Chapter 19 of 20 from Jimmy Chin

Becoming a Photographer: Jimmy's Story

Play

From his childhood in Mankato, Minnesota to the cover of National Geographic, Jimmy shares his story of becoming a professional photographer and offers advice for finding your own mentors.

Topics include: Finding Photography • Meeting Galen Rowell • The Chang Tang Plateau • Help Your Mentors Find You

From his childhood in Mankato, Minnesota to the cover of National Geographic, Jimmy shares his story of becoming a professional photographer and offers advice for finding your own mentors.

Topics include: Finding Photography • Meeting Galen Rowell • The Chang Tang Plateau • Help Your Mentors Find You

Jimmy Chin

Jimmy Chin Teaches Adventure Photography

National Geographic photographer teaches his techniques for planning, capturing, and editing breathtaking photos.

Learn More

Share

Push the limits of your photography

Jimmy Chin has built his career taking photos at the top of the world, earning him the cover of National Geographic and multiple awards. Now he’s taking you on location to teach you techniques for capturing breathtaking shots. Learn his different creative approaches for commercial shoots, editorial spreads, and passion projects. Gather the gear—and the perspective—to bring your photography to new heights.

From selecting the right gear to telling stories through images, Jimmy Chin teaches you how to plan shoots, capture the best shots, and edit in the studio.

A downloadable book accompanies the class with photography and supplemental learning material.

Upload videos to get feedback from the class. Jimmy will also critique select student work.

Reviews

4.7
Students give MasterClass an average rating of 4.7 out of 5 stars.

Jimmy was an excellent teacher and I felt that I was one on one with him as he walked me through all the different aspects of his work. It's amazing to be able to learn from someone you look up to and strive to emulate.

Jimmy Chin teaches more than adventure photography - he teaches how to make a living from a creative skill; how to take risks and build a long-term career. I'm going to look for his name in the credits henceforth; I'm going to dedicate a couple of managed risks to him as well. THANK YOU!!

Excellent class. I highly recommend it for anyone chasing a dream.

I have learned so much about the creative process. I have found inspiration to challenge myself in this time of difficulty and confinement and a way to express myself and communicate to my family like I always have. I simply have to alter my style of photography to speak a different way. Thank you Mr. Chin.

Comments

A fellow student

"Commit...figure it out." Love it. I think that when we decide to do something we can't help but dig deeper and find creative paths that would have otherwise been untapped. Thank you for sharing so much!

Micah K.

It was so cool to learn you that are also from Minnesota! I loved hearing your story about how you go into photography--I kind of had a similar path. Very inspiring, Jimmy!

Jeremy H.

Jimmy, in 2000 we shared some meals in the Indus Motel while you were waiting for your sat phone permit, and Nazir to finish his Everest homecoming parade in Skardu. I was waiting for some climbing buddies to arrive in Skardu to climb some peaks in the valley west of Kanday. One of my buddies on that trip was Russ Taylor (nomadruss.com) who had just bought his first camera to take pictures of our climb. He fell through a rotten floor of the Raja house in Khaplu and broke his camera before we even made it to the trailhead. So I loaned him my Nikon FM 2. He said his love for travel photography was born on that trip despite the broken camera and a scar from the fall through the floor. It is fascinating that both of you were on your first photographic expeditions in that same season and are still shooting today. Enjoyed your stories and images. (BTW. Russ is a ranger with the NPS in Yellowstone these days. If you get a chance you should sit down for a coffee with him. You would both enjoy it immensely.)

James J.

Galen Rowell is the reason I pursued photography for a living. I contacted you back 10 years ago trying to track down that work you did on the plateau with him. Since then I’ve become a full time photog (commercial / editorial) and the two of you have been a huge inspiration to me. I wish I could have met him - hopefully someday I’ll meet you. I’d like to buy you a beer and learn about Galen. cheers James

Transcript

I grew up in Mankato, Minnesota, which is this little town in South Central Minnesota surrounded by cornfields. My parents were both Chinese immigrants from China. I think they were pretty stereotypical immigrant parents. They want to have their children excel. And they had a vision for me having a better life than they did. So when I told my parents, after college, hey, look, I'm going to just take a year off and go climbing, and skiing, and kind of get it out of my system so that I can pursue a real career, they weren't very happy. As far as I knew, growing up, there were like three jobs. You could be a lawyer, a doctor, or go into finance. And so I kind of veered off the tracks, went off the rails, as you say. And one year of living out of the back of my car turned into two. Two turned into three. Eventually, I basically lived in a little hatchback Subaru for seven years. I spent a lot of time in Yosemite climbing and traveled around to ski in the winters. I was doing odd jobs like waiting tables and shoveling roofs here in Jackson on these big mansions, valet parking, just whatever I could do to make a living, to keep climbing and skiing. I think the biggest risk I ever took was to kind of leap off the tracks, leap out of other people's expectations. There was a lot of pressure from my family to take a very specific path in life. And it just didn't work for me. I felt like I needed to find something that gave my life meaning and purpose. And climbing, for some reason, really took a hold of me. And it was in climbing and spending time in Yosemite where I first picked up a camera. And a good friend of mine was trying to be a professional photographer and bought a camera. And he showed me how to use his camera. And I took a frame with it. And then later on, he was trying to sell some images. And at the time, it was slide transparencies. And he sold one image. And it happened to be the image that I took, which he was really kind of bummed about. But I took the money that I got from selling that photo, and I went and bought a camera with it. And at the time, I never thought about being a photographer. I didn't even think of it as a career. It just happened. And I think they paid me $500, which, now knowing what I should have been paid for the usage, I got kind of ripped off. But it was fine, because I was like, $500. I can live for two months on $500, certainly a month easily on $500. And the logic to becoming a photographer was not like a noble kind of pursuit or a pursuit about art or creativity. It was literally a pragmatic decision where I was thinking, I only have to take one photo a month. And I can basically do this for the rest of my life. And that's the logic of an early 20-year-old. [MUSIC PLAYING] So I saw this story shot by Galen Rowell about Conrad Anker and Peter Croft in this valley called the Charakusa. The pictures were outrageous. And I was like, that is where I want to go. I figured, OK, the only ...