Chapter 28 of 28 from Helen Mirren

Bonus: Naturalism

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Discover which film actors had the biggest influence on Helen and why their work is so important to her.

Topics include: Marlon Brando • Anna Magnani • Beyond Naturalism

Helen Mirren

Helen Mirren Teaches Acting

In 28 lessons, the Oscar, Golden Globe, Tony, and Emmy winner teaches her process for acting on the stage and screen.

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It's very interesting that some actors, no matter, really, where their background is-- what they come out of-- are natural Shakespearean actors. And here I would quote Marlon Brando, one speech in particular-- friends, Romans, and countrymen, lend me your ears. I come to bury Caesar, not to praise him. The evil that men do, live after them. The good is often interred, buried with their bones. He does that speech with absolute pure Shakespearean-- if you like-- actor's expertise. He knows how to breathe. He knows how to carry on. And incidentally, speaking of voice, his voice is strong enough, and powerful enough, that you can believe that he's talking to 200 people. But at the same time here, he imbues it with his own natural sense of naturalism of drama. And I think it's a beautiful, beautifully executed Shakespearean speech. Done by an actor not famous for Shakespearean acting, and actually much better than most of the other British very-good-at-Shakespeare kind of actors in that film. I was blown away by it when I saw it many, many years ago. If you want to watch great Shakespearean actors, Olivier always. Olivier was famous in his day for naturalizing Shakespeare. And it wasn't acceptable when he first came to do Shakespeare, because Shakespeare was very declamatory thing at that point. And all of the work, really, in the 20th and 21st century, has been finding a way to be truthful to the poetry of Shakespeare-- utterly truthful to that-- but naturalize it. One day-- and I can't actually quite remember when it was-- I saw Anna Magnani work. And she became at that point, and still is, my great inspiration for film acting. Also, she was a theater actress, which I thought was great. I loved the fact that she was a theater actress as well. But on film, there's something so alive about her. It's the perfect combination of heightened but natural, which is what really, in a sense, the greatest acting is. Why, again, back to Al Pacino, Marlon Brando. The ones we love. The ones we really admire. It's heightened. Often they fall, because they go out on a limb. They're brave. They have the courage to put themselves out there into the world of poetry-- into the world of heightened work. But at the same time with naturalism. And it's a very heady mix. And for me that's what Anna Magnani has. There's an incredible scene in Mamma Roma, the film by Pasolini. I think one of her early films. This amazing scene, where it's this long-- talk about Scorcese-- I think it's like a three- or four-minute long shot where she's just walking towards the camera. And the camera's tracking behind her. I don't know how they did it, whether she was following someone on a bike, or something. It's very steady. They didn't have steadycam those days. So she's just walking and talking. And different characters come in a...

Find freedom in your roles

Oscar, Golden Globe, Emmy, and Tony winner Helen Mirren is one of the greatest actresses of our time. In her first online class, she discusses the dualism that is core to her method: the necessity for mastering technique (craft) and then letting go so that your imagination can take over (art). Learn how to break down a script, research characters, and master techniques so you can transcend them to find freedom in every role.

Helen brings you behind the scenes to show you the secrets of her acting technique.

A downloadable workbook accompanies the class with lesson recaps and supplemental materials.

Upload videos to get feedback from the class. Helen will also critique select student work.

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Helen Mirren

Helen Mirren Teaches Acting