Chapter 6 of 23 from Margaret Atwood

Point of View Case Studies

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In this chapter, Margaret discusses her use of multiple points of view in Alias Grace, and why she wrote The Handmaid’s Tale from the first person point of view.

Topics include: POV in Alias Grace • Finding the Right POV in the First Draft • The First Person as Witness in The Handmaid’s Tale

Margaret Atwood

Margaret Atwood Teaches Creative Writing

Learn how the author of The Handmaid’s Tale crafts vivid prose and hooks readers with her timeless approach to storytelling.

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"Alias Grace" is based on a double murder that took place in 1843 in which the man servant was hanged for the murder of his employer Thomas Kinnear. The housekeeper was also murdered but that murder was never tried. The Maid servant, Grace Marks, was condemned as an accessory in the first murder although we know she didn't shoot Thomas Kinnear. She was condemned because she had a window of opportunity in which she could have told on the man servant, McDermott, and she didn't do it. So that's why she got a death sentence. But then a lot of people petitioned on her behalf and her sentence was commuted to life. Right before he was hanged, McDermott said Grace Marks helped me to strangle Nancy Montgomery. He was, however, a well-known liar. But just because somebody is a well-known liar doesn't mean they're lying on every occasion. He gets hanged, she's the only person left alive, and she never told. So that's the basic story. And the novel is about the attempt to discover the truth on behalf of a pre-freudian psychiatric doctor who has been commissioned to prove her innocent by some reformists who think that she was a young girl wrongly sentenced to life. So she claims to have lost her memory. She can't remember what happened. And he's trying to find out where that part of her memory may have gone. So it's told through Grace. She's telling the story. She's telling the story to him, but she's also having some thoughts of her own. And he, in the third person, we hear his story about him trying to find out the truth. And we have Simon Jordan's mother's letters to him. And we have his conversations with other people who were involved. And we also have some newspaper accounts and poems and literary works of that time and from the supposed confession of Grace Marks. Although you don't know of course, whether it really was because, I hate to break this to you, but newspaper accounts are not always accurate. This is the beginning of "Alias Grace." So it is the first couple of pages. But the wrong thing about it is that it's in the wrong person. It's in the third person. And I in fact, wrote hundreds pages of "Alias Grace" in that third person. And then two things happened. I was doing this in France, and I was on a train to Paris. And I got a blinding headache. And in the middle of that blinding headache, I realized that I was going to have to throw out that first 100 pages and transpose them into the first person because it wasn't going to work in the third. And this is something that can often unblock a book for you, either changing the person from first to third or from third to first. And if you're really daring, to second. Or changing the tense from present to past, from past to present can often make all the difference. So if things are not working, you can try that. And each person for a second and third gives you quite a different relationship to the story. So as a first person narrator, Grace can lie. As a third ...

The art of powerful storytelling

Called the “Prophet of Dystopia,” Margaret Atwood is one of the most influential literary voices of our generation. In her first-ever online class, the author of The Handmaid’s Tale teaches how she crafts compelling stories—from historical to speculative fiction—that remain timeless and relevant. Explore Margaret’s creative process for developing ideas into novels with strong structures and nuanced characters.

Analyzing literary classics and her own work, Margaret demonstrates her approach to crafting complex dystopias.

A downloadable workbook accompanies the class with lesson recaps, assignments, and supplemental materials.

Upload videos to get feedback from the class. Margaret will also critique select student work.

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Margaret Atwood

Margaret Atwood Teaches Creative Writing