From Tom Morello's MasterClass

Tom's Noise Chart

Tom walks you through his own noise chart, including examples from “Guerilla Radio” and “Your Time Has Come,” to show you his system for keeping track of all the elements that come together to create an original sound.

Topics include: Swirling Echo Triplets • Toggle Wah-Wah • Scottish Highland Bagpipes • Cello Delay • Octave Delay • “Your Time Has Come” Echo • Harmonica Sound (“Guerilla Radio” Toggle) • Above the Nut • Tuning • The Forest Comes to Life • Feedback Toggle • Air Raid Siren Feedback Swirl • Playing With Teeth

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Tom walks you through his own noise chart, including examples from “Guerilla Radio” and “Your Time Has Come,” to show you his system for keeping track of all the elements that come together to create an original sound.

Topics include: Swirling Echo Triplets • Toggle Wah-Wah • Scottish Highland Bagpipes • Cello Delay • Octave Delay • “Your Time Has Come” Echo • Harmonica Sound (“Guerilla Radio” Toggle) • Above the Nut • Tuning • The Forest Comes to Life • Feedback Toggle • Air Raid Siren Feedback Swirl • Playing With Teeth

Tom Morello

Teaches Electric Guitar

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Preview

One of the ways that I've organized the different guitar noises that I've come up with through the years is by keeping a noise chart-- something very similar to what you see here-- and always had that at rehearsal, always had that at home. So when I came up with a new noise, I would write down what guitar I played it with, what the amp settings were. Because I, unfortunately, through years have lost a lot of-- I've got tapes filled with spectacular guitar noises that I could never play a second time, because I didn't write down how I came up with them. So the noise chart was born. And I am now going to refer to it as I take you on a journey through Tom Morello's Noise Chart. [MUSIC PLAYING] Swirling Echo Triplets. So with that, I have a long delay set at a lengthy setting, and then it's just a matter of playing triplets on one or more strings. [PLAYING GUITAR] So the pedal settings for the swirling echo triplets are a delay pedal set to a longer delay, which helps the triplets echo into the night. [PLAYING GUITAR] Swirl on. [MUSIC PLAYING] The next candidate on the noise chart is the bullet-in-the-head, Toggle Wah-Wah solo business. And for that, the wah-wah is employed. The toggle switch is toggled. And the solo is actually double tracked. So there's one guitar on one side playing the low version-- [PLAYING GUITAR] --and one on the upper E string playing the high version. [PLAYING GUITAR] And then we get into the-- [PLAYING GUITAR] And it's a simple solo using a wah pedal, a toggle switch. But it felt very original to me and like it was my own. Really, that's where I began to find my own voice as a soloist-- combining the weird stuff with traditional guitar playing, the noise chart leading the way. [MUSIC PLAYING] Next up on the noise chart are the traditional Scottish highland bagpipes which are used in the song "Voice of the Voiceless" on the "Battle of Los Angeles" record. One of the reasons why I like this ancient digitech whammy pedal is because you choose the settings with your hand. And so I thought, if I spin between those settings while fingering a note, the root note-- the G string I'm going to be playing-- is like the drone of a bagpipe, while the harmonic intervals are played by the pedal. It's a very unpredictable little number on the noise chart, and we'll see what we got today. [PLAYING GUITAR] Bagpipes. [MUSIC PLAYING] The next number on the noise chart is what I call the Cello Delay-- the approximation of a symphonic cello, or whale sounds on the guitar, by setting the guitar to a longer delay, striking the note with the volume knob turned to zero, and then bringing the volume up while using vibrato on the note-- creates something that sounds something like a cello. [PLAYING GUITAR] You can feel the mystery. [MUSIC PLAYING] So the next noise chart number is the Octave Delay, which is the setting that I used for the solo on Aud...

Strike a Chord

Tom Morello is a two-time Grammy winner and one of Rolling Stone’s "greatest guitarists of all time." In his first online guitar class, the co-founder of Rage Against the Machine will teach you the riffs, rhythms, and solos that launched his career and sent his music to the top of the charts. Tom will share his approach to making music that challenges the status quo and teach you how to create your own musical style.

Reviews

4.7
Students give MasterClass an average rating of 4.7 out of 5 stars.

Tom is a great educator. Thought provoking, entertaining and full of practical tips I will actually use. Excellent class!

That was fuckin sweet, can't wait to watch it again.

I have played guitar for 10 years and still learned SO much. What an inspirational and engaging teacher. I laughed, I learned, and I never lost interest. The best masterclass since Aaron Sorkin!

That was the most motivating and inspiring course I've ever seen. The technical advice with respect to technique, practice, songwriting and gear was great, but what made it amazing was the honesty with which it was presented and that's what makes it real. I've never felt so motivated to play my guitar and write my own music. Absolutely brilliant. Thank you Tom Morello.

Comments

Andrew B.

Does anyone know how to play the part in 'Down Rodeo' where he bounces the string off the pickup? I can never get that to sound right.

Joshua Z.

So to sound the notes during toggle switching is it just hammer ons and pull offs?

Robert G.

Tried it again. I don't like anything touching my teeth. I just started to try the guitar over my shoulders. Behind my back and opposite handed Freddy King style. Lots of fails but I am obsessed with learning it. Lmao. I think it's fun to pass the time learning to play music.

MICHAEL G.

Agata from Melt Banana also does some very crazy "noise" techniques with the guitar....

A fellow student

Hey y'all. I seem to be missing tab 6.5 which is at 09:08. My pdf ends after tab 6.4. However tab 6.4 is at 14:38 which is after tab 6.5. Anyone else have this problem? I also think it would be super helpful to have the key in which these various riffs are in. It gives the riffs more context and makes it easier for us to see how we might be able to utilise various bits and pieces of these licks in to our own playing. I am really surprised they don't specify the key as I would have thought that would be a given. Other than that so far the class has been interesting and pretty fun too. I am looking forward to getting through the rest of it...

Chris W.

Great tooth solo. Wouldn't risk it myself. Imagine if he turned around with one tooth missing?

Pedro I.

Hey Tom...really enjoying your class...question: I see this quite a bit, why are the ball ends of your strings on the "tuner-side" of your guitar and not up by the bridge? What holds the strings to the bridge? Why do you do this? (If you covered this later in your lessons, I apologize.)

Richard C.

So far my favorite lesson. He could have added the Allen Wrench trick to this list too.

Corey W.

It's been hard working out a couple of Morello's techniques as my Fender Squire doesn't have a toggle switch. But any technique he can do on the Telecaster I can do on the Squire.

A fellow student

This video alone is worth the cost of entry. Morello tricks taught by the man himself! It’s funny because I eared out the notes to Voice of the Voiceless and play it on the b string with the open g ringing out. Been playing like that for years. I am a bit confused on how he’s doing the “forest comes to life” bit with just the delay and a volume swell.