Film & TV
Lesson time 10:11 min
For Helen, an actor’s face is an “empty space,” just like a stage, on which characters come to life and tell their stories.
Topics include: Makeup and Lighting • Think of Your Face as the Empty Space • When Possible, Freshen Up Before Your Close-Up • Don't Get Stuck in Old Habits
Obviously, there's a huge difference between makeup for the stage and makeup for film. And in film, subtlety is all. I mean, it's wonderful in film if you want to make a sudden statement, like pink cheeks. I look like a drunk. Oh, sorry, I shouldn't have done that. Now I'll quit mucking around. But anyway, if you want to make a big, bold statement, it's great. You can in film. And as I said, with Hedda's eyebrows, a little gash of red lips, and you've got a whole character in the face. On stage you have to often make a bigger statement than that. But I'll tell you the other thing that's so important both on stage, and especially in film, obviously is the lighting. Because you can have the most brilliantly wonderful hair, and makeup, and all the rest of it. And if the lighting is not there to help you, you're screwed. So lighting, in film in particular, really is all important. It's not something you can control as an actor. That is out of your control. Unless you're Marlene Dietrich, in which you say, where's my cue light. But those days are past. It's difficult to tell nowadays, when the light is bad, because of digital film. And with digital film you can film in such low light. I'm amazed nowadays, often, when I work on film that there seems to be absolutely no light. And I say, can you see what we're doing? And they say, yes, yes, we can see. And that's because of digital film. So things have really changed in that direction, which is very helpful, incidentally-- you can shoot for longer. Yes, you certainly know if you've got a horrible, straight down, over-the-head light, you know you're going to look terrible. Maybe it's right that you look terrible. Maybe it's right for the character, for the scene, for everything. And that's great, when the lighting is absolutely in synchronicity with the story and the story you're trying to tell. But if it's not, if it's just ugly, that's a problem. But it's very rarely like that, because cinematographers understand light above all, you know. I mean there are nice little tricks that cinematographers can do to help you out, like a little tiny inky above the lens, just kick up a light in your eyes. Or sometimes, a nice little light box all the way around the camera makes you look very pretty. There are various tricks of the trade, that sometimes you're lucky enough to have. But again, lighting, makeup, all have to service the story. Because you're telling a story. And I always say, does it tell the story? Does the wig tell the story? Is this the story I want to tell at that point in time? Is this red lipstick-- is it telling the correct story? So ultimately, everything we do is contributing to telling the story. Sometimes you have to make the decision that you are not going to wear makeup, and you're not going to look very pretty. Because tha...
In her first-ever online acting class, Academy Award-winning actress Helen Mirren shares the techniques she has learned through the course of her international career that has spanned stage, screen, and television. Her powerful and versatile performances have earned her numerous awards, including the Academy Award in 2007 for her performance in The Queen, a Tony Award in 2015 for her performance in The Audience, and four Emmy Awards.
Very apprehensive and intelligent course. The British acting at its best, with lots of mindful techniques and tips
It's been very interesting to see a prominent actor talk about what goes into shaping their often award winning performances
Thank you Helen. This class felt like hanging out with a good friend...who happens to be the acting legend Helen Mirren.
I've learned so many dimensions of acting -- including the importance of costumes, props, lighting, etc. all to tell the story