To submit requests for assistance, or provide feedback regarding accessibility, please contact support@masterclass.com.

Arts & Entertainment

Composing

Herbie Hancock

Lesson time 13:43 min

Where do songs come from? For Herbie, they start to take shape in life experiences. Here’s how he turns memories, impressions, and emotions into music.

Play
Herbie Hancock
Teaches Jazz
Learn to improvise, compose, and develop your own sound across 25 video lessons.
Get Started

Preview

When you're by yourself creating a song, you have an open slate. You can start in any way that you want. The first thing to do is to start. But it's important to not let that start also be a stop. You know how many times I felt like, wow, I don't know what I'm doing. I don't even know where to start. I've got a deadline, and I don't have anything to show for it, but because I've experienced this before, I'm not giving up. I know that as I'm talking to you, I have many of those same problems, and so I'm also talking to myself. So all I have to do is start with one or two notes, maybe three notes. And then, that will lead to something. First few notes that I play or the first few notes that I write, I'm going to use it, no matter how horrible it sounds. You know what happens? Yeah, it might sound horrible, but then, I write the next note. And then, something turns over in my perception of what I just heard. I see a doorway, and that leads me to the next note. Or the next corridor. Or next idea. Eventually, there is something I have to work on. It can be clumsy, unfinished, but at least, there's something there. A problem happens when you don't put that first note down. Or you don't play that first note. Or that first chord. To start, that's the secret, start. [PIANO PLAYING] Honesty goes a long way when it comes to composing, especially, today. People want to hear real things about real people and real experiences in life. Even the sufferings of life. So taking it on as something that you want to share with others, that's kind of the philosophical way I look at composing. It's something you want to be able to present to others. To share with them your feeling about whatever it is. Or someone else's feeling about it, if that's what's required. It takes a lot of courage to do that, but it takes a lot of courage to work on having a successful life. Having a successful career is one thing, but having a successful life, that's why we're here. When I say successful life, I don't mean how much money you make. I mean living a life where even fear is not an obstacle for you. Living a life where you feel like you have done something for others. This is the greatest joy in life, is that you've actually made some other person happy. That's what we get from making music. [PIANO PLAYING] If you want to compose something, you could just sit down and if there's something that you feel at the moment, you can write about that without thinking about anything else except that feeling, that's how I wrote Watermelon Man. And I wanted to write something that was true in my life. So being a black man from Chicago, from the hood, I started thinking about what is really ethnic because the idea of funkiness, stemmed from something that was black and ethnic. And so I said, OK-- I was living in Chicago. I wasn't living in Mississippi with cotton fields. ...


Find Your Sound

Herbie Hancock's jazz career started in his family's living room, listening to his favorite records and trying to play along. Now, he's one of the most celebrated musicians in the world. Join Herbie at the piano as he shares his approach to improvisation, composition, and harmony. Gain access to 10+ original piano transcriptions, including 5 exclusive solo performances.



Reviews

4.7
Students give MasterClass an average rating of 4.7 out of 5 stars.

This is probably the best masterclass that will ever be available on this site.

Herbie is always open to the new and exploring. His nice easy touch and teaching method makes it very tempting to explore with him. Bravo!

I don't play piano (not to any usable standard), but I loved hearing Herbie's take on things. And the basic information such as chord voicings, composition and exploration can apply to almost any instrument. And what a beautiful soul Herbie is.

I have escaped my musical box of thinking and am refreshingly inspired by life in music


Comments

John G.

After carrying a blues harp around for 50 plus years I am finally able to improvise, creating music and melody I never dreamed I ever could. Thanks for keeping me confident and aware!

Willy R.

Wow... I am currently the musical director of the Tito Puente Jr orchestra and listening to Herbie share these gems and knowledge is truly a breathe of fresh air. As director and pianist I sometimes overthink the notes I am playing while soloing on stage. Listening to this has truly opened up the possibility of not only getting rid of the overthinking but to also be free and just express myself in a way that is comfortable to me without thinking about what others will think.

Emanuele A.

This was my first masterclass ever. Important: i'm no musician, i'm artistical director in a jazz club in northern Italy (Torino) but i found anyway this lessons so motivating and inspiring not only for my work but for MY LIFE. So happy to be here. Such an inspiring place. Keep up the good work! ;)

Antonio P.

What Jonathan Stars said. Find his comment. That's it. Great lesson. This is what a master class should be.

Alfred C.

I took away the motivation that was presented more than anything else that was stated.

R. Greg S.

This lesson on composing was so good that I listened with tears in my eyes.

Munro W.

Yes, Watermelon Man, the story of life and human emotion - still, tricky to play on keyboards! Do you run the funky intro with your left hand or right ... or both?

Kenneth S.

"Every human being has infinite potential, we're not often taught that, but that's the truth." and in Montreal they say, 'point final'.

Kenneth S.

Oh this is everything, especially when you combined what Herbie was talking about earlier about playing with Miles Davis and making a 'mistake' and Miles turning it into something... it's creative... like he says here at the beginning, he's working on trying to write and plays whatever comes to his mind and maybe then it sounds awful, but he adds something else, and... "Something just turns over in the perception of what I just heard..." That lesson means a lot to me!

Mark C.

Infinite potential, huh? OK, I can buy that. We all have infinite potential. So how do I harness 1% of that? I guess that answer is different for everyone. I never had problems coming up with ideas. Maybe for me the answer is FOCUS. Loved the story about Watermelon man (one of my favs) Noticed he worked on that song for quite some time before it became what it was. The 1% inspiration came quickly (and wasn't overly complex) but it wasn't until he integrated other pieces, from other people, and other situations, that it blossomed into a big hit. Sitting alone in your music room for days isn't the answer. Like he said in previous lessons, you have to experience life to be a great musician and find ways to integrate other experiences into your work. Thanks for the lessons, Herbie - I have learned so much! You're a gifted teacher.