To submit requests for assistance, or provide feedback regarding accessibility, please contact support@masterclass.com.

Music & Entertainment

Developing Melodic Structures

deadmau5

Lesson time 16:46 min

Whether you've had musical training or not, you can use these deadmau5 techniques to start drawing melodies into your DAW and creating loops that resolve.

Play
deadmau5
Teaches Electronic Music Production
6 hours of instructions, 23 video lessons, and a downloadable course workbook.
Get Started

Preview

I approach music on an experimentation level. I don't dream up things. I'm not fucking-- what's his name from the Beatles. I had it in a dream, and I transcribed it. I need to hear it. I need to be on it and be experimenting with it right then and there. Essentially, all music is is a series of cycles. And that's for everything. Country music is a series of cycles. You play this chord, that chord, that chord, that chord. And then it's this chord, that chord, that chord, that chord, this chord, that chord, that chord. There really isn't a lot of music out there that isn't part of a cycle. So the thing about the cycle-- in my mind, the way it works is that you start on a note, and then do what you want here, but just as long as you can get it to resolve back to that same root structure so that the cycle sounds natural as opposed to some abrupt thing. I don't know. Because honestly, I slept during music. And even though I went to a conservatory for music, I slept doing that too, and I totally don't know what this is called. But I call it resolving. Maybe that's actually what it is called. I don't fucking know. So the melody has to resolve so that it sounds like a continual cycle or something like that. So it can't just abruptly end on a chord and then start on a different chord on a different key. It just clashes when it comes back around if it's a loop bass thing. All of my songs would be good examples of how to close that loop. Let's see here. So this is just some free thinking stuff here. [MELODY PLAYS] I'm just going to tighten this up real quick. OK. So we got three now that harmoniously go together. [MELODY PLAYS] So that would be my first two bars of something. [MELODY PLAYS] So that's a cycle in itself, but there's no key change in there. So what I would instinctively do is duplicate that. And so you have that now, and now you've got a four bar kind of melody going. But you want a key change. [MELODY PLAYS] Now, I know the top note should be this, so I'm going to put that in the same spot and then bring that first note down. [MELODY PLAYS] Well, now that's a change. Now, a bad cycle, I can tell you right now, would be-- since now we're looking at eight bars-- Yeah. See, now that doesn't resolve to me. Now, when I'm doing this kind of thing over eight bars, what I'm actually looking at is this last bar and this first bar. So what I want to do is just listen to the-- [MELODY PLAYS] So the only way that would resolve as it is now without it changing completely is make this minor now. So now I know that-- [MELODY PLAYS] See that? To me, that makes more sense than going from that minor to major. Now I'm going from minor to minor, which makes more sense. I think it's actually just a different interval of that exact same chord. So now that I know that those two are on, now I can go ahead and fix. [MELODY PLAYS] See, now t...


Make better music

Before he was deadmau5, all Joel Zimmerman wanted for Christmas was old toasters to take apart. Now, you can watch him take his music apart. In his first-ever online class, Joel teaches you how he approaches melodies, mixing and mastering to make unique sounds you can't find in a cookie cutter sample pack. You'll not only get his lessons, you'll learn how to create your own music without spending money on million dollar gear.



Reviews

4.7
Students give MasterClass an average rating of 4.7 out of 5 stars.

Very professional production quality. To be honest the most valuable pice of info i derived was a one-liner from Deadmaus where he revealed all his tracks are high passed at 50 Hz. That single 5 second clip of info was the most important piece of advice i derived from the course and have implemented into my workflow moving forward.

Loved the class, albeit geared towards young or sprouting producers, I still learned a few things - which is always good!

Building confidence within yourself to perform and produce great quality music. Also showing how to find yourself in song.

I think I've started whole new life after taking deadmau5's masterclass. Thank you guys about making this outstanding lecture.


Comments

Amanda H.

I really enjoyed the drone note part. His entire process is fascinating and intuitive in a way. I appreciate that he doesn't delve into the music theory behind it all but plays it by ear. I believe that is the joy of making electronic music! Cheers!

GEORGE G.

He goes thru this lesson quickly (very informative) but it helps if u know the lingo for computer and recording equipment he uses.

rick M.

0:15 "What's his name from The Beatles..." That would be Paul McCartney, who wrote Yesterday in the manner Joel describes, the result of a dream the night before. Not for nothing — this lesson had plenty of great stuff for the fledgling melodist — but a study of Macca's melodic sensibility, both vocally and on bass guitar, would be a master class in itself.

Matthew C.

I have a music performance degree, and this is fascinating to watch his creative process. Creative genius, and no idea he's made all his music without the use of a formal keyboard/piano.

A fellow student

You know whats crazy about Deadmou5? Drone notes and resolve is indeed a musical aspect. The drone notes he talking about are basically pedal tones, many classical composers like Beethoven and especially Bach used pedal tones to create tension. Resolve is also a concept that allows the section to "come home" which would be the root chord of the key. Deadmou5 has learned all of this through self learning and experimentation, that's probably why his music is so unique.

Jeremy

Man he's so right on listening to the cycle. many times I think "i got it" then loop it and i'm all "what is that????" :-)

MJDorian

Wonderful insights, I really dig the idea that you should always be mediating between 'pleasing' your listeners and 'pleasing' yourself. And the curious detail that 'pleasing' yourself often means exploring uncharted territory. Love that insight.

A fellow student

He reminds me of one of my art school teachers. Just watching him work through things teaches me so many things.

Timothy O.

That was very useful.....I liked his comments about not being "obvious" and the distinction between crowd-pleasing and pleasing oneself musically...that made a lot of sense to me

Bryston W.

"What I had done here is used ABSYNTH." I think for a brief moment, at least for those of us who are new to this, thought of ABSINTHE. Maybe just me. Made me chuckle. Keep rocking y'all.