Arts & Entertainment
Lesson time 21:50 min
You want to write. When and how do you get it done? Joyce explains how to draft, revise, and share your work with others. She also touches on rejection and how to protect your time for writing.
[WEIGHTY PIANO MUSIC] - Everybody has at least one story to tell. It may be about a mysterious event of the childhood. It may be like, why did this person disappear from your life? If it was a divorce in the family, why did that happen? You know, everybody has a fantastic story, often a mystery story. 'Cause when we're really young, adults are mysterious. We hear them talking a little bit in their bedroom. We hear them walking out. We all know why the door slammed. We hear a mother crying. We hear somebody arguing. We don't know what adults are doing, and they're hiding it from us. So that impulse to be a writer, I think, springs from that air of mystery. Like, what are these people doing? And when we're little tiny babies in a crib, we look up and we see these giants looking down on us. We have no idea who they are. But we know one thing, that they're much bigger than we are. And then when we got a little older ourselves, we're these little people and where these giants are around us, and we're always trying to monitor them and figure them out. And so I think in my own writing, I'm still trying to monitor like, what is society? What is a patriarchal society? What is patriarchal religion? What are these strictures and invisible boundaries that keep many of us in thrall? I'm like a little girl looking up at these people. But I'm also like Alice in Wonderland. And she's saying, I'm not afraid of you. You're big, but I'm smarter than you. And I'm going to write about you, and I'm going to analyze, and I'm going to dissect you. In other words, the writer has to have that feeling that he or she-- though intimidated by adults and by society, nonetheless, the writer has the power to analyze and dissect and understand the society. So the writer is both humble but also very independent and self-sufficient. So it helps to think of yourself as a writer standing on the edge on a marginal plane. There's a plane here of other people, and you're standing on the edge, and you're looking at them. So if you're a writer, think of yourself also as a photographer with a camera. And you're looking through a lens. And when you have your magic-- you have your magic camera, that's your writing. In other words, you turn this camera around. And with the lens, you see the subject, but the camera is your writing. And that's your position, your perspective, and that gives you the power. But to be able to do that, you have to have the language on the craft. You have to have some place to put it. You have to know how to divide it up and how the sentences work. [DRAMATIC PIANO MUSIC] So I start thinking about a story from the point of every character. I always-- my writing is all about people. So I'm only really interested in people and personalities. I think our personalities are mysterious and phantasmagoric because many of us have buried lives and secret lives and lives that they've never been explored. So I got to know the characters a...
The author of some of the most enduring fiction of our time, Joyce Carol Oates has published 58 novels and thousands of short stories, essays, and articles. Now the award-winning author and Princeton University creative writing professor teaches you how to tap into your storytelling instincts. Find ideas from your own experiences and perceptions, experiment with structure, and improve your craft, one sentence at a time.
Featured Masterclass Instructor
Literary legend Joyce Carol Oates teaches you how to write short stories by developing your voice and exploring classic works of fiction.Explore the Class
She clarifies through examples the basic steps to work on. Workbook well built, essential and effective.
Nothing y'all can do. JCO talks a little slooooooow
I feel validated as a writer and know it's okay to be a slow writer. I particularly enjoyed watching the critique on "Indian Camp" and "Near Death". Joyce was particularly gentle with her critique but at the same time very direct is her comment. Very informative and well done.
The workshop was so helpful! Like a culmination of the things taught in one 30-minute session!