Lesson time 15:42 min
David describes the tools he uses to create compelling characters: Expect your characters to change, allow them to have flaws, and give equal importance to your sidekicks and antagonists.
Topics include: Make Your Characters Human • Give Your Characters Baggage • Expect Your Characters to Change • Don’t Give Sidekicks Short Shrift • Create Villains of Moral Complexity • Make Your Hero Unique: Memory Man
[MUSIC PLAYING] - I've read a lot of books in my life, and I'm sure you have, too. I don't always remember the plot to these books. The one-- what sticks with me are the element-- are characters. If you read "To Kill a Mockingbird," you know it sort of has something to do with the racism in the South, but you remember Scout. You know, you remember Atticus Finch. You remember-- you may remember Calpurnia, the maid. I really feel like Amos Decker is one of my best characters ever because he's so unusual. And I remember getting a lot of emails from people after the book came out. Love "Memory Man," but boy, that Amos Decker is annoying as hell. You know, I can't take my eyes off him on the page, but boy, I'd like to kick him in the ass a couple of times, too. But that's what I wanted because that makes a character memorable for both good and bad reasons. Because characters in a novel-- the only shot that you have to connect on a human level with the reader. The plot doesn't do that, for the most part, but the characters do. So you have to really invest a lot of time in creating characters that are not only deep, but three-dimensional, seem real to people. They could walk out to the street and say hello to these people, and they would just interact with them as they would with anybody else. [MUSIC PLAYING] I will make a bet with all of you that you have never in your entire life met a perfect human being. It just doesn't happen, doesn't work. If I met a person who was almost perfect, I forgot them because it just didn't seem real to me at all. And the same track in a novel. You can't have somebody out there who's a totally white knight with not a blemish. It just doesn't work. Flaws in a character-- it's almost a misnomer to call them flaws. I just call them deepening character traits. All readers have those same types of things. We all have issues and problems. We fall down a lot. We get up. We make mistakes. So flaws are, one, it makes the character human, just by default, because everybody recognize that we all have flaws and mistakes. But two, it gives you plot elements and plot opportunities, because somebody makes a mistake. Why? Because they're flawed. And what does that mistake do? Well, they have to overcome it. It's an obstacle they have to get through. And eventually, it makes people root against them-- root for them because they're looking and they go, you know, they recognize a mistake. We all make mistakes. They got knocked down. They got back up. And now they're gonna figure out and get to the truth, and I can support that decision on their part. And I can root for them to get to that point. Will Robie is a government hit man. You know, he's the best assassin we have. His job is to go out and to kill people. When I first thought about him as a character, I was like, how can I make any reader care about this guy? Because on the very first chapter, he's gonna, like, kill several people in underground Edinb...
David Baldacci has captivated readers across the world with gripping, suspense-fueled thrillers. Now the New York Times–bestselling author of 38 novels shares his techniques for crafting authentic characters, developing research-based plots, and navigating the world of publishing. Learn how to write a novel with red herrings, clues, and plot twists that will keep your readers turning the pages.
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In his MasterClass, bestselling thriller author David Baldacci teaches you how he fuses mystery and suspense to create pulse-pounding action.Explore the Class
David Baldacci is a great teacher. I enjoyed his manner of instruction, and the subjects he's covered. I've come away from this class with some new tools, and approaches to my fiction that I believe will help me craft more compelling thrillers in the future. Thank you.
This was the best class that I've taken so far. Very inspirational and encouraging.
That was very valuable advice from a top performer in his field.
Basically I've learned you're either a writer or you're not. If you're not, that's okay. Just stop saying you want to write a book. Write the book or move on to ballroom dancing. Your choice. ;-) Thanks, David, for an informative peek inside of your head and process. Enjoyed it!