Chapter 3 of 20 from Jimmy Chin

Capturing Your Passions


Learn Jimmy’s philosophy for finding your voice as a photographer, evolving creatively, and learning from failure.

Topics include: Find What Drives You

Learn Jimmy’s philosophy for finding your voice as a photographer, evolving creatively, and learning from failure.

Topics include: Find What Drives You

Jimmy Chin

Jimmy Chin Teaches Adventure Photography

National Geographic photographer teaches his techniques for planning, capturing, and editing breathtaking photos.

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Push the limits of your photography

Jimmy Chin has built his career taking photos at the top of the world, earning him the cover of National Geographic and multiple awards. Now he’s taking you on location to teach you techniques for capturing breathtaking shots. Learn his different creative approaches for commercial shoots, editorial spreads, and passion projects. Gather the gear—and the perspective—to bring your photography to new heights.

From selecting the right gear to telling stories through images, Jimmy Chin teaches you how to plan shoots, capture the best shots, and edit in the studio.

A downloadable book accompanies the class with photography and supplemental learning material.

Upload videos to get feedback from the class. Jimmy will also critique select student work.


Students give MasterClass an average rating of 4.7 out of 5 stars.

I loved this Masterclass. I am a photographer so knew a lot of what he teaches. Confirmation and motivation is what I got from Jimmy's awesome class.

First off, Jimmy takes amazing photos and has some fantastic stories. While I did take away some great information, I feel as though it was kind of light. Perhaps that opinion is because I'm already a creative professional, albeit in a different field, but I feel like this class was more like inspiration than a lesson.

Gave a very new vision and outlook and how to approach subject elements and to craft the art.

Jimmy was an excellent teacher and I felt that I was one on one with him as he walked me through all the different aspects of his work. It's amazing to be able to learn from someone you look up to and strive to emulate.


A fellow student

Love your take on how risks move your forward as well as the importance of failing creatively. It is so important to remember that failure is only a moment and often, a brilliant teaching moment, that projects you to the next win with perseverance.

Jim C.

I enjoyed the Annie Leibovitz class. I liked learning about her style (although I knew a lot about it from watching a documentary about her). I like that she's not caught up in equipment. She also doesn't like to do a lot of studio work. But she is a different kind of photographer than Jimmy. She shoots mainly portraits and low-key. As a photographer, I can learn something studying various styles. It all depends on what one wants to get out of these classes. I'm trying to learn from all of them.

Tina T.

Annie L class was a huge disappointment (snooze fest!!). This one makes up for it. :) Very engaging. Talks you thru the process.


I enjoyed this photography class 5X more than Annie's class. Jimmy talks a lot more personal stories and valuable experiences with technical explanation and commercial client requirement ... all are important lessons to learn if one wants to be successful. Thank you.

Meg N.

The idea of aiming from your passion is inspirational... I'm not someone who needs physical risks, but I do have my own filter of whether the topic will be useful in the readers'/viewers' lives or not.. and will wait on a topic until I can see its use, which of course includes being a dangerous rock-climbing adventure, but also might include finding the perfect vegetable, or place to take a nano-break to decompress from stress. Discussing the different styles is also good - "from the inside" vs "perfect moment"... this is a good education!

Ricardo A.

I believe that when we can strike the balance between participatory and candidness, those are the moments that make photography such a great medium to capture humanity.

Petr L.

I'm still 100% shooting with the "participatory" side of things, but I always try to look for "genuine" moments. What's the balance between staged photos with perfect framing and amazing light, or "genuine" moments that aren't technically as good?

Dex D.

"You have to be willing to fail to move forward." Every time I hold my camera, I'm going to repeat this line.


Loved the class . I am learning so much from your style of communication. Very relaxed, genuine, and truthful in how it is presented. INSPIRATIONAL! I took in the morning light. Very cold! I could hear the frost crack under my feet and the boards creek. Canon 70D, wide angle, 17-85. f8 at 400iso. I know the background is blown out but I think it adds to the feel of that morning.

Adrienne E.

Such a great presence. I imagine, born because of your integrated failures. How we evolve into our best selves. Thanks for sharing the truth of your journey.


JIMMY CHIN: I've always been inspired by people who've kind of pushed the upper limits of what was humanly possible. And you always see, if you really pay attention to how they achieved it, that they took an idea, and took it up a notch, and then took it up another notch, and just kind of kept pushing it. I think it's important to look at where the bar has been set before and toy with the idea of setting it higher than anybody else has ever done before. As a photographer, you're setting your own standards. And personally, I think you should set them very high. Photography's so personal. And so if you're not involved in it personally-- like, if you don't feel something about the subjects that you're shooting, it makes it much more challenging. If you do feel something about the subjects that you're shooting, or if it does give you some sort of meaning, and there's depth behind it, it really kind of opens up your eyes to how to shoot it. A classic example is Sebastiao Salgado. He was an economist. He worked at the World Bank. He had a deep interest in geopolitics and how the economies of the world affected the people. And he kind of left academia, and left the World Bank, and pursued his passion about looking at how failing economies might push people out of their countries, and created this incredible amount of work around migrations, also seminal work around the workers. And that focus and that look into migration or workers was really inspired by what he was passionate about before he ever was really shooting. If you're going to shoot, it's really helpful if you have something that you're really passionate about already. So it really begins before you even pick up a camera. I think you need to find something that really interests you. And it doesn't have to be climbing, or skiing, or surfing. It can be a lot of different things. It can be music. It can be art. But when you find something like that, it gives you access, because it's something that you're involved in. You're probably surrounded by people who are into that particular field. That is access. And when you're passionate about something, you know something deeply. And that is important, because that means that you have depth in how you're going to approach the subject. [MUSIC PLAYING] When you're thinking about your work, I always tell people to look at a lot of different photography. And it's not easy to find your voice. I mean, that is part of the whole creative process. Over time, you will find it. But it's helpful to have inspirations. So for example, when I first started shooting in the climbing world, in the mountaineering world, I was really influenced by the late, great Galen Rowell. And he had an incredible body of work. He, to me, kind of invented the participatory adventure photography space. He participated in the expeditions. He was a climber on the expedition. He shot these expeditions from the inside out, because he was in it. And I found t...