Music & Entertainment



Lesson time 11:27 min

Learn how deadmau5 works when he's remixing other artists, and what he likes to hear when other artists remix him.

Teaches Electronic Music Production
6 hours of instructions, 23 video lessons, and a downloadable course workbook.
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Remixing is cool. It's good exercise, because it cuts out a lot of work that you might be stumped on or something like that. And there's plenty of online collaborative websites, that kind of thing, where an artist will release stems and stuff like that, to other artists to use as tools to remix their work. And whether it's for a contest or for fun, or whatever, but ultimately it's just a good thing to look at other people's work sometimes and say oh, well that's an interesting way of making a drum sound that way or a certain effect being applied that way. And it can be fun at a time, if you can really take what the true meaning of a derivative work is, out of what they've done, as opposed to taking what they've already done and then changing just a few things and passing it off as a remix. So my remixes, I like to call them reworks, because I only take one element-- The way I do it is, I only take one element out of a song and usually for a remix, it's a vocal, or a certain phrase, and that's it. And I will rework a whole new body of work around it. I would reinvent the track completely. Saying, if this singer came in and just sang blindly into a microphone, what would you right around it? So I tend to ignore what they've already done musically, rhythmically, or whatever, and then just throw that all out, and then just use the vocal, put a clock behind it and start writing around the vocal. That to me, is a remix, even though by definition, a remix could very well be the same song, but just mixed differently in terms of process. That is what technically, a remix is. I don't know how it got kind of mixed up in the terminology that, this is a remix of this. And I'm like, well remixes-- It wasn't mixed right the first time and now they've taken all that same track information and just mixed it properly. It's like no, it's an entirely different song. It's a remake. It's a recreation. It's not a remix. There are some tracks that, in my mind are just so good that I don't think that changing it in any other way-- But sometimes you're surprised that someone was able to actually take something good and make it better. But it's kind of rare, because sometimes they take something good and then they just kind of do a mediocre version of it, or something lesser than what it was and stuff like that. So when you hear a beautiful piece of work, I don't immediately think, oh I wish someone would make this better, or I wish someone would rework this in the way that I like it better. Because then, that would mean that the music wasn't up to my par, if I hear shitty track I say it all the time. God, I wish someone would remix this or did this differently. Because I've heard a lot of really brilliant ideas being poorly executed. But since they're like big artists, nobody can take that and do something with it, because it's their intellectual property. No pun intended, ...

Make better music

Before he was deadmau5, all Joel Zimmerman wanted for Christmas was old toasters to take apart. Now, you can watch him take his music apart. In his first-ever online class, Joel teaches you how he approaches melodies, mixing and mastering to make unique sounds you can't find in a cookie cutter sample pack. You'll not only get his lessons, you'll learn how to create your own music without spending money on million dollar gear.


Students give MasterClass an average rating of 4.7 out of 5 stars.

It was really useful to see into the creative mind of Joel - it really helped seeing how he builds his sounds in the digital audio workstations. The melody lessons and mix and mastering are probably the most helpful (to me anyway). Really enjoyed it!


Loved it-- going to run it back again and probably a 3rd time!

A good walk through the behind the scenes world of Deadmau5's brain. Take notes, study up and work hard - because this class is not one to sit back on


Cameron D.

Here's a remix I did of Chvrches "Get Out" after they put their stems up online, my first remix. Listens appreciated.


Feel In Love (Deadmau5 Snowcone Remix) - RevShow

Kenny K.

The remix at 7:48 uses a pitched and slowed sample from Primeloop's Ambient Fractals sample pack. Not a good or a bad thing, just something I noticed. Can you hear it?

David G.

My first remix. My first real complete musical work, actually. Done on laptop using Mixcraft Pro 8 and nothing but the stems Joel supplied. Mix may not be the best on a proper audio setup. (will invest in gear later)

Bogdan I.

Here is how this information went for me. Rework do not remix. You know in fashion how it was a trend and still is to rework clothes. This is how I connected the dots. All is connected. Somehow.

Kenneth S.

I love that Joel get's excited about someone's re-working of his track! That speaks volume's about being open to creativity. And then when he says, "balls in your court, Hey, I'm not going to tell you what to do, I'm going to tell you how it works", beautiful!

Kristian J.

Interesting lesson. Everyone has an opinion about remixes... It's interesting to hear Deadmau5's. Cheers.

Yannick W.

1:45 The pre-version of what we think of when we say “Remix” today, was called a “Dub.” A Dub version of a reggae song for example, is a remix, where the vocals of the song are deleted or damped while hall or echo effects are added. Remixing or dubbing was helpful because it reduced songs to their instrumental base, extending and improvising the musical skeleton. A practical advantage for DJs since they could record their mixes using fewer sound mediums than the original songs. While a dub is still "technically" a remix, it is a music piece with technical implementation only and with no musical reinterpretation. (bound remix) At the same time, we use the term "Remix" for a music piece with musical implementation, where the main goal is the musical reinterpretation. (experimental remix) Extreme sound effects and new chords are added with defamiliarising purpose but the original is still audible to the ear. Both bound and experimental remix are technically remixes, hence the confusion in terminology.

Simon K.

Is anyone know how to get the stems? I checked on the workbook but it says that i don't have access to the file when i click on the link "snowcone" ...

Vince K.

Im still a little stuck on remix... is there some files we get to remix on???