Lesson time 15:53 min
Neil explains the technique of bringing a character to life by putting them in an unfamiliar situation that creates tension.
Topics include: Character Case Study: “October Tale”
There are two ways you can introduce a character. They can be static or they can be on the move. And it can be really fun if you want to meet somebody, if you want to encounter somebody, if you're bringing on a character, to just throw them into an unfamiliar setting to make the reader do a lot of the work. But by the same token, you're making people immediately have to figure out what's going on. Here we go. This is a book called "Trigger Warning." And it contains in it a short story that I wrote a set of 12 short stories called "Calendar of Tales." Here's the October tale. And I'll go through the whole thing. Because it's fairly short, and it does a whole bunch of stuff with character. And then I'll tell you what I did and I'll tell you why I did it. "'That feels good,' I said. And I stretched my neck to get out the last of the cramp. It didn't just feel good, it felt great, actually. I'd been squashed up inside that lamp for so long. You start to think that nobody's ever going to rub it again. 'You're a genie,' said the young lady with a polishing cloth in her hand. 'I am. You're a smart girl, toots. What gave me away?' 'The appearing in a puff of smoke,' she said. 'And you look like a genie. You've got the turban and the pointy shoes.' I folded my arms and blinked. Now I was wearing blue jeans, gray sneakers, and a faded gray sweater-- the male uniform of this time and this place. I raised a hand to my forehead and I bowed deeply. 'I am the genie of the lamp,' I told her. 'Rejoice, O fortunate one. I have it in my power to grant you three wishes. And don't try the "I wish for more wishes" thing. I won't play and you'll lose a wish. Right, go for it.' I folded my arms again. 'No,' she said. 'I mean, thanks and all that. But it's fine. I'm good.' 'Honey, I said. 'Toots, Sweetie. Perhaps you misheard me. I'm a genie. And the three wishes? We're talking anything you want. You ever dreamed of flying? I can give you wings. You want to be wealthy, richer than Croesus? You want power? Just say it. Three wishes. Whatever you want.' 'Like I said,' she said. 'Thanks. I'm fine. Would you like something to drink? You must be parched after spending so much time in that lamp? Wine? Water? Tea?' Uh, actually, now she came to mention it, I was thirsty. 'Do you have any mint tea?' She made me some mint tea in a tea pot that was almost a twin to the lamp in which I'd spent the greater part of the last 1,000 years. 'Thank you for the tea.' 'No problem.' 'But, I don't get it. Everyone I've ever met, they start asking for things, a fancy house, a harem of gorgeous women, not that you'd want that, of course.' 'I might,' she said. 'You can't just make assumptions about people. Oh, and don't call me toots or sweetie or any of those things. My name's Hazel.' 'Ah!' I understood. 'You want a beautiful woman then? My apologies. You have but to wish.' I folded my arms. 'No,' she said. 'I'm good. No wishes. How's the tea?' I told her that th...
Award-winning author Neil Gaiman has spent more than a quarter of a century crafting vivid, absorbing fiction. Now, the author of Stardust, Coraline, and The Sandman teaches his approach to imaginative storytelling in his online writing class. Learn how to find your unique voice, develop original ideas, and breathe life into your characters. Discover Neil’s philosophy on what drives a story—and open new windows to the stories inside you.
Thank you so much. The class helped me with writing about place, location, and gave permission for more description.
It was great to hear him because be honest its the most important secret to make a good story and I want more. How can I download the masterclass?
I knew this already, but he’s a great speaker. Just listening to him gets me motivated to write.
I have learned that to be a writer, I need to write and even more so, I need to finish.