Arts & Entertainment
Lesson time 16:14 min
Neil believes that even old stories can be approached from new angles. Learn how to create your own “compost heap” of inspiration and how to draw from your experiences to make a story uniquely your own.
You know, for all writers, you kind of have a compost heap. And if any of you are not gardeners, kitchen people, the compost heap is where you throw all of the garden and the kitchen rubbish, the food scraps-- you throw it all on the compost heap. And then it rots down. And a year or so later, you look around. And you just have this lovely brown stuff that you can put on the garden, out of which flowers and vegetables will grow. And I think it's really important for a writer to have a compost heap. Everything you read, things that you write, the things that you listen to, people you encounter-- they can all go on the compost heap. And they will rot down. And out of them grow beautiful stories. I think the thing that you don't understand, especially as a young writer, when people talk about your influences is the tendency is simply to go and look at the things like the thing that you do and point to them. So it's easier for me probably to point to Tolkien and Dunsany and James Branch Cabell, to Ursula Guin or PL Travers and say, well, I do stuff like this. And I can point to those people. And what you don't necessarily point to is the stuff that does what you do but is in a different kind of field or a different kind of area entirely. My wife writes songs. She makes music. She performs. And what's important to her is emotional honesty, is truth. And she was probably in her late 30s before she realized that in all of the lists of influences that she would give-- when people would say, well, what are your influences? And she'd talk about The Cure or Leonard Cohen. She'd talk about punk bands. She'd talk about all of these things that she loved. She'd never talk about Judy Blume because Judy Blume was an author who she read when she was 10, 11, 12, 13, 14 and an author who changed her and went in really deep and talked about honesty and gave Amanda the things that she wanted. For me, I never talk about Lou Reed. And Lou was huge for me. And one of the reasons he was huge for me is he would write these songs that were like three-minute novels. There was a story in there even if you weren't quite sure what it was. And it was compressed. And it was very, very heightened because anything that happens with music is always incredibly heightened. And the choice of words in a song is so important because you don't have very many. So watching how Lou wouldn't tell you what to feel, wouldn't tell you how he felt, that the emotion would actually be almost pulled out of the song, but it will be there for you to interpret yourself was probably huge. It's something that I still love doing when I write-- is I would much rather not tell you how to feel about something. I would rather you just felt it. I will tell you what happens. And if I leave you crying because I just killed a unicorn, I'm not going to tell you how sad the death of the unicorn was. I'm going to kill that unicorn. And I'm going to break your heart. That was something I ...
Award-winning author Neil Gaiman has spent more than a quarter of a century crafting vivid, absorbing fiction. Now, the author of Stardust, Coraline, and The Sandman teaches his approach to imaginative storytelling in his online writing class. Learn how to find your unique voice, develop original ideas, and breathe life into your characters. Discover Neil’s philosophy on what drives a story—and open new windows to the stories inside you.
This is a wonderful insight into the mind of a fascinating, versatile writer. Some advice was new to me, and some affirmed what I'd already sensed. While the accompanying documents are more detailed, with step-by-step instructions, the videos are inspiring. I had to hold back from watching them all in one go. I see myself returning to them, just to hear Neil's calming, positive words. Lovely.
I was being too preachy. I learned to reference ideas that will allow the reader to grasp my lesson without my having to spell it out.
Just finished the creative writing class with Neil Gaiman. He covers the basics (as I think all writing teachers should) but he does it using his own work as an example, while at the same time making it relatable and enjoyable. There are also a few fantastic pearls of wisdom that are all his own. These alone make this class worth it and I recommend this to any aspiring writer.
I learned that I need more patience. Neil’s delivery style caused me to slow down and listen. I also was reminded not only to write but to finish my projects! Thank you!