From Neil Gaiman's MasterClass

Rules for Writers

In his rules for writers, Neil talks about striking the right balance between humility and confidence, as well as the need to stay organized and devoted to daily work.

Topics include: Struggling Is Part of the Process · Dealing With Rejection

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In his rules for writers, Neil talks about striking the right balance between humility and confidence, as well as the need to stay organized and devoted to daily work.

Topics include: Struggling Is Part of the Process · Dealing With Rejection

Neil Gaiman

Teaches the Art of Storytelling

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I remember reading an essay by Harlan Ellison in which he pointed to an essay by Robert Heinlein. And they suggested rules for writers. And the rules were how to get published. And I read them, and I believed them, and I have applied them, and they have worked for me. Rule one. You have to write. If you don't write, nothing will happen. Rule two, you have to finish what you write. If you start it and abandon it, or if you start it and never let it go. You know, I know people who just really want to make something perfect, something never finished. They never let it go. You have to finish. Rule three, having finished it, you have to send it out into the world to somebody who could publish it. These days of internet that actually broadens your scope, there are so many websites that actually want fiction, want things. But there are also publishers out there. There are agents. You send it out. And that bit is important. I was talking earlier with Caroline about bravery. There are a lot of things that people know are brave. You know, standing up to an armed robber, definitely brave. Wild dog attack, dealing with it, absolute act of bravery. People don't normally list sending a story out into the world as one of those acts of bravery up there with standing up to armed robbers or wild dog attacks, but really, they really are. Next rule, Heinlein's was refrain from rewriting except to editorial request. Having sent it out, don't just start it again. Don't keep writing that book, that story, over and over again. Harlan Ellison added a little note on that. He said, unless you feel what the editor has requested would compromise the integrity of your story, in which case, don't touch it, defend it. Also perfectly valid. The next rule is when it comes back-- because it will probably come back-- you have to send it out again. You can't go, I sent it out to this editor, to this publisher, to this agent, it has come back. My heart is broken. I will never write it again. I will put it away. Instead, you have to send it out. Somewhere out there, there is somebody so drunk, so desperate, so confused, that they will buy it, and they will publish it. And so you're trying to reach that person. Or perhaps somebody with good enough taste and somebody smart enough. Whoever it is, keep going. Keep sending it out until you reach that person. And the other rule, which is mine, it wasn't Heinlein's and it wasn't Harlan's, is and then start the next thing. Through this all, start the next thing. When you finish that first thing, and you start the process of sending it out, begin writing the next thing. Because that's the important thing is apart from anything else, when that publisher comes to you and says, we love this novel, but we'd love-- what's the sequel like, you can say, yes. Here is the sequel. I finished that too. And get them even more excited. You need to be writing the next thing. You don't just write something and send it out and ...

Unleash your imagination

Award-winning author Neil Gaiman has spent more than a quarter of a century crafting vivid, absorbing fiction. Now, the author of Stardust, Coraline, and The Sandman teaches his approach to imaginative storytelling in his online writing class. Learn how to find your unique voice, develop original ideas, and breathe life into your characters. Discover Neil’s philosophy on what drives a story—and open new windows to the stories inside you.

Reviews

4.7
Students give MasterClass an average rating of 4.7 out of 5 stars.

Loved it so so much. And hate to say goodbye. Invaluable lessons and quite a journey with Neil. Thanks for all the work to make it happen.

Absolutely loved this class. I've read a few of Neil's books, but now I want to go devour every word he has ever written and then again. I've never been a note taker in classes, but in this one, I was practically taking dictation. Great teacher, great speaker, and thoroughly entertaining as well as informative.

Absolutely marvellous. I have learned so much from Neil. THANK YOU.

Neil Gaiman is brilliant. I've taken his advice, I write, I finish, and I've sent my stories out into the world.

Comments

Alexandria S.

I haven’t published any of my books yet, mainly because I’m still a student in high school and I’m getting close to college. But when I do publish my novels, I will make sure to take rejection as a way of trying to fix whatever must be fixed in my stories.

A fellow student

Neil’s words about keeping writing and facing rejection are important and encouraging. I’ve written seven books, six that I’ve sent out and was rejected by every agent I queried. Some of them did want to see more which was cool. I’ve just finished the first draft of an autobiographical comic about my four trips to China with my last on ended with an emergency medical evacuation because of a mental breakdown I had.

A fellow student

Neil had a simply amazing incite into the process of story telling, releasing your natural creativity, practical and inspiring, just persevere with the joy of writing, grow in the craft. Thanks Neil for your infectious joy of putting pen to page,

Carolyn S.

Great American accent Neil and as always fantastic and insightful advise. Keep moving ... keep creating ... don't look back.

Maria P.

OK, this was a really helpful lesson. Not so much in terms of writing but of remembering to enjoy what you're doing and appreciate your effort enough to let it go, even if in the end you fail. My question is when you get rejected do you just go ahead and write the next thing or do you try to fix the one that got rejected? Dissect it, find what doesn't work and make it better? Or is it that once you're done, you've finished editing and re-editing (and re-editing x infinity) it's impossible to see its actual flaws. Because in my experience once you've reached the 100th edit you've either reached a point where the whole thing seems flawed or you love your flaws so much you don't see them as such...

Lou Nell G.

As a recipient of “Not right for us,” I thank you Neil for helping me be OK with this. For “Begin writing the next thing.” I thank you. For “Brick by Brick” balanced against the “Magical Days” I thank you. As someone who often relates to Bon Iver’s “Holocene”: “And at once I knew, I was not magnificent,” for the “...conviction that you are brilliant,” I thank you.

Michele H.

"...the arrogance of a seven year old boy" ! What an amazing phrase! We have to believe ourselves to be brilliant, whether or not it's true. Grit, right? Bricklayers and birds. Mr Gaiman continues to be a insightful, uplifting and inspiring teacher. I am so glad he agreed to teach this class and share his love of writing with us.

Susan

Good gosh thank you! The analogy of a brick representing each word in a possible 100,000 word novel is priceless. There have been numerous times I’ve felt this way. I also like the descriptions of the one headlight in the fog and the clear patches that surface along the way. Another valuable point you make is the importance of forging ahead until you reach the point of completion (not perfection).

Sukhdev S.

Just finished reading The Graveyard Book! Really signifies Neil's teachings!

Chad E.

Rules for writers are good solid common sense that apply to more than just writing.