Music & Entertainment
Lesson time 10:35 min
Playing the violin is a physical experience. Learn Mr. Perlman’s methods for staying comfortable and avoiding injury.
Topics include: Comfort and Posture
[VIOLIN PLAYING] INSTRUCTOR: Violin playing is potentially uncomfortable. And the problem is that if it's uncomfortable, we have to make it as comfortable as possible because we have so many things to worry about. First of all, a lot of the things about playing an instrument-- I always ask people, especially when they, you know, when they are so concerned about doing the right thing, is to breathe. You know, sometimes we are not breathing, you know. And as a result, we feel all of a sudden that we're just out of breath, you know, when we-- that's not good. So always just-- in a sense, you have to relax when you play. That's one thing. The other thing is your posture, which we can talk about also, very, very important. You have to be grounded, well grounded. And a lot of players have different kind of postures without them realizing it. Because when they see something that's very difficult, let's say, they try to-- they lean forward, or they lean backward. And they don't realize that they're doing this. While I always keep saying, you know, the violin should be, like-- you know, if you take the violin, it should be like a table. It should be absolutely straight so that the bow can absolutely do its thing. In other words, you don't want, you know-- when you play the violin, you are not doing body English. You're not supposed-- a lot of people are going-- and all of that stuff, you know, because it's very musical. And they probably do feel very musical when they do that. But sometimes it has a tendency to mess up, to camouflage what you're trying to do technically with a bow. So if you want to play detache, which is on the string-- you know, if you go-- like that, not as easy, not as easy, you know. So you know, just pay attention. I always say, pay attention what your bow arm does. Pay attention of what your left hand does. It'll be easier for you. And then you'll be able to execute better and still be musical. I mean, being musical, you know-- so I always have-- I have sometimes students where I call them the-- they call their violin position the Tower of Pisa position, where they're basically going always like that, you know. They're always leaning to the left, or they're always leaning to the right, and so on. I just believe in holding the violin where it's parallel to the ground. That's where you want to hold. You also want to make sure that you are comfortable between your chin and your shoulder. And that, we're going to talk about with some of my students, because that's a very interesting problem to talk about what goes on the back of the violin and what kind of chin rest you use. A lot of people-- you know, a lot of the reason for comfort, it has to do with how it feels between here and there. And we all have-- we're all built differently. I'm always fascinated by what kind of problems artists or advanced students have. And so we'll have a discussion with some of my present students and some of my former students...
The world’s reigning virtuoso violin player, Itzhak Perlman performs for presidents, royals, and classical music lovers around the world. Now the beloved Juilliard instructor and 15-time Grammy Award winner brings his passion for teaching to a wide audience for the first time. Learn fundamental techniques, practice strategies, and how to add richness and depth to your sound. Give your most dynamic performance yet.
Featured Masterclass Instructor
In his first-ever online class, virtuoso violin player Itzhak Perlman breaks down his techniques for improved practice and powerful performances.Explore the Class
please! invite more soloist come to this party!
Was good to recall my music scholl time, when a child. Found the majority of things said familiar and very close to me and true to my understanding. Good refreshing that comes out of Mr.P's honest and clear style
I don't play violin, but do play in a small orchestra and found the course just wonderful. Good practice techniques and understanding your instrument is universal. A joy to watch.
I sometimes listen to what Itzhak says and try to keep it mind what Itzhak says to inform me when practicing or preparing for a performance like always practice as if you were in a performance.