Arts & Entertainment
Lesson time 11:26 min
For James, conducting in-depth research not only makes his writing better, it also boosts his credibility with his readers. Find out when and how James conducts his research and how he incorporates it into his writing in a thoughtful way.
The more you BS when you're writing a book, the worse it is. And people have a real tendency to do that with thrillers and fantasy. They just start making stuff up and that's really hard to do. So I think the research, one, it just makes the writing better. It builds your confidence because you actually know what you're talking about. Sometimes you'll read stuff in the research and it will give you more ideas things, things you hadn't thought of. And that's another beauty of research. With Maximum Ride and the flying kids, I wasn't sure where that was going. And then I thought of sort of an outlaw lab and then I went and did a little bit a research with biotech people. And they said that things like that in the world of biotech will happen in our lifetime. Not necessarily humans with wings, but they said we could do that. We could do humans with wings. There would be a lot of problems with it. So I said, well, that's kind of cool that you could do it. And that idea of a little bit of the Frankenstein thing, OK, what have we created if we created flying kids? And you begin to see the possibilities for the story. Different writers have different approaches to how they use research. In some cases, they really feel the need to build credibility with their readers and some readers really love that, in particular males. Male readers really like a lot of-- they're very narrow in terms of what they like and they don't like. And they really want realism. Not every male but an awful lot of them. And if they don't get it, they feel that it's just not authentic. So looking at a Picasso in terms of art, no, no, no. I don't get that artsy fartsy stuff. So in particular for male readers, a lot of authentic detail is really useful. I mean, you can't tell them enough about a car, or how a car works, or how this, that, and the other thing works. And if you get it wrong, you lose them. I mean, you literally lose them. You get the information that you have about guns wrong, you lose anybody that knows anything about guns. They just go, well, if this person, if this writer, can't get his facts straight, how can I believe anything in the story? But for my money, whether it's a kidnapping, even a bee sting, research. What happens when it was a bee sting? If you're writing about-- go on the subway. I mean, don't fake it. Don't make it up. You know, look, if we go somewhere and somebody asked us, unless we're horrifying verbal storytellers, we'll remember a few details that really capture it. Just a couple of things. You go, this was cool, and this was cool, and this was cool. My son and wife just came back from Berlin and they kept talking about things like the fact they have these water pipes all over the city built above the ground and they're in colors. And anyways, you're immediately getting very quick pictures ...
James Patterson, the author of 19 consecutive No. 1 New York Times bestsellers, reveals his tricks of the trade. In his first online writing class, he guides you from the start to the finish of your book.
James was a great teacher! Not only was his instruction exemplary, it was also inspiring. I look forward to finishing my book!
I liked to hear James' stories and the suggestions of using notecards and multiple outlines were very helpful. I am doing both.
This class helped me with outlining and a more organized approach to injecting plot twists.
I love the way you tell a story, Mr Patterson. That's what I need to learn. You write the way you talk, and I can't find my voice.