Lesson time 28:24 min
This workshop focuses on Corey’s short story “Near Death,” which can also be downloaded in advance.
Topics include: “Near Death” by Corey Arnold
[MUSIC PLAYING] - When you're writing, it's very good to have readers so that you don't become isolated and become really obsessed with your work. It's better to have like a deadline and have to turn something in, even though it's not complete, and talk about it, and go back and revise it, and bring it back to the workshop. It's more aerated than it is a very isolated and solitary activity. It's good also to have an environment where everything is understood to be imperfect. It's a workshop. Writing workshop means that it's work in progress, that nothing is expected to be perfect. So it's understood that anyone comes into a writing workshop wants criticism and will look forward to it. [MUSIC PLAYING] Now we're going to take up a story by Corey called "Near Death," which is a great title. Lindsey, I'm just going to ask you what you thought about the story, as like a reader-- just as a reader first. - So as a general reader, I really loved it and connected with it. Yeah, I was telling Corey that I grew up going to youth group, so-- - Oh, yeah. That's great. - Yeah. So we had that in common, and I felt like he just did such a generous read of faith communities as well, where he was pretty accurate and true to what the community is like without being kind of critical, which I thought was really well done throughout. And yeah, he just-- I thought that the opening and ending of the story were extremely strong and masterful. Like, I love this first line, "The injuries themselves weren't serious. The first was a two-inch," and then we're looking at the second one. And then we're not expecting those pigs to come back. And they do in the hallucination at the end. And just, it was surprising, but completely satisfying and came full arc and full circle. Yeah. - It's very a bit sort of a vivid image in a kind of long colloquial presence. To bring something biblical and apocalyptic is somewhat startling, the story from the Old Testament. So we kind of wonder, I think, what that's going to do, and then it comes back later. LINDSEY: Yeah, and I think he just does a good job of showing how this youth pastor has these Bible stories kind of interweave with his psychology. He kind of keeps returning to them and thinking about them even in that first paragraph about lapping the water straight from the source or cupping it to your mouth, just like little details that he picks up on. - Then when they talk about that a little later, there's this exchange, like on page five. Then there is the story of the pigs. The story always disturbed me, the idea of a soul without a frame, those angry desperate demons darting around, seeking something to inhabit. It means a space inside of a room for more than just their own souls. And then Leah says, "But you can't possibly believe that she's laughing at demon pigs. It's silly." And then the narrator says, "I don't think my belief has anything to do with it," which ...
The author of some of the most enduring fiction of our time, Joyce Carol Oates has published 58 novels and thousands of short stories, essays, and articles. Now the award-winning author and Princeton University creative writing professor teaches you how to tap into your storytelling instincts. Find ideas from your own experiences and perceptions, experiment with structure, and improve your craft, one sentence at a time.
Featured Masterclass Instructor
Literary legend Joyce Carol Oates teaches you how to write short stories by developing your voice and exploring classic works of fiction.Explore the Class
I have learned a great deal, and am still learning. Participating in this class has made me realize things about my writing I need to improve, and also new things I wish to try. I wish we could start a realistic online writer's workshop!
Absolutely loved this course. Such a fabulous and inspirational teacher.
The idea of taking something you already wrote and looking at it from another perspective is very useful. There are many times an idea won't coalesce because it is being told by the wrong character or is set somehow that works against the story instead of with it.
Ms. Oates gives practical insight on finding your story and your voice by observing the simplest things.