Lesson time 14:54 min
Your writer’s voice is what makes it possible for someone to pick up a page of text and recognize that you wrote it. Learn how to develop your voice and how to overcome the fear of making mistakes.
Topics include: Start With Imitation · Get the Bad Words Out · Finish Things · Finding the Voice of a Story
When you're a writer, starting out, the idea of your voice, of your style is huge. You want to know what your voice is. You don't really know. I once, years ago, ran into a quote from Jerry Garcia where he said, "style is the stuff that you get wrong. If you were actually playing the guitar perfectly-- if you were making music perfectly, there would be no style." And I thought this was such a great quote and remembered it, and years later, went to find it on the internet. And the only place I could ever find it was me saying it in interviews. So maybe he never said it at all. But I do think that a writer's voice, which is huge, which is important, which is actually the thing that the reader responds to more than anything else-- the end of the day, is a result of getting to the point where you discover this is what you sound like. And the problem, I think, that a lot of young writers have is they don't sound like anybody yet. I know when I was a young writer, I didn't really sound like anybody. What I did was sounded like everybody else. And it's what you do when you're starting out. You imitate. You find voices that you like. You go, "this person is doing something great." I would look at writers like Ari Lafferty or Harlan Ellison, Roger Zelazny, Ursula Le Guin. I go, "I love this thing that they do. I'll try and do that." It was very strange. I wrote a children's book when I was, what, 22? It was the first thing I ever wrote. It exists only in my attic and in manuscript. And it's not very good. But after "Coraline" came out, I thought, "hang on. I have that children's book in my attic. I wonder if it's any good?" And I went off. I found it. I read it to my daughter, Maddie, who at that point was six or seven. And at the end of the day, I sent it back up to the attic where it resides and will reside until the crack of doom. What really fascinated me about it was there was about a page and a half somewhere toward the end that read like me. It read like-- the rest of it, it read like Noel Langley and Roald Dahl. It read like every children's author I'd ever read. And it's all coming back out again. There's nothing really original. I haven't figured out how to do anything. And that's great. And that's absolutely fine, because you don't have to get it right at the beginning. You start out by making mistakes. You start out by getting it wrong. The most important thing you do is just write. But there was just a page. And I looked at it. I thought, "that's me. That actually reads like me." And seeing that felt wonderful, because it was the idea that, yeah, 22-year-old Neil-- actually, the voice was there. I just had to do a whole lot more writing. [MUSIC PLAYING] I think mistakes may be the most important thing for a writer. The question of how do you find your mistakes is very easy. You do stuff. The process of living, the process of trying to create, the process of getting out there and doing something is always a ...
Award-winning author Neil Gaiman has spent more than a quarter of a century crafting vivid, absorbing fiction. Now, the author of Stardust, Coraline, and The Sandman teaches his approach to imaginative storytelling in his online writing class. Learn how to find your unique voice, develop original ideas, and breathe life into your characters. Discover Neil’s philosophy on what drives a story—and open new windows to the stories inside you.
Prompted me to start several new things and move beyond my non-fiction focus but also helped me to finish the two non-fiction projects I was already working on. Thoroughly enjoyed the instructor in this course.
This class has massively improved my confidence, taught me skills that will stay with me for a lifetime and given me the ability to move forward. It has given me tips for writing, but also advice on having the correct mentality, which I believe is one of the most important things that any young writer should know.
This was extraordinary! His class was the perfect combination of practical and theoretical advise. It was told with such sophistication and eloquence. I will be taking this class over and over and pouring through the workbook because everything was a treasure. Thank you!
I am more intrigued now than before. Can't wait to see how this plays out.