.Explore the Class