Chapter 12 of 28 from Helen Mirren

Creating Characters: Costume, Part 2

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Every piece of your character’s costume—down to the shoes—has to tell the right story. Learn how to evaluate accessories for your character.

Topics include: Creating Characters: Costume, Part 2

Every piece of your character’s costume—down to the shoes—has to tell the right story. Learn how to evaluate accessories for your character.

Topics include: Creating Characters: Costume, Part 2

Helen Mirren

Helen Mirren Teaches Acting

In 28 lessons, the Oscar, Golden Globe, Tony, and Emmy winner teaches her process for acting on the stage and screen.

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Find freedom in your roles

Oscar, Golden Globe, Emmy, and Tony winner Helen Mirren is one of the greatest actresses of our time. In her first online class, she discusses the dualism that is core to her method: the necessity for mastering technique (craft) and then letting go so that your imagination can take over (art). Learn how to break down a script, research characters, and master techniques so you can transcend them to find freedom in every role.

Helen brings you behind the scenes to show you the secrets of her acting technique.

A downloadable workbook accompanies the class with lesson recaps and supplemental materials.

Upload videos to get feedback from the class. Helen will also critique select student work.

Reviews

4.7
Students give MasterClass an average rating of 4.7 out of 5 stars.

I have learned so much from Helen and I will continue to enjoy her videos and workbook.

Dame Helen Mirren gave invaluable, practical advice. I appreciated how she demystified the film set, so that we know what to expect. Astonishing breadth and depth of knowledge. Grateful that she shared her experience with us.

This masterclass opened me up even more to the universe of Acting. It put in a serious mental state about the craft and the process of the business.

It’s very encoranging to find out about the difficulties that such successful actors went through at the beginning of their carrier. It gives me a sense of reality and strength to Carrie on! Thank you very much!

Comments

A fellow student

Just watching Eye in the Sky on Netflix tonight. She's a powerhouse! I'd say that's my favourite character she's played. I'm not only an aspiring author, but a history graduate and gender scholar, and ever since I was a little girl, I've always been fascinated with women in the media/film and how they are portrayed. It's good to see women becoming more active in roles.genres-entering roles that could be written for men, It's through the media we can change the view of women and women can begin to see themselves clearer, as capable, strong, independent individuals. High five to Helen!

A fellow student

Helen you are magnificent at this. If you wrote am autobiograohy, I would buy it! Please do write one. I loved commander Powell's outfit. So commanding..... I like how you can get little clues of the uniform to signify something about the character. (As you can do with any other costume).

ALICIA S.

My favorite Shakespearean Character is Titania from Midsummer Nights Dream. Long curly hair, golden body spray, glitter bedazzlement, cottage roses, feasts of indulgences with an aura of a Lady Godiva comes clearly to mind. Other characters that I like to day dream about are First Ladies, Princesses and ostantenous woman because I read magazines. So it's simple. But thinking about it... Last night, I watched An All-American Christmas Carol (2013) and realized that sometimes even a simple character like Cindy Wagman needs plenty thought into being brought into life. Pushing the limits is necessary sometimes. Good lesson.

Michael O.

What is the history of your boots? Your hat? Your accoutrements? How did they come to you? When? Why are you wearing it now?

Kalia D.

I don't know whether you noticed, but she can take up a prop or a costume and wear it, fill it with life without looking in the mirror! She puts up the scarf and knows exactly how she looks in it, in this lighting, from this angle, with this gesture. That's amazing! But it's also quite obvious: she is an aristocratic actress. There is not one contemporary average dress among the things she shows us. Everything is about Queens and Nominations, historic geniuses and people of power. Everything else is, as she so often repeats, mundane, boring, ugly. She said earlier that actors are not vain, but she comes across to me as quite arrogant. Or positively put: aristocratic. Isn't acting also about our love for the world as it is? A child chasing a balloon? The night after a long party, your hair unkempt and full of smoke, faded make-up, writing something important with lipstick on the bathroom mirror? I don't know. The art of acting isn't only about historic monumental figures. And if you confine yourself to that kind of idolatry, isn't your success and popularity actually partly stolen from the grandeur you impersonate? Everyone wants to see the Queen, of course! Helen chose to start these lessons with a beautiful empty space, and look she filled it quickly with jewlery and monumental figures, with 'the most expensive silk accurately tailored to my particular body'. 'if you wear these glasses and play a Russian - nomination!' how shallow and superficial, isn't it? I'm not disappointed. But we must speculate, she is the bodybuilder among the actresses. Everything must be tailored to her image of success, grandeur, nominations, even the small mundane details. So, let's watch this to learn more about the Laws of Power. And her special genre of acting, among its many forms...

Frederick A.

"A Russian with a bad wig and these glasses - nomination!" I'm enjoying these costume lessons but, apart from the fact that they're really geared toward women, it seems she's also talking about an actor who is in a position to approve or choose what they wear. My guess is that day players or people with smaller parts (non-stars) don't always have that luxury.

David B.

This is my general statement re the many detailed thoughts I have amassed from this course so far. This Master Class is an absolute joy to behold. As well, I feel that what I have been learning here translates into knowledge that I can transfer between the artistic genres, academic disciplines and so so many aspects of life itself. I'm inspired. Rock on! dcb

Mia S.

"Jewelry, for women, can't be too distracting. You want something that's there, that's kind of present, but is not too distracting, unless you want it to make a statement. Jewelry is terribly terribly important, the lack of it... less is more in jewelry, but sometimes it's great to make a real statement. Between these shoes and these shoes, there is a world of difference and about 150 years. I think more than that, is to think about the world that these shoes live in, in terms of freedom of movement, of women, of running, trousers, shorts - the whole world, the whole culture, the society that these shoes live in. More of the physicality of the shoes is what they represent... just the fact of wearing these shoes, allow all of that to kind of inform your performance. Hats - great. Cinematographers would hate this hat, they're go, 'Does she have to wear that hat?' They'd go, 'No, you can't wear that because of the shadows it makes.' Be aware of that. You think, 'I want to wear a pair of boots as this character - no, those boots will not do; yes, they're the right size and the right shape, they're the right color. Look at them - they're brand new, they've never been worn! I want my shoes to look like they've had character and age in them. I'll go into second-hand stores and I'll buy bits of my costume, because they've got life in it, they've been washed a few hundred times. That's such a different thing. They're all falling apart, because they're so loved by the person who wears them. These are real boots - these boots have character, a life, a history. They're all worn down at the heel. Unless there's a whole thing about the fact that you're wearing new boots..."

Mia S.

"Speaking of color... the stuff around your face,it's always lovely to have something you can play with in close-up that gives you a beautiful frame, if you feel that's appropriate. It's also great to have something that, if you want to, you can kind of play with - think about maybe a scarf, or maybe a necklace. Another element that you can add for character - purses for a woman or man. What does this tell about the character? It's old, it's heavy, it's ugly, someone who's very serious, who doesn't really care what something looks like... Your purse is quite important, you have to check that it's easy to open and close. I'm terribly particular about the purse that I carry, because I think women's purses are very much a reflection of who they are. Some are flashy, some are very sober, some are kind of non-existent. Glasses.. what a world of difference between those and these very earnest, sweet, owl-like, and then these are always a winner - you usually get a nomination if you wear glasses like these, because they instantly give you total character. Watches - you're never going to get a nomination for the watch you wear, but it tells the story that you want to tell, and maybe only you will know that. If the watch is going to play, you know there's going to be a close-up of it, then the watch becomes unbelievably important. When you're in the totality of your costume, everything, including the watch, is right. Just for you to stay in character, as much as anything."

book E.

These lessons are certainly opening vistas as a writer. I've never concentrated on clothing not realizing the importance in the characterization. All writers should take this course for learning characterization + description.

Transcript

Now speaking of color, and stuff around your face, this is gorgeous. The color is beautiful. It's alive. It's got a liveliness. But it's not overpowering. It's always lovely to have something you can play with in close up that just gives you a beautiful frame here, if you feel that's appropriate. It's also great, incidentally, to have something that, if you want to, you can kind of play with. If you feel that that's something that you're going to need in the scene, think about that. Think about maybe a scarf, or maybe a necklace, something to play with, another element that you can add for character And of course, purses for a woman or a man-- what does this tell about the character? It's old. It's heavy. It's ugly. It's period. So if it's modern, it's someone who hasn't bothered to buy a new one for a long time, someone who's very serious, who doesn't really care what something looks like. That's one thing. And here, we have a whole other story going on. Your purse is quite important. Because very often, you're opening it and getting stuff out. You have to check that it's easy to open and close if that's going to be a part of your action, so you're not fiddle-assing around and everybody's waiting for you to open your purse in the shot. So I'm terribly particular about the purse that I carry. Because I think women's purses are very much a reflection of who they are. Some are flashy. Some are very sober. Some are just not absolutely [INAUDIBLE]---- a sort of kind of non-existent. Like this is someone who just doesn't care what they look like. This is a lady who is quite Bourgeois, quite elegant, obviously, and just-- it's color-coordinated. There's a little tiny thing here that's useful. Oh, look, it's got a little thing on it. Oh, that's cool. I didn't see that. That would be good, too-- but anyway, very, very, very different. Likewise, my god, glasses-- how much? I mean, think of the queen's glasses. It always a good thing, if it's appropriate, to wear a pair of glasses. What a world of difference between those-- sorry, I'll put them on again-- those and these, very earnest, very sweet, very whatever it is, owl-like. And then these are always a winner. You normally get a nomination if you wear glasses like these. Because they instantly give you, like, total character, especially if you're playing a Russian. A Russian with a bad wig and these glasses, nomination. I'll have to try it next time. Watches, you're never going to get a nomination for the watch you wear. But it tells the story that you want to tell. And maybe only you will know that. But what a world of difference between this little watch, this very work-a-day watch. Obviously, this watch tells a very specific story about a character. If the watch is going to play, you know there's going to be a close-up of i...