Arts & Entertainment
Lesson time 11:37 min
It's not just what you say, it's how you say it. Steve explains how his own stage persona emerged and teaches you how to cultivate one that will take your material to the next level.
What are you doing onstage is creating an artistic image of yourself determined by the things you put in, the things you leave out, it's level of intellect, high or low, the use of language, everything is determining who you are as an artistic being on the stage. That's a very lofty way to think, you know, when you're just trying to get some material together. But ultimately, as it gets more sophisticated and starts to shape, you realize you're creating a human being. And that's what these great comedians did. If you look at Chris Rock, for example, he's created something. He created something from the sum total of his energy, and his routines, and his observations into a whole artistic state. And that of course, is the ultimate but-- And it's kind of beautiful. [MUSIC PLAYING] Once I was on an airplane, and I was in my 20s, something like that. And there was a very pretty girl on the airplane, and I was talking with her. And I said, what do you do. And she said, I'm an actress. And I said, oh. And we started talking. And she says I'm an actress. And she says it's very hard, you know, when I go into auditions to decide what to be. I don't know whether to be upbeat, or kind of low key, or more artistic. And I said, why don't you just be yourself? And she said, I'll try that. And I thought you have try to be yourself. But I've changed my opinion, because I often hear well just be yourself. But who knows what their self is? I don't. I mean maybe I have a little more now, but when you're starting out, you don't know what yourself is. You can be what you choose to be, and you can define a personality for yourself within reason, of course, and become that onstage. You already have a persona. Even if you're mildly interested in show business, you have some shape to your personality. But it is something that will emerge if you pay attention to yourself and pay attention to what's coming out naturally. [MUSIC PLAYING] Imagine yourself one night lying in bed, just imagine yourself at your best. Think, what would that be, if I were at my best? What is that image that comes into your head? And it's going to be very vague. But once you plant that image in your head, it's subconsciously something you're aiming for. Like, you say, what will I be at my best? Will I be totally in charge? Will I pace the stage? Will I be aggressive? Will I be witty, kind of more subtle? Will I be obvious? What do I want the audience's response to be? And I think it will lead you to creating your shape, and your form, and your personality-- As to have some kind of vague image of where you'd like to be ultimately. Now, the fact is your act is going to be created as you go along. Bits, they work. They don't work. Bing, you put them together. And it is really built in a practical framework, but it's also I think...
One of Steve’s first gigs was at the drive-in movies. When the audience liked a joke, they honked. In this comedy class, Steve shares insights from performing for cars and humans over a 50-year career spanning sold-out arenas and blockbuster films. Learn how to find your voice, gather material, develop an act, and take your comedy writing to the next level.
Wonderful class with Steve Martin, so funny and interesting. I feel like I learned a lot that can be applied to other things in life too!
I need to go back thru it again. There is so much material here. First time thru , I'm only skratching the surface.
As a student of Comedic Arts at Emerson College, this has served as excellent supplementary material to my studies.
Steve is an amazing instructor and I have gained so much knowledge from his teachings. I am ready to release the funny!!