To submit requests for assistance, or provide feedback regarding accessibility, please contact

Film & TV

Directing Actors

Jodie Foster

Lesson time 21:19 min

Jodie teaches you how to work with an actor on set to create a compelling scene.

Jodie Foster
Teaches Filmmaking
In her first-ever online class, Jodie Foster teaches you how to bring stories from page to screen with emotion and confidence.
Get Started


Very often, the biggest worry that students and new filmmakers have is, how do I direct actors? And what happens if an actor won't do what I'm asking them to do? It is a fear that keeps people up at night, and it does happen. And occasionally, you'll have a personality of an actor who doesn't really want to do what you were hoping that they would do. And you sometimes have to be flexible enough to be able to change your ideas that you came up with. As I said, you can't make a film in your hotel room all by yourself. It requires for you to collaborate. And that also means that an actor's process has to come into your process. I very often talk about this analogy that good directing is good parenting. A good parent is somebody who loves you no matter how much pain you have on your face, who is there to be supportive and to say, yes, yes, yes, who's a cheerleader of positivity and who allows you to jump off a building, and to do something ridiculous and be foolish. And you know that they'll still be there. They may even agree that it was foolish, but they can't wait to do it again. So somebody who is a part of that process. Martin Scorsese. That was my experience with Martin Scorsese. But an actor also wants a good parent who says to them, the train is leaving the station at 8:32, and it's arriving at the other end at 11:45 so that they have constraints, that they have a structure that they can depend on and that they can feel safe inside. They don't want to feel like they're wallowing somewhere. And what happens if they drown? There will be nobody there to save them. So a good parent is both things. Both controlling and freeing. I like to bring that to the process with actors that may feel scared. They may be nervous. They may have butterflies. And the first thing they do is they put their heels down and they say, I cannot move and I will not move. I try to make them feel comfortable that I'm going to give them the freedom, but that they're also going to have my structure. [MUSIC PLAYING] I've worked with a lot of children. And unlike a lot of people, I love working with children and animals, because they're pure and they're honest. When a child does not want to throw that bowl of spaghetti anymore, they will not throw that bowl of spaghetti one more time. When that cat does not want to cough up another fur ball, there will not be another fur ball. And knowing that, they operate out of total honesty in that they can't be bribed by fame, or money, or more food. That they will only do something if we feel like it's real and that it comes organically to them I think is a real help. It means that you don't force them into situations that are wrong. I remember once trying to force a child actor to put his hands in his pockets and to say the lines with his hands in his pockets, because I had an idea in my head that that would feel like something that I was looking for. And every time he put his hands in his pockets, he became ...

Storytelling in action

Go behind the scenes with two-time Oscar-winner Jodie Foster, star of Silence of the Lambs and director of Little Man Tate. In her first online film class, she’ll teach you how to bring your vision to life. Jodie discusses her experience on both sides of the camera to guide you through every step of the filmmaking process, from storyboarding to casting and camera coverage. Everyone has a story. Learn how to tell yours.


Students give MasterClass an average rating of 4.7 out of 5 stars.

Loved this class so very much. It was clear, useful, meaningful, and heartfelt. It was also wonderful to be taught by a female filmmaker who has such a vast amount of experience on both sides of the lens.

Awesome class. I have been collecting thoughts as I take different classes that I feel are making me a better everything - this class was no exception

So informative and interesting. Thank you Jodie for inspiring my inner stories to emerge on to film.. Appreciate you so much and what you've given in your movies and in this Masterclass.. Hope to meet you some time or even work with you..

Very informative, smart and insightful class into the full range of film making. Jodie Foster has the unique vantage of acting and directing.


Milad T.

if someone is in the industry that is reading this, hmu lol, I have amazing ideas


It would have been nice to see Jodie direct a few actors in this session of her Master Class. Just to see her process and the communication between director and actor.

Ethan R.

Great lesson. I've been looking around for some more specified commentary in regards to directing actors. Most times you get very generalized advice or tips. This is some of the most useful information I've been able to find.

A fellow student

I loved this lesson. It's the trickiest and most daunting part of directing I think, because you really have to be part psychologist, part parent, part collaborator. Ms. Foster, you give such great insight into both sides of the equation. Thank you!


What I loved about this lesson was that Jodie kept saying 'we' when discussing directing Money Monster. A true collaborator!

Angela D.

Respect and listening and flexibility. Working as a team. Great examples. Such a good teacher.

R.G. R.

Wonderful lesson, especially the example she gives of the two actors and her working to rewrite what did not, at first, make sense to the actor. Too often some directors see actors as conduits of their and the writer's work to be simply said without allowing input from the actor on what is or is not really being said. It might not happen often, but if an actor is truthfully suggesting that what he or she is saying doesn't make sense, trust the input from the actor or at least, be willing to explain why you need the actor to say it the way you as the director wants it to be said.

Dan U.

Foster is quite knowledgeable. Directing actors is something to watch more than once.

William D.

Loved this lesson - Very practicable. (Also entertaining to notice how much Jodi talks with her hands - Which would make sense as she is so visually geared.) Great insight regarding human nature.


I watched this lesson many times, her clarity and respect for the craft is incredible. I enjoyed this so much.