Working with Editors

Judy Blume

Lesson time 17:00 min

A young editor discovered Judy in the slush pile and changed her work—and life—forever. Judy shares how she approached working with editors to arrive at the best possible version of her work.

Judy Blume
Teaches Writing
In 24 lessons, Judy Blume will show you how to develop vibrant characters and hook your readers.
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I was discovered in the slush pile at a new, young publishing company called Bradbury Press, by an editor, Dick Jackson. I had no idea how lucky I was that Dick Jackson took me on. I once said to him, what did you see in my first book-- it was Iggie's House. What did you see in that book that made you want to do it? And he said, I saw the next book and the book after that and the book after that. And not everybody gets as lucky as I was to find the perfect editor for your work early on, and somebody who was willing to work with you for the next ten books. And we were a team, and I learned so much from Dick. And I wish that for everyone. He finds in a writer the right way to release what they can do, and he helps them find the best way to tell their story. So, in working with Dick, we talked a lot about characters, about story. But more about characters, really, because characters always lead you to what is this story and what's it about. And it was always through sitting together, face-to-face, at his desk, going over things, and Dick would ask me questions. And I learned from Dick, when I'm not working with him, to ask the same questions. They're not as good, and I get lazy and I don't always do it. But I learned from him that in answering these questions, I release something inside, that I know much more than I've presented in my early drafts. There's much more in there. And that's why I say, for me, sometimes the very best surprises, the very best moments, emotional moments, come at the very end. [MUSIC PLAYING] I always, always listen. And I, in most cases, always give it a try, what they're saying. Because why not? I give it a try. And if it's wrong, it won't come to me. It won't come when I'm trying to revise along that line. It just won't work. And then I know it's wrong, and I can say, this isn't working for me. This isn't right for me. Sometimes, by figuring out what's not right, again, you'll figure out what is right. But I never am offended by what an editor says, because an editor, by that time-- by the time you're working with an editor, an editor has accepted your book. This is fabulous, right? Except that I worked with Dick Jackson the first time, editor, writer together, with no promise of publication. I doubt that that happens much today. But he cared enough about Iggie's House, he saw something in it, that he was willing to call me into his office and to sit with me for a couple of hours and talk it through, without a promise of publication. But it was so exciting, and it got me going, and the book was so, so much better the next time I sent it in, which I think was maybe a month. I really came home and I was fired up, and I revised the whole book and it got better. And then I sent it back to him, and then came the most wonderful day of my life. And it will be, the day that he called to offe...

Write timeless stories

Judy Blume broke the rules. Her refreshingly honest children’s books were banned by hundreds of libraries and loved by generations of readers, who bought 85 million copies of classics like Are You There God? It’s Me, Margaret and Superfudge. In her first online writing class, the award-winning author teaches you how to invent vivid characters, write realistic dialogue, and turn your experiences into stories people will treasure.


Students give MasterClass an average rating of 4.7 out of 5 stars.

Simply put, this is the most encouraging, motivating, and challenging course I have ever taken. I checked out several Judy Blume books in the library and can't believe I haven't devoured them before now. I live in Ft. Myers and want to plan a trip to Judy's Key West bookstore very soon so I can say thank you in person for this masterclass.

Judy's delivery is fantastic. You can see her honesty throughout the entire course. I've been to several writing conferences and I majored in English. If I had had teachers and speakers like her, I'd have started my writing career much earlier in life. Judy goes over everything. I loved it!

What a treasure. As a writer in the trenches of story creation, I felt uplifted and warmly encouraged by Judy's class. There's theory, there's practical instruction, there's storytelling, there's some relevant autobiographical content. This class had it all. Perfection.

Warm introduction. Very personable and relatable.


Ashe W.

Amazing advice - very encouraging. I love seeing her call back the emotion from her first book getting published. I hope I can relate one day!

Eva S.

great advice Judy thank you! you never gave up and that is key. if you don't believe in yourself, then no one else will either.

Eileen N.

Sounds like finding an editor is more work than actually working with one.

Mary H.

This could apply to the general lack of honesty in writing in 2019. "Thine heart shall meditate terror. Where is the scribe? where is the receiver? where is he that counted the towers?" - Isaiah 33:18

Josh B.

Great Advice and I have a blog that I write I've faced criticism for my reviews on movies as well my choice casting actors. One of my friends is now my editor and she's editing my story and I know if I try get it any stories published I will get reject but I'll learn from it and never give up and work hard.

Rachel M.

Actually, some of the best piece of advice I got was from a rejection letter. The editor said they liked my story, but there was a problem with one character being too stereotypical. And I realized: "Oh my gosh. They are RIGHT!" So I replied thanking them for that advice, even if they still weren't going to publish my story I wanted them to know I was grateful.


I’ve always been terrified of potential criticism from editors I might work with someday. I’ve feared that they would want to change too much about the story I submit and it wouldn’t feel like something I love anymore. Hearing Judy’s experiences with editors over the years has really opened up my willingness to work with one in the future and genuinely listen to the advise they give me. It will still be a long and difficult process, I know, but it will hopefully all be worth it in the end. The reality is, offering up suggestions to make a book better is their job, and I need to respect that and try what they say to do with my work. Who knows? Maybe even more amazing things will happen once I’ve tried out new ideas they’ve suggested to me.

Supansa K.

Did anyone else cried after watching this? I am glad you got it right after all your effort, Judy!


I love this woman. What a jewel in the crown of humanity. Her friends are truly blessed. Yes, I know we are here to learn about writing but, right now, I just want to express how impactful she has been throughout this course as a kind heart.

Mia S.

"One of my dearest friends said, 'I know how to help you do this.' She did and I don't know how, but just talking with her - she believed in it, number one; she said, 'I know how to make this work, a success.' It was summertime and I went back to my writing cabin and I worked day and night and day and night, and I'm not kidding, day and night. Break for dinner, come back, work until bedtime, until I couldn't keep my eyes open. It was there, I just knew it was there, and that's when I let the men in, to have their say the way the women were. I could have them all come, and finally it just all came together. And it came together with a lot of music. I talked to a lot of young people about, 'What were you listening to?' All of my children's friends who are now pretty grown, 'Oh I know, she's listening to...' I got out all this music, I was listening to the music, and something just clicked. It was probably a month, that's all, that I kept going on it. You know what? I was so afraid when 'Summer Sisters' was about to be published that it was going to be the end of a wonderful career, would just ruin me forever. I was terrified. 'If you're that afraid of the reviews and what's going to happen, let's just leave the country and come back and it'll be over.' But I couldn't because I had to go on the biggest book tour of my life. I had just turned 60 and so it was a real celebration of everything. I had Kleenex boxes on all the tables when I was signing because everybody was crying and I was crying with them. It brought me all those wonderful women and men who grew up reading my books who were now grown up themselves and were reading 'Summer Sisters.' It was a highlight of my life."