Arts & Entertainment
Lesson time 12:03 min
Get inspired by Tom’s riff-writing process and apply his simple studio recording techniques to begin creating a song of your own.
I've never been much of a gearhead, not at all. In fact, I find it difficult to change a battery. So I-- capturing and recording ideas was done throughout my entire career on a Radio Shack cassette player. When they stopped selling those anywhere in the world, I had to find the RadioShack cassette player app for my computer. So it's very, very simple. You press one button on it. I don't think that technology should ever be a barrier to creativity. I'm just not tech minded. And I want to be able to come up with a song and record it right away in the simplest analog way, so that I can hear it later on today, or the next day, or bring it in-- bring it into band rehearsal. So that's how-- whether it was in an apartment in Hollywood, or whether it's at the studio now, I always have that very simple form of immediately being able to record something. You don't need Pro Tools to record your idea. You don't need a $2,500 a day studio to record an idea. All you need is anyway to just put it down right now so you remember it. While I do have Pro Tools, in this studio, where we heard the multitracking of the songs, I've been multitracking on songs, on a Fostex four-track, in the mid-80s. The best way to hear a song idea come to life is to play it with other musicians, though. I mean, that's where my riffs have always found the greatest life, playing especially with Tim and Brad to find a chemistry between musicians that creates something that's beyond the original riff, by other players' personalities and their input and ideas to flesh something out to life. I will continue to admit I'm not particularly technically savvy. And whenever I'm doing overdubbing on Pro Tools, let me tell you, there is an engineer who is pressing the buttons. The only button they allow me anywhere near in a studio is the volume knob. That's the only one that ever let me touch. [MUSIC PLAYING] I've always written my riffs on acoustic guitar, often nylon string acoustic guitar, often this nylon string acoustic guitar. The reason being is when I was living in an apartment in Hollywood, you couldn't exactly have a roaring Marshall stack at 2:30 AM when sometimes inspiration strikes. So my girlfriend's guitar-- now my wife's guitar-- was my go-to. And it'd always be sitting right next to the bed. So whenever I was inspired I would pick it up and write a riff. And over time I got to have a pretty good ear for what on a nylon string acoustic riff in the middle of the night would sound like when played with a roaring rock band at Reading Festival in front of a huge crowd or on a big Brendan O'Brien produced record. So now I'm going to show you that process from start to scratch. We will not have the Reading Festival crowd in the studio today. But you'll get an idea of how something that begins very humbly on acoustic guitar can become a big rock song. So if you could just-- let's give me a-- a click track to, say, 80 beats per minute. It'd be helpful. [BEEP...
Tom Morello is a two-time Grammy winner and one of Rolling Stone’s "greatest guitarists of all time." In his first online guitar class, the co-founder of Rage Against the Machine will teach you the riffs, rhythms, and solos that launched his career and sent his music to the top of the charts. Tom will share his approach to making music that challenges the status quo and teach you how to create your own musical style.
It was really helpful for my creativity. Thank you Tom!
It was very refreshing and honest. Learned a lot of things. The course could be improved with a couple more advanced in depth lessons about composition and arrangement, because the songs are the most important thing.
As a lifelong fan of RATM and Tom Morello's music and politics, I've been pleasantly surprised to discover more about his creative process !
my experience was that of someone that was masterfully communicated to. he offers expertise even experts would blush at.