Music & Entertainment
Lesson time 12:30 min
Using his solo in Rage Against the Machine’s cover of Bruce Springsteen's “The Ghost of Tom Joad” as an example, Tom illustrates how a solo can defy convention and transcend genre.
Topics include: Deconstructing the Solo
I'm a huge Bruce Springsteen fan. And not a casual Bruce Springsteen fan, a huge Bruce Springsteen fan. He's the only musician that I've ever played with that I subscribed to a magazine about. So it was quite an honor in 2008 when Bruce asked me to play the song "Ghost of Tom Joad" with the E Street Band. At the time, the song existed in two forms. One was the acoustic version on his "Ghost of Tom Joad" record, a kind of a minor key, plaintiff ballad, and the Rage against the Machine version, which was a Black Sabbath-y, scream, rocking jam. So I ran into Bruce over at Henson Studios one day. And he said, you should come play with the E Street Band sometime, Tom. And I said, I will go home and look at the calendar right now and see when you are in the area. So I went down to Anaheim. Bruce said be there. He said, let's play "Ghost of Tom Joad." I said, should we do it acoustic or electric? He said, learn both. I said fine. So I nervously planned and had the chords and the singing. Bruce has seen a few Nightwatchman shows. He asked me to sing the song as well, which heightened my nervousness. And I learned the songs, and there I am, a half hour before I'm supposed to go rehearse it at soundcheck with the E Street Band. Well, what I didn't know was Bruce was going to change the key of the song, and he was going to raise it eight steps. So now my baritone voice, which I'm practicing down in catering by myself, I can no longer sing the song credibly. And also, I'm having trouble transposing the chords, which are now a whole new crossword puzzle scramble of chords. So I get up on stage, and I'm sweating. And we go through the song, and it doesn't go great. I'm having some trouble singing it, not able to play at the same time. Little Steven's very helpful. He is trying to talk me through it. He realizes this is not my best moment. It doesn't look like it's going great. However, there's a reason they call that guy the boss. Bruce Springsteen puts his hand on my shoulder, says, we're going to do it in this key, and it's going to be great. I was like, OK, OK. So what I've decided to do is-- and the first time we play it together, I play no rhythm guitar. There's like 17 people in the E Street Band. They know the chords. I'm not going to worry about that at all. They know the chords. What I know I can do is sing a song about social justice passionately. And what I can do is play a guitar solo. But what I don't do during that soundcheck rehearsal is give away the guitar solo that I'm going to play. I just sort of Chuck Berry my way through it. And you know, like I don't want to give it away. So that night, I come onstage. And it's me, my guitar, and about a half bottle of Jameson and me to find the courage to do that. I step on stage, and we do a version of "Ghost of Tom Joad" that was very special. And I've had the honor and the great pleasure to play that song and some other songs with Bruce Springsteen through the years. T...
Tom Morello is a two-time Grammy winner and one of Rolling Stone’s "greatest guitarists of all time." In his first online guitar class, the co-founder of Rage Against the Machine will teach you the riffs, rhythms, and solos that launched his career and sent his music to the top of the charts. Tom will share his approach to making music that challenges the status quo and teach you how to create your own musical style.
This class was powerful. When listening to someone who is passionate and so down to earth at the same time, a cathartic revelation comes to you. You realize that Tom Morello is not just a guitar player, this is not just a music class, it is a philosophical journey that helps one to become ... yourself.
Really opened my mind and killed a lot of doubts. Now I have to do something about it! :)
I love this class. Love Tom's approach. It is very refreshing and I am looking forward to using the perspective in my playing.
A little bit too much gear and gimmick talk at first, but in the made he made clear, that it is all irrelevant.