Writing

Have Fun With Your First Draft

R.L. Stine

Lesson time 8:48 min

Bob takes you through his steps for writing a first draft and reminds you to enjoy the process.

Play
R.L. Stine
Teaches Writing for Young Audiences
The Goosebumps author teaches you how to generate ideas, outline a plot, and hook young readers from the first page.
Get All-Access

Preview

Go ahead and enjoy what you're doing. Enjoy creating your characters, and enjoy making them say all kinds of things. And go through with your first draft, and have fun with it. Think of it as fun. Think of it. You're creating this thing. You're doing this. It's not hard. It isn't hard work. It's not a struggle. And maybe, there are scenes already you don't like. You go back the next morning, and you read what you wrote yesterday, and you don't like it. Keep going. Keep going. As an aspiring writer, you might feel more comfortable starting with something that's short. You might feel more comfortable sitting down, planning something that's only 20 or 25 pages long. And if you feel more comfortable doing it, I would say do that. Do that. If you feel that starting out, it's too ambitious for you to plan a 200, 300 page novel, to work out what that would be, story is a microcosm of the novel, and just try something nice and short. Well, here's the interesting thing about short stories and novels, and writing both. I find, and maybe you will too, that writing short stories is harder. Because you have so little space, and when you write a short story, what you need, you need one really good solid idea. You need something really strong. And one really powerful thing to put into this story, to drive the story. When you write a novel, you can have a bunch of ideas, you know where you're going, you know what you want to talk about, but you've got 300 pages, 400 pages. It's so luxurious. When I write a short story, I'm like, I've got to be so concise. I've got to set it up so quickly. I have to figure out who are these characters. I got to get that characterization done. I've got to get to the problem right away, and then, I have to have a really good ending. So in that way, I think stories are harder. After the outline is approved, I'm ready to go. I sit down. I start chapter one. I write always totally in order. I'm the kind of writer that I have to, maybe you'll be like this too, I have to write right from the beginning. I have to write every word in order. I can't skip around. When we were first starting out, my wife and I collaborated on some kids books, and we did a book called, The Sick of Being Sick Book, and a couple other books and it didn't end well. Because Jane, she would write some of the middle, and then go back, and write the beginning. And I couldn't do it. We just couldn't work. I have to go entirely in order. And the collaboration actually ended up with her locking me in the closet and leaving the apartment. And, no. This is true. I probably shouldn't tell this story. But she locked me in, and just left the apartment. And we realized, we probably shouldn't be doing books together. She got me out about half an hour later. And so then, that was it. That was the last book we ever wrote together. Sometimes I'll be 2/3 of the way through the book, and I'll think, well, it would great to put in a talking cat here, or ...


Take the fear out of writing

Award-winning novelist R.L. Stine wrote jokes and funny stories for 20 years before he switched gears and became a horror-writing legend. Since then, the author of the Goosebumps and Fear Street series has sold more than 400 million copies. In his first-ever online writing class, Bob takes the fear out of crafting fiction. Whether you’re a beginner or a pro, you’ll learn new ways to conquer writer’s block, develop plots, and build nail-biting suspense that will thrill young readers.



Reviews

4.7
Students give MasterClass an average rating of 4.7 out of 5 stars.

Having a master of scary stories sit a d tell you all of his secrets is priceless. I learned how to pick my audience and how to avoid writer's block completely. I would have paid much more for this knowledge, but for the price of 2 classes you get all of these genius's concepts, ideas and inside tactics to do what you love and want to do, exceptionally well. Thank you Mr. RL Stine

Made me feel at home. Calm and happy. And in the presence of the perfect sort of teacher for me. Thank you, Bob!

He was the best so far for writing. The rest are good with content and did a great job presenting, but Mr. Stine's personality make the class so I can't wait to get to the next chapter. I want more for writing, others I have not taken and I will

Funny and to the point. His insights for commercial writing are right-on. Love his sense of humor :)


Comments

Marcie

So important to get lost in your work and enjoy it. If it's a chore all the way through, something is wrong. On the page you call the shots. That's the beauty of it. It's your creation, so think big and roll with it. Good advice to master creators. Thank you, R.L. Stine. I'm really enjoying your class.

JC .

"Completing your first draft shows that you can do it." Most inspiring sentence I've ever read.

Christina

I loved this one - the satisfaction of finishing! Just the encouragement I needed to hear, and you said it all so well.

Iddo G.

Such a comforting episode, helps me to take out the fear of writing, and not getting the "right" creation, that stupid perfect masterpiece, or meaningful idea. Just write and enjoy and things are in it already, and then I can edit it a bit. THANK YOU Ill be serious later :))

Amanda G.

I also can’t relate to not writing the book in order. Every word in order for sure! But, I can relate to locking my husband in the closet so I’m on both your sides on this!

Katherine T.

I laughed out loud so many times through this lesson. Bob you’re delightful!

Paul A.

If you're reading this thank you Mr. Stine for a great class. Personally I never rush through a first draft. I've done it once before and it's just writing a lot of dumb unnecessary stuff faster. I frustratingly plan and then slowly write my first draft. For me at least, this prevents the "fog of confusion and teeth-grinding headaches" associated with writing a multitude of drafts. In carpentry it's "measure twice, cut once". I figure from my upbringing I've taken the same approach to writing. Ironically a book is a block of wood, so there you go.

Fülöp B.

This is great. Somehow I've always thought of the first draft as something horribly hard (you have to struggle to find out where the story is going, and than wrestle with the characters to get them actually going there), and "it is going to suck but you still have to do it", so hearing an author I consider to have been a mandatory part of my childhood telling me that it is fun and I should just enjoy it is VERY motivating. Also, right at the beginning, he managed to convince me of the importance of a proper outline. I am not at the point where I would dare to start a novel yet, but without an outline, I'd probably never get there ever. So it was already worth starting this Masterclass just for these two things.

Jacob R.

In my early childhood books, I wrote my stories in 12-point Courier on an old Brother word processor. It was so difficult to get enough text to fill one page of 50 lines that was 8.5 x 11 inches; I often found it very discouraging. By contrast, even though Stine's pages in Goosebumps were much smaller, there was still a lot of substance that could fill six to ten pages at a time. I was envious. And he could fill upwards of 100 pages when I had trouble just getting to 30. As I grew, I found it easier to develop more content, but I still had a lot of trouble filling pages that were 8.5 x 11 inches. It wasn't until much later when I finally upgraded some of my tech that I could turn the 8.5 x 11 sheets sideways and write on them as if they were two pages to a side instead of one. I soon ended up writing a story that spanned upwards of 200 pages using such a system in my high school years, and I found that to be very gratifying. As an adult, I understand that quality is more important than quantity, but I still like the idea of having a length goal. Knowing that I will be writing for a much younger audience in my next project, I might have to hold back on some details that I would otherwise splurge on, but I want to have a story with substance that could take a child at least a couple days to get through and feel satisfied at the end.

TL Y.

I have a boy who is 11 years old. He always has a problem finding his own items in his own room. Sometimes even the item is right in front of him, he cannot see it. Is this an abnormal phenomenon? Is it possible that a ghost was standing in front of him and was blocking his vision? How can I elaborate more on this and write a horror story about it?