From Steve Martin's MasterClass

Developing a Comedic Persona

It's not just what you say, it's how you say it. Steve explains how his own stage persona emerged and teaches you how to cultivate one that will take your material to the next level.

Topics include: Choose Who to Be • Imagine Yourself at Your Best • Explore Your Worst Quality • Dress the Part • Steve’s Comedic Persona

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It's not just what you say, it's how you say it. Steve explains how his own stage persona emerged and teaches you how to cultivate one that will take your material to the next level.

Topics include: Choose Who to Be • Imagine Yourself at Your Best • Explore Your Worst Quality • Dress the Part • Steve’s Comedic Persona

Steve Martin

Teaches Comedy

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What are you doing onstage is creating an artistic image of yourself determined by the things you put in, the things you leave out, it's level of intellect, high or low, the use of language, everything is determining who you are as an artistic being on the stage. That's a very lofty way to think, you know, when you're just trying to get some material together. But ultimately, as it gets more sophisticated and starts to shape, you realize you're creating a human being. And that's what these great comedians did. If you look at Chris Rock, for example, he's created something. He created something from the sum total of his energy, and his routines, and his observations into a whole artistic state. And that of course, is the ultimate but-- And it's kind of beautiful. [MUSIC PLAYING] Once I was on an airplane, and I was in my 20s, something like that. And there was a very pretty girl on the airplane, and I was talking with her. And I said, what do you do. And she said, I'm an actress. And I said, oh. And we started talking. And she says I'm an actress. And she says it's very hard, you know, when I go into auditions to decide what to be. I don't know whether to be upbeat, or kind of low key, or more artistic. And I said, why don't you just be yourself? And she said, I'll try that. And I thought you have try to be yourself. But I've changed my opinion, because I often hear well just be yourself. But who knows what their self is? I don't. I mean maybe I have a little more now, but when you're starting out, you don't know what yourself is. You can be what you choose to be, and you can define a personality for yourself within reason, of course, and become that onstage. You already have a persona. Even if you're mildly interested in show business, you have some shape to your personality. But it is something that will emerge if you pay attention to yourself and pay attention to what's coming out naturally. [MUSIC PLAYING] Imagine yourself one night lying in bed, just imagine yourself at your best. Think, what would that be, if I were at my best? What is that image that comes into your head? And it's going to be very vague. But once you plant that image in your head, it's subconsciously something you're aiming for. Like, you say, what will I be at my best? Will I be totally in charge? Will I pace the stage? Will I be aggressive? Will I be witty, kind of more subtle? Will I be obvious? What do I want the audience's response to be? And I think it will lead you to creating your shape, and your form, and your personality-- As to have some kind of vague image of where you'd like to be ultimately. Now, the fact is your act is going to be created as you go along. Bits, they work. They don't work. Bing, you put them together. And it is really built in a practical framework, but it's also I think...

A comedian walks into a classroom...

One of Steve’s first gigs was at the drive-in movies. When the audience liked a joke, they honked. In this comedy class, Steve shares insights from performing for cars and humans over a 50-year career spanning sold-out arenas and blockbuster films. Learn how to find your voice, gather material, develop an act, and take your comedy writing to the next level.

Reviews

4.7
Students give MasterClass an average rating of 4.7 out of 5 stars.

Very casual and authentic. As though he was speaking directly to me with lots of valid suggestions on where to begin.

You don't need to be a comedian to appreciate the value in Steve's lessons. As a writer and performer I learnt so much about creating and editing material, crafting characters and story techniques. I also laughed A LOT along the way. Thanks Steve.

Very content rich. And of course, funny. A creative genius, a kind man, and deep thinker.

My favorite lesson was Editing. I do read, everything I write, out loud to see if it flows and to see if it makes sense. I love the recommendation of writing, then placing it aside and coming back to it later.

Comments

Diana F.

i loved this lesson. The ideas here can so be applied outside of comedy and as I am never likely to do standup the idea of exploiting my worst traits sounds so much fun I might have to give comedy a go (I can be pretty disorganised - in fact i think it's a great skill to be disorganised).. Treat myself in a more lighthearted fashion - in fact just enjoy all the different aspects of persona.

A fellow student

Might I ask that you do something similar with Patton Oswalt and punching up scripts?

Jennifer F.

I am not looking to be famous, I just want to tell my story- it really is funny...and I don't want my friends to roll their eyes! Don't call me pretty- just call me funny! 😜

Mihaela C.

"I'm a really easy going gal, I make sure not to point out your mistakes. I also know how to appreciate someone's efforts, results don't mean anything to me. I'm just there for the ride"

Aniela M.

I think my worst quality is that I am uptight. I rebelled from my wild hippy parents by marrying my first boyfriend (20 years strong), crossing at all cross walks, and not smoking weed.

KONRAD R.

You know what they say, everyone wants to be a star. But also, quite a few people what to be real; they both seem like traps to me, what do you think? Is reality stranger than fiction or is it something else? There are a lot of faces out there , so it seems. I'm wondering if comics, like Robin Williams, are manic, in that they know too well most people aren't truly listening and or seem too sober to be sane in this seemingly insane world. I would like to know from Mr.Martin, how do you go up there in the spot light and stay sane and do it, again and again?

Billy F.

Simply terrific. Steve gets to the heart of what works and what is lacking.

Marilyn R.

When i asked my loved ones, whats my worst quality - my husband responds "respecting boundaries is your worst quality but thats because you love me so much" and i asked my best friends and she said "impulsiveness is your worst quality," and i said "but i married my husband on impulse and we see how that turned out.

tahiya M.

My worst quality is my impatience. That could be extremely funny. Especially since I'm not going to go up on stage until I'm 70. An amped up, hyper-impatient septuagenarian. Yep. That's funny. Who swears. A LOT! Now what will my 70-year-old self wear? She should wear things that 70-year-old ladies are never supposed to wear. Not like she thinks she's young, but like she really doesn't give a crap. What would be completely comfortable and totally ridiculous. A onesie with flip flops and a cape. Inappropriate sweatshirts with mean stuff like "I hate your kids" and "GET OUT!!" in rhinestones. Pegged pants like OyBoys in the 80's. Skinny tie. Tutu. Tutu and sweat pants. I should get a cane. Not for walking, for smacking stuff. Nah. Skip the cane. Billy club! this is fun.

Mary H.

Ironically, I'm being censored by facebook for trying to archive a photo of the archives. https://www.facebook.com/mary.hollowell.315/posts/779635302373503