Lesson time 9:46 min
Judy shares what she always does before submitting a manuscript. She also teaches you how to write a killer query letter to find an agent.
You really can't go out there today without an agent. It's completely different than it was when I started. You know, my first three books were un-agented books, because writers were still being discovered in the slush pile, which meant that manuscripts were just coming in and somebody was reading them. But that doesn't happen today. The editors don't want to see a manuscript, as far as I know, that doesn't come through an agent. So your first job is to get that agent's attention and make that agent want to find out more about you and then hopefully find the right editor for you. I asked my agent this question about how does a new writer find an agent today? And she said, you have to write an incredible one-page query that's just a knockout, that just captures this person's attention. You have to let them know who you are by the voice that you are writing this letter in. This has got to really knock them out. So like everything else, take your time. Make sure that it's a good letter, make sure that it's got the names right-- her name and maybe her author's names. Tell her or him a little bit about yourself, about what you're writing, and if it's fiction and the agent is interested, he or she is going to want to see chapters, maybe a whole manuscript. Probably you'll think any agent that wants to represent you is a great fit in the beginning, anyway. You know, you'll be excited. This person likes something about you or your work. So of course that's great. You'll go with that person. If it turns out after a while that it's not a good fit for either one of you, you might have to find another agent. One good idea is check out who is the agent representing the writer of the books that you like. I mean, it's easy to find that out. And sometimes it will be in the book in the acknowledgments. "My agent, so-and-so." Or you can find out by going to the author's website, probably. Often it will say, "represented by so-and-so." And that's a very good thing to do. And then when you write your knockout query letter, you can mention, I really loved so-and-so's last book, and I know that you represented her. And that's good. You don't want to send anything out to that agent until it's absolutely as good as you can make it. And this is where I say, I know you know it really well by now. Don't get bored. Don't get lazy and say, it's good enough. Put it away for a little while. Come back to it. And you may only get this one chance. So make sure it's your very, very best effort. And in that period when you feel you're ready to send it out, and you put it away for a few weeks before you read it again, that's the time to read aloud. Read aloud then and listen and edit as you go. Because once it's published, it's too late. And the way that I know this about reading aloud and doing it while you still can is that when it was tim...
Judy Blume broke the rules. Her refreshingly honest children’s books were banned by hundreds of libraries and loved by generations of readers, who bought 85 million copies of classics like Are You There God? It’s Me, Margaret and Superfudge. In her first online writing class, the award-winning author teaches you how to invent vivid characters, write realistic dialogue, and turn your experiences into stories people will treasure.
I loved Judy Blum personality. It was interesting to hear about her process. I learned that you can be sensitive and gentle and determined at the same time.
Oh my goodness. What a treasure this course is. Thank you Judy!
Great! Loving the sharing. Hearing Judy talk about her process, gives me ideas for mine and what I shouldn't feel constrain about.
Listening to Judy gave me the same feeling as when I wake up in the middle of the night with a brilliant idea and could't go back to sleep again. She gave me bursts of inspiration all through the course. I loved this a lot.