Ron HowardTeaches Directing

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Ron HowardTeaches Directing

Direct your story

Ron Howard made his first film in 22 days with $602,000. Today, his movies have grossed over $1.8 billion. In his first-ever online class, the Oscar-winning director of Apollo 13 and A Beautiful Mind decodes the craft of directing like never before. In lessons and on-set workshops, you’ll learn how to evaluate ideas, work with actors, block scenes, and bring your vision to the screen—whether it’s a laptop or an IMAX theater.

32 LESSONS

Watch, listen, and learn as Ron Howard breaks down directing in his first-ever online class.

CLASS WORKBOOK

A downloadable workbook accompanies the class with lesson recaps, assignments, and supplemental material.

OFFICE HOURS

Upload videos to get feedback from the class. Ron will also answer select student questions.

Lesson Plan

  • 01

    Introduction

    You know Ron Howard as an Oscar–winning director, a producer, an actor, and one of Hollywood’s great storytellers. Now, he’s your instructor. Meet Ron and learn why the director is the ultimate “keeper of the story.”

  • 02

    Choosing a Story

    Ron believes anyone can direct a movie. The key is loving a story, understanding it, and then backing up your instincts with craft. Learn his technique for finding and telling fresh stories that will leave an impact on audiences.

  • 03

    Evaluating a Script

    Over the years, Ron has developed a personal checklist to evaluate and strengthen a script. Learn the key components of a great screenplay and how to build your own checklist to identify material that’s right for you.

  • Show all 32 Lessons

    • 04

      Refining a Script

      Scripts must work on creative and intellectual levels. Ron knows there’s no shortcut to the rewriting process, and he shares how he ensures a script is “camera ready” before embarking on production.

    • 05

      Story Inspiration: Case Studies

      Ron works on an idea when he feels a flush of inspiration, which can come from the theme, his personal relationship with the idea, or its freshness. Learn how this approach has helped him create some of his most enduring and beloved films.

    • 06

      Developing the Film

      Throughout the development process, your choices and beliefs as a director are going to be tested. Learn how Ron finds the best collaborators to navigate through development hell and bring his projects to life.

    • 07

      Collaboration: Part 1

      Learn Ron’s policy for collaborating on a movie and how working in groups of three can bring out the best in a creative team.

    • 08

      Collaboration: Part 2

      While collaboration is central to Ron’s process, he warns against directing by committee. Directors need to have the confidence to hear everyone, but listen to themselves.

    • 09

      Working with Cinematographers

      The language of photography can overwhelm new directors. Ron talks you through how to find the right collaborator, rely on them, and work with them to define your movie’s visual tone.

    • 10

      Cinematography

      Ron thinks about cinematic choices almost like a character in the movie. Learn how lighting, lenses, and stylistic choices can add visual power to your film.

    • 11

      Production Design

      Learn how Ron finds the right production designers and works to inspire them to create sets that help tell your story, using a mosaic of palettes and colors.

    • 12

      Case Study: Frost/Nixon

      Ron revisits the cinematography and production design decisions that energized and surprised him when he made Frost/Nixon, including powerful lessons about turning compromise into creativity.

    • 13

      Research

      Seemingly small or trivial details can anchor a scene, reinforce a director’s vision, and forge a stronger connection with the audience.

    • 14

      Scene Deconstruction: Raiders of the Lost Ark

      Ron shares a story about how a lucky mistake—forgetting his headphones on an airplane—taught him how to better understand the mechanics of shots, camera setups, and sequences in an action scene.

    • 15

      Scene Deconstruction: Apollo 13

      Ron walks you through the movie’s iconic launch sequence and explains how meticulous research and shot planning energized a familiar historical moment.

    • 16

      Scene Deconstruction: A Beautiful Mind

      Ron shares how he flipped the movie’s point of view at a key juncture in the film in order to underscore the realization of a powerful truth.

    • 17

      Casting

      Ron encourages you to look beyond an actor’s tangible skills. Learn how to trust your gut and recognize the intangible qualities that a performer will bring to a role.

    • 18

      Working with Actors: Part 1

      Ron urges you to collaborate with, inspire, and protect your actors. Learn how you can prepare yourself to work with them—and when to trust them to deliver the performance you need.

    • 19

      Working with Actors: Part 2

      Learn why Ron always looks for moments where an actor’s instinct brings emotional truth to a scene.

    • 20

      Frost/Nixon: Read-through & Staging Rehearsal

      A director’s job is to narrow the seemingly endless staging choices. Here, Ron offers a rare opportunity to watch his directorial process in action.

    • 21

      Frost/Nixon: Feature Staging for Masters

      This approach most closely replicates the staging approach of the original movie. Watch Ron as he collects masters for each setup.

    • 22

      Frost/Nixon: Feature Staging for Coverage

      Ron shows you how he shoots all the coverage he knows he will need in order to optimize for creative choices in the edit.

    • 23

      Frost/Nixon: Alternate Staging Possibilities

      Now that Ron knows he has all his master shots and additional coverage, he explores other possibilities—often following an actor’s natural instincts.

    • 24

      Frost/Nixon: Steadicam Staging

      Ron reworks the scene for a Steadicam, which requires technical movement and choreography from actors.

    • 25

      Frost/Nixon: Steadicam Staging for Frost POV

      Ron shows you an alternative approach he could have tried in the film: using a Steadicam to shoot from David Frost’s point of view.

    • 26

      Frost/Nixon: Staging for Indie Shoot

      If you need to compromise on set, Ron encourages you to keep the staging simple. This indie approach maximizes coverage with limited resources.

    • 27

      Frost/Nixon: Staging Review

      Reviewing the staging exercises, Ron talks you through what he was considering while blocking the actors and planning for each shot.

    • 28

      Editing: Part 1

      For Ron, the editing process is the time when you execute the final rewrite of a movie. Learn how to find the right editor and develop an editing style for your film together.

    • 29

      Editing: Part 2

      Early cuts can break your heart, but Ron knows that editing also offers a thrilling chance to uncover your story again and see your film in a new and improved way.

    • 30

      Sound Design

      Sound design works on a subliminal level. Sometimes taking sound away can be as powerful as adding it.

    • 31

      Music and Scoring

      Ron explains how the most talented composers pick up on details of actors’ performances and build music cues that deepen a story.

  • 32

    Find a Story You Love

    In his final lesson, Ron urges you to be open to the moments and experiences that inspire you, and to find a story that you love and tell it.

Ron Howard teaches the way modern Hollywood works. His class is filled with scene deconstructions and offers several occasions for practical work.

Michael MünchFrankfurt, Germany

This course can help you with everything when it comes to filmmaking-from choosing a story and writing a script, to filming and working with actors on set.

Benjamin Obiwan PoliUnited Kingdom

Ron Howard dishes out the practical nuts and bolts of film directing, while dropping some major insider info. A must for any filmmaker.

Alex FerrariLos Angeles, CA

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Ron Howard

Teaches Directing

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