Lesson time 8:12 min
Learn how to develop a distinctive persona for yourself, solving most issues around writing poetry.
Topics include: Draw From Your Own Personality · My Persona: A Person of Leisure
[MUSIC PLAYING] BILLY COLLINS: Most issues about craft and how to write the poem are solved once you have a persona. Because the way you write, how you write, the style you write in, these are just the mannerisms of your persona. It's kind of mysterious talking about how do you invent this character, this persona. But I think the persona is a character. Let's say, Dickens, or Thackeray, or Balzac, and any novelist of large proportions, they leave the earth having invented dozens, scores, hundreds of characters. If you're a poet you just have to invent one character, and then you're done. All done, for life. And that's your persona. But to make it less mysterious, the persona is really a voice that is yours. It could be the result of reading. But you still feel very comfortable with it. And you feel that you own that. An illustration would be Seamus Heaney has a famous signature poem called "Digging," which appeared in this first book. And Heaney said at one point that when he finished writing the poem "Digging," he read it back. And he realized that no one else could have written it but him. That means he discovered his persona. That's another way to put it. When you read something back that it just has your mark on it. The ingredients are too mysterious to corral. But no one else could have written that but you. You won't know that unless you have done a lot of reading. So you better read a lot. Because you think no one else sounds like that but you. But maybe there's someone that you haven't read sounds exactly like that. So the more you read, that's another way to say that without reading you'll never find a persona. You'll never have the surety that this voice is just yours and yours alone. [MUSIC PLAYING] I would say generally, most of us are a little too nice in our poetry. I think when we write poems we put a lot of ourself in the closet. And we put on our better self, more sensitive, more in tune with emotions. And I would suggest that it's a good idea to get that salt out of the closet and let that person, let her or him into your poem. And let some of the raggediness of your life, even if you're a sarcastic person. I know this from teaching that you'll find some wiseguy poet. And he writes these love poems with roses and trellises. And he's just a wise alec in class. Get some that wise alec stuff into your poems. We're talking about modeling your work after other poets. But you all have, every person has a voice, and a temperament, and a tonal range, and a way of sounding, and a sense of humor or a lack of humor. Some people are more sober and ambitious. And other people are wackier and looser. That's your personality. You can't spell that without persona. So you can draw from other poets, of course, but you don't want to get lost. It often starts with imitation. But that is the way you get these poets inside yourself. But ideally, you come out with a voice that you feel very comfortable w...
Known for his wit and wisdom, former U.S. Poet Laureate Billy Collins is one of America’s most beloved contemporary poets. In his MasterClass, Billy teaches you to appreciate the emotional pull of poetry. Learn his approach to exploring subjects, incorporating humor, and finding your voice. Discover the profound in the everyday, and let poetry lead you to the unexpected.
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In his first-ever online class, former U.S. Poet Laureate Billy Collins teaches you how to find joy, humor, and humanity in reading and writing poetry.Explore the Class
I cannot begin to tell how much Mr. Collins has improved my poetry, and more than that, my way of seeing and feeling. I saw improvement in my own poetry with every class. Mr Collins is a great teacher I will forever be indebted to.
Mr Collin's joy of poetry is contagious; he reminds us of the importance of playing with the language. He plays with words like a well-fed cat with a mouse- tossing them around mostly for fun, but always with the innate threat of a bit of violence.
The course topics were well sequenced. I particularly enjoyed the discussion with both student poets and Marie Howe.
I feel like I learned so much from this course. I really enjoyed Collins's thoughts on finding inspiration around your own room. Also, his ideas on making turns in poems were very helpful!