From Helen Mirren's MasterClass

Preparation and Rehearsal

Helen advises you on aspects of the preparation and rehearsal process, from learning your lines to working with a dialect coach to overcoming creative blocks.

Topics include: Learning Your Lines • Know the Facts • Research Experiences You Haven't Had Firsthand • Stay in Accent All Day • Find a Dialect Coach Who Doesn't Try to Act • Overcoming Creative Blocks • Try It Another Way • Never Rehearse in Front of a Mirror

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Helen advises you on aspects of the preparation and rehearsal process, from learning your lines to working with a dialect coach to overcoming creative blocks.

Topics include: Learning Your Lines • Know the Facts • Research Experiences You Haven't Had Firsthand • Stay in Accent All Day • Find a Dialect Coach Who Doesn't Try to Act • Overcoming Creative Blocks • Try It Another Way • Never Rehearse in Front of a Mirror

Helen Mirren

Teaches Acting

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Preview

You know the whole process of learning lines and how well you know them and if you don't really know them that well-- it's a very-- what's the word? It's a bit of a soup, really. Because I absolutely understand the theory-- because I haven't learned my lines talking to you. I didn't sit down and learn this stuff off by heart. If I did, I wouldn't be nearly as good at saying it as I am because I'd be trying to remember what comes next. It would be awkward, maybe, or I'd be delivering it in a weird way. And I certainly wouldn't say "um". But then you have to learn it, don't you? You have to learn it. The great thing is, if you've learned it so well, so immaculately, perfectly well, that you don't even have to think about it, that's ideal. And I have to say when I did The Tempest, I had to do that. And I've never done that before. I sat down for about two months before I started shooting and I learned that script from beginning to end. And I learned it incredibly well because with Shakespeare, you've got to be ahead of yourself. You can't be behind yourself. And I'm sure you guys know what I mean by "head of yourself", as opposed to "behind yourself", which is, as you're saying a line, you're aware of what the next line is, and the next line after that. So as it's passing you by, you're always ahead of yourself. If you're just behind yourself, what's the next line, what's the next line, what's the next line. Shakespeare, you can't play it because it's got to move. Modern stuff you can because you're allowed to pause and think and you look like you're thinking about your dead mother. You're actually thinking, what do I say next? But you can do that more in modern stuff. In procedural drama, obviously, it's not emotional stuff or is it poetic? It's, as they say, procedural. You're just literally having to remember and repeat facts. The only way to do that is to know the facts-- know them. So if someone questioned you, where was she on July the 4th at 3 o'clock in the afternoon? You say she was walking down that road. She was crossing that road, that the camera saw her. Or just to know what the facts are, and actually, knowing the facts is not that difficult if you see what I mean. And then, if you got that in your mind, then it's much easier to go forward with these long procedural sorts of things. But that stuff is difficult-- and an awful lot, I have to say an awful lot of American television is a little bit like that. It's, how can I put it? It's repeating facts, rather than scenes that play out, that have subtext or emotional context. I think if you're asked to do anything that you've never experienced, like, I don't know, giving birth, for example. I've never given birth. But I had to do a scene where I was giving birth at one point. Well, it's very simple. It's what you do normally-- is you just ...

Find freedom in your roles

In her first-ever online acting class, Academy Award-winning actress Helen Mirren shares the techniques she has learned through the course of her international career that has spanned stage, screen, and television. Her powerful and versatile performances have earned her numerous awards, including the Academy Award in 2007 for her performance in The Queen, a Tony Award in 2015 for her performance in The Audience, and four Emmy Awards.

Reviews

4.7
Students give MasterClass an average rating of 4.7 out of 5 stars.

This whole class was fascinating. It's hard to pick out any one thing that I learned. I guess the stuff that I'd never thought about before made me think the most, like wardrobe choice and how it can effect a performance, and set dressing and the use of props.

Helen Mirren taught me so much about acting! She has helped me to improve my skills, and now I feel more confident than ever!

This class is amazing! It`s very inspiring and motivating. I have learned a lot of things that i didn't even know were existing. Thank you Helen!

Helen is an amazing teacher, really the best I have experienced, she really conveys her knowledge in a immersive way, very happy to have taken this!

Comments

A fellow student

She's right about the experiences you've not had. Yes to research. Birth. Holocaust survivor., Mossad agent. Etc. All things some people have never gone through, have their views on what happens, so you should do a variety of research to get a colourful idea. The accents are interesting. It can add more depth to the character, as a wig, make up, etc would. Anything to help with bettering the story, as Helen would say....

R.G. R.

This is the kind of information that I've learned before, but when Helen Mirren says it, the information sounds new. This is one lesson that I will listen to again and again as a reminder of the practical elements of what it means to act.

Jill N.

How inspiring that last piece of advice is! Never act in front of your mirror - acting is all about what happens within you. Lose that self-consciousness and transform yourself completely into the role, that's what sets actors apart from ordinary people.

ALICIA S.

Achievement happens from doing your work, and doing it well. If you have to battle the darkside then do it. That vortex can be yucky, but it's there. If you have to learn and stablize an accent/dialect then do it. Research, memorization and practice is part of the work. It is what makes the actor. I didn't think about an accent having variations before... How did you learn an hold an American-Russian accent so quickly, when it's a Russian-British accent that you learnt? Can you do a Chinese-Russian accent?

Celene G.

For me so far this was the most interesting lesson, especially because of the teaching on accents and remembering your lines and not looking into the mirror. That feeling of playing a role as liberated as possible and then applying it to every other role you will play, I get it. Great advice. Ill probably watch this one over and over again.

Sylvie B.

Inn a professional singer and I'm not very good with accents...so music doesn't always help...

CLAU

YEAH IS HARD FOR SOME PEOPLE TO REMEMBER THEIR LINES BUT I ALWAYS REMEMBER THEM BECAUSE I REHEARSE THEM AT HOME UNTIL I KNOW THEM BY HEART

Jenifer M.

English is my second language and I have a accent when I speak in English sometimes. I wonder if I can do other English accents, I will try.

Louanne F.

Again, the joy of practical ideas! It is like hearing a friend talk - I saw Helen in a commercial last night that is frequently airing at this point, and I now saw her as a friend, someone I know well - breaking through that fourth wall of TV is such fun!

Rosalina L.

Anyone else find themselves promising Helen outloud, 'I promise you Helen, I'll never rehearse infront of a mirror.'? Lots of great advice here.