Film & TV
Lesson time 17:38 min
Learn how to drop into character right before a take, how to stay grounded in your process, and how to give your best performance amid the distractions on set.
Topics include: Learn to Work With Other Actors' Processes • Incorporate Challenging Feelings Into Your Performances • Before the Take: Remind Yourself of the Character • Between Takes: Concentrate and Compartmentalize • Reach For a Baby-Like (or Dog-Like) State • Don't Study Your Performances
Be patient with other people's process. Every actor has a different process. Some are very noisy on the set and very funny, and they have to make a lot of noise, and they have to shout. Other actors have to be really quiet and really silent in the corner. And why isn't he talking to me? What? Did I do something wrong? Everyone has a different rhythm. Some actors need a lot of takes to get to the essence of what they are going to do. Other actors do it in the first moment. Some actors need really quiet concentration before they work. I worked with an actor once who-- every time before a take, he would start telling a story or start on a joke, which he knew he wasn't going to get to the end of that joke on action. So literally, on turnover, he'd start telling the story, and then action, and then he'd drop the joke and start acting. And maybe that was his way. It was very distracting for me. It was really annoying. But because I'm the other sort of actor, I want to quietly concentrate. But it was his way of doing it. So you have to find-- you have to learn to work with other people. I think what's very important also to understand-- when you're in the middle of a performance, be it in a film or on the stage, you know you're on a train that you can't get off. In the theater, 7:30, curtain goes up, you've got to do it. On a film, on television, turn over, action-- you've got to do it. And sometimes there are elements that are just pissing you off or that are making life difficult for you. It's incredibly hot, or it's cold, or an actor is annoying you, or there's something that is really making you feel uncomfortable. My only advice there is to use it. Just incorporate it into your performance, as we do in real life. If something is kind of annoying us-- oh, this chair is so uncomfortable-- whatever it is, just use it. Incorporate it into your performance. I learned this very clearly once a long time ago. I was doing a play in the theater, and the actor I was playing opposite, and I was supposed to in the play be madly insanely in love with, to the extent that I was going to give up everything for him, everything, and basically sacrifice in the end my life for him-- I couldn't stand him. He just really, really annoyed me, and I found him physically unattractive-- repulsive, actually. And I just couldn't not express this. And we did a run-through quite late on. We'd rehearsed it, and we did this run-through. And a very, very astute actor came up to me at the end of the run-through. He was playing quite a small role, but he was a darling. And I've always thanked him for this. He came up to me and said, I know what's going on. I understand, and I can see, because I can see how you feel about him. You're showing it in your performance. He said, just use it. Just everything that you find unattrac...
In her first-ever online acting class, Academy Award-winning actress Helen Mirren shares the techniques she has learned through the course of her international career that has spanned stage, screen, and television. Her powerful and versatile performances have earned her numerous awards, including the Academy Award in 2007 for her performance in The Queen, a Tony Award in 2015 for her performance in The Audience, and four Emmy Awards.
Amazing class. As a director this class helped me to know how to see things from an actor's point of view, and at the same time having an interest in acting as well, it gave me great acting tips to work on any character.
She empowers us with a magnificent love for the craft
Fascinating to see all the complexity behind the actor in a scene and how every roll in the production is just as vital as the next.
I have been blessed with the gift of her generosity in sharing a lifetime of experience. A treasure of knowledge for the young actors out there. Thank you!!!!