Film & TV

Shakespeare, Part 1

Helen Mirren

Lesson time 15:52 min

Helen shares her process for breaking down a Shakespeare passage by working through Portia’s “Quality of Mercy” speech from The Merchant of Venice, a monologue she’s never performed before.

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Helen Mirren
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In 28 lessons, the Oscar, Golden Globe, Tony, and Emmy winner teaches her process for acting on the stage and screen.
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I'm often asked, why do young actors have to be interested in Shakespeare? Young actors don't have to be interested in Shakespeare, unless it gets them by the throat. He is recognized as the greatest playwright in the history of playwriting, basically. And the miracle is that he wrote in English. So us in America, us in Britain, it's our natural language. We are so lucky that that is the case, because we can understand the subtleties and the colors and the extraordinary layers of meaning in one line. We can understand. And so we are very privileged in that way. Shakespeare is a great training ground because it's so difficult. It's much harder than anything else you will ever do. To try and find a way of speaking very heightened poetry in a naturalistic way is very, very difficult, let alone shouting it in a big theater. It's like the worst. So you know, it's profoundly challenging. But the other great thing about Shakespeare is that you can play those scenes, those lines every night for six months, and almost every night you will find a different meaning in those lines, and possibly even a different way of saying it. And that was what-- I had the privilege of watching some of the great Shakespearean actors do that. And hopefully, my-- certainly my ambition was to become one of those myself. It was to see how they could, on a nightly basis, slightly modulate the line because they were inhabiting it with a different thought each time. And maybe that's where Shakespeare is also very valuable, is you have to think in Shakespeare. You have to think, because the thought is so profound and complex. You can't just blah, blah, blah it out, you know? You have to think as you're saying it. And you have to truly engage and live it. You have to live it. And in the end, that's where our art resides, isn't it? It's in living the moment. And we all talk about that moment, and how difficult it is, and how almost impossible it is, and how once in a while you get there, and it's a miracle when you do. But living in that moment. And Shakespeare at its best, when it's done to the best, that's how it is. I thought by-- to work, we could work on a little piece of Shakespeare, a famous speech-- I'm sorry, I'm going take this sticker off-- which is The Quality of Mercy is Not Strained. I don't think I've ever played Portia. I can't remember. I played Nerissa, but I don't think I've ever played Portia. I would have loved to have played Portia. So I don't know this speech sort of off by heart, except for how sort of famous it is. Well, the first thing by far obviously is just to read through the words and unpick the meaning. The quality of mercy is not strained. What does that mean, strained? I guess that means-- and you find your own meaning. And sometimes, what the literal meaning is is one thing, but I think with Shakespeare...


Find freedom in your roles

In her first-ever online acting class, Academy Award-winning actress Helen Mirren shares the techniques she has learned through the course of her international career that has spanned stage, screen, and television. Her powerful and versatile performances have earned her numerous awards, including the Academy Award in 2007 for her performance in The Queen, a Tony Award in 2015 for her performance in The Audience, and four Emmy Awards.



Reviews

4.7
Students give MasterClass an average rating of 4.7 out of 5 stars.

It is very inspiring and lively! I watched the Masterclass in one breath. I loved to see how Helen could transform into a different character to a point I said to myself: Is it really her? Unbelievable. Amazing experience and lots of interesting tips even if you are not into acting carrier

Thank you my queen, guide lines for a life time.

The part where I learned the most was the part about props and dressing the set. I also loves the part about the crew and maintaining focus at the start of a shoot. All the parts about Shakespeare wanted to make me get out out my old copy (and unread) copy of Julius Caesar and read it from cover to cover. A great class... missing a few students, but a great class, without a doubt.

Love this class! Helen is so articulate. I'm a screenwriter, not an actor, so I used this class to help me widen my perspective. I especially identified with what she said about using your imagination and mental concentration as an actor, since it is the same thing I do as a writer. Well done!


Comments

Nastasia M.

I love how detailed she gets in the monologue, as if you unfold layers of your understanding to embed the meaning into your mind which will then allow you to act it more naturally when you perform.

Kayoko

As my mother tongue is not English, Shakespeare is enormously difficult to understand....old style of saying is conundrum for me. But his word play---sounds/rhythms/rhymes may resonate with something in English native people's hearts, may not? I am still wondering which one I should choose for monologue.

Dario Z.

I'm Italian but I'm a British culture, language and literature lover. Thank you Helen for helping me to approach to his poetry for first time!

Nicole B.

It was truly amazing thank you Hellen you are very inspiring. (Zoe Burrell 12)

Alexander C.

Hello friends and colleagues of New York City! Helen Mirren said: if you can act Shakespeare, you can act anything. Who would be interested in getting together as a group once a week (say, Sundays) to read a Shakespeare play out loud? I know several acting spaces in the city where we could get chairs and tables together, just to conjure his words and stories to life. We could take a journey together discovering Shakespeare’s voice, chronologically going through his plays, starting with his earliest, and going on to the end of his career. Our acting would improve. If you’re interested, feel free to add your name to this post, or any ideas you may have. Really want to see if we can get something good going.

A fellow student

Acting is physical writing.. Novelists have to bring everything to life via words, have to know how to use words to tell every bit of a story (character, setting, and plot). Acting, on the other hand, you have more of a visual nuance to add to the senses: actors, props, costumes, music, and physical setting to bring a story to life. The audience can not only see, but hear what's going on, what character's say, etc. Only in the future will we have a scent effect, or perhaps have a physical interaction on the screen....

A fellow student

I try to learn a new word each day. I don't know if that is the actor or artist in me. It makes one a polymath, a philologist. My monologue is Romeo seeing Juliet on her balcony. The favorite words are "It is my lady, o it is my love." I learned to memorize it understanding how the heart speaks in romance.

Eden R.

I have not much experience with Shakespeare's work so this was very helpful for me! Thank you, Helen!!!

Ann B.

Really like the thought of living in the moment -- that is where our art resides . . . I have worked on memorizing various soliloquies of Shakespeare just for the pure pleasure of the thoughts and words.

Conor H.

I posted in the hub what I found difficult, what came naturally and my interpretation of the assignment. I look forward to hearing feedback and seeing other peoples responses!