Arts & Entertainment
Lesson time 09:30 min
No talent? No problem. Steve shares some ways that anyone can jumpstart their comedic journey. He didn't let a lack of talent slow him down and thinks you shouldn't either.
You may think I don't have any talent. I guarantee you I had no talent. None. I couldn't sing, I couldn't dance, I couldn't act. I didn't know how to think of jokes or tell jokes or do anything. I just started doing it because I liked it. And I can remember, I accidentally got a job writing for The Smothers Brothers Comedy Hour. I know that sounds crazy. But I was just a student doing my little comedy act, and I'd written some creative writing nonsense stories. And I submitted them through a friend, and I got hired. And I remember-- because they wanted young people. That was the mantra, you know. Never trust anyone over 30. So they wanted young writers, and I just got lucky. Lucky. And I remember the first day. You know, Mason Williams, the head writer, came over and he was looking at something. He said, OK, now here. Here's your punch line, and I'll just get you to circle it. And then, you draw this line over here, and you just put it at the end. Oh, so that punch line goes at the end. All right. Got it. So don't be intimidated starting with nothing. In fact, if you start with nothing, the work-around can lead you to originality. So the fact that I didn't dance didn't stop me, because I could fake dancing. I could fake dancing and make it funny. And I could fake singing and make it funny. If I had been a real singer or a real dancer, I'd be a real singer or a real dancer. Now, I realize a lot of you people are sitting out there, saying to yourselves, Steve, how can you be so fucking funny? [VIDEO PLAYBACK] There's a gimmick. There's a gimmick to it. I'm being honest with you, there's a gimmick. Before I come on stage, I put a slice of Bologna in each one of my shoes. So when I'm on stage, I feel funny. You know what I mean? People come to me and they say, Steve, is there some way I could be funny, too? [END PLAYBACK] I was thinking, what are the qualities that qualify someone for show business? And I thought, one of them was, when I was starting out-- when you see someone on stage or you see a show, do you think, I wish I was up there? Or if you're a writer and you watch a movie, and you say, I could have written that. That's one thing. Another thing is, are you an introvert? Because many comedians I've talked to, with exceptions-- Martin Short, certainly-- start out as introverts, and this is a way to become something onstage and to get attention. And it just means that there's this well of subconscious that you're suppressing, because you're shy. But on stage, you get to bring that out. What is it? That's the big challenge. What is that mysterious well inside you that you can let out? A friend of mine wrote me, that I went to high school with. He said, I want to be a comedy writer. And I said, well....
One of Steve’s first gigs was at the drive-in movies. When the audience liked a joke, they honked. In this comedy class, Steve shares insights from performing for cars and humans over a 50-year career spanning sold-out arenas and blockbuster films. Learn how to find your voice, gather material, develop an act, and take your comedy writing to the next level.
Steve Martin's thoughtfulness and intelligence are a delight. I love the way he breaks down his act, and really gets into the details. I could use more of him alone, and less with the small student group. I like the idea of a group chat, but these four people had nothing of value to add to the discussion.
I'm not a comedian and rarely even watch comedy. But Steve Martin has much to teach about brand clarity and how your background has an impact. SO good
Can use the lessons for areas other than comedy
I am working towards being a screen writer - not a comedian, but to my surprise, Steve Martin's MasterClass was not only interesting and entertaining, but helpful to me as an aspiring screen writer. Highly recommend this class!