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Arts & Entertainment

Case Study: Frost/Nixon

Hans Zimmer

Lesson time 12:59 min

For Frost/Nixon, Hans had to score to a dialogue-heavy film. Learn his approach to creating a minimal but beautiful score.

Hans Zimmer
Teaches Film Scoring
From collaborating to scoring, Hans Zimmer teaches you how to tell a story with music in 31 exclusive video lessons.
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Turns out to be an employee of President Richard Nixon's reelection campaign committee. He is one of five person surprised and arrested yesterday inside the headquarters of Democratic National Committee in Washington. And guess what else he is? A consultant to President Richard Nixon's reelection campaign committee. Trial started today at the Federal Courthouse for the five-- One of the inherent dilemmas of this movie was it came from a very successful play that both Ron and I had independently seen in London and both sort of loved. And we loved the performers. And we sort of went this is a great play. So how can we not ruin the play but make it cinematic? We know the story. We all knew the story. So what new things could happen? What could happen in this? And then lots of new things happened. And I just thought it was really interesting, and I thought it said a lot about-- it never talked down to us. It always stayed at a level that you want movie making to stay at or a play to stay at. It was thrilling. It was a boxing match without anybody ever putting on the gloves. It was-- and it consistently stayed tough. I thought what was really interesting, just from a musical point of view, is that neither of the characters were particularly likable. In fact, they're not my couple at all. And if I ever make them likable, which is such a tendency-- we all have that tendency. We're trying to make things a little bit more likable or a little bit more humane or a little bit more empathetic than sometimes they deserve. And Peter, in his writing, just went for it. He didn't do that. He just maintained this sort of cold, detached here it is. John D, the ex-White House counsel, testified today that President Nixon knew about the Watergate. And actually, it's interesting to me to watch the opening of this movie again, because yesterday we were talking about these suites that I write. That stuff, my diary of every day, writing a little bit further. --145-page statement characterizing a president who was easily outraged over war protesters. Up until you actually get to the actor playing Richard Nixon, it's all just the original suite. It's just laid up against it. And there wasn't-- the editor cut to it. But it gives you the right mode. It gives you the right propulsion. And certain, for Ron, it gave him the right feeling for the way he wanted to tell the story. The president today took his resignation-- All it is me, a bunch of synthesizers, and one cellist. So the whole score-- that was the line up for the score. So starts a bit crooked. It starts with a good riff. And it's just the variations on that riff all the way through that became, sort of, gold as far as material was concerned. And I never knew I was writing the opening to the film. White House aids told NBC News today that impeachment of the...

Tell a story with music

Hans Zimmer didn’t see a film until he was 12 years old. Since then, he’s scored over 150 films, including Inception, The Lion King, and The Dark Knight. In his MasterClass, the self-taught Academy Award-winner teaches how he creates sounds from nothing, composes compelling character themes, and scores a movie before ever seeing it. By the end, you’ll have everything you need to start film scoring.


Students give MasterClass an average rating of 4.7 out of 5 stars.

It has given me the motivation to continue on my musical journey. I now know that I am on the right path.

Genuine, honest. Provides good insights based on his years of experience and creativity. Enjoyed these lectures enormously!

Han's taught me things you can't learn in school. Anyone can take a theory class, or a D.A.W. class to learn how to compose in a computer. 5 Stars!

A complete insight to both beginners and Pros. Well touched topics.


Jeshua S.

The objective music vs the reactive music was very interesting to hear him describe. Also this score is incredible!

A fellow student

Ok, it's 2020 and I am in 'lockdown' due to Covid-19. I adore Hans Zimmer and all of his film scores. However, this class really felt like an 'ego' boost for Mr. Zimmer. I stopped at lesson 12 and watched Danny Elfman's course (as well as all the classwork... aka...workbooks) I found Elfman's work to be more substantial. Not hating on Mr. Zimmer at all. Just saying that, at this point in my learning, I felt better about and feel like I learned more from Mr. Elfman. Just my opinion. However, I wanted to state this because, well.... watching Mr. Zimmer... or even watching Mr. Elfman... You, as a composer, will not gain a whole lot that you (deep down) don't already know. Composing is WORK and work is not always fun or 'easy'. I love composing. I love music. I ENJOY being around people that are working on music. However, I want to say something straight here... I will play and compose and continue to learn but, for me and my love of music. Not the fame or career and all of that. The BEST lesson I learned from these 'Masterclasses'.... Do it for love and you won't go wrong.

michael G.

Really enjoyed this workshop, particularly how Hans discussed the use of score to capture the emotion of the moment.

Mark P.

This is one of my favorite moments of the masterclass. His thoughts on two approaches to scoring. The observing and reacting approach to the movies or the mystery and curiosity behind the character, more introspective approach. Lot to chew on here.

Rachel R.

There is definitely a great opportunity as the composer to take advantage of great writing and expound on the emotion! I loved his explanation here.

Brent H.

I love his explanation of the Star Wars theme being bombastic and dominant in the film especially the opening. Yet when he composed for Nixon, it was more subdued and embedded within the mix , more connected to and a part of the film and the scenes, as opposed to riding above everything

Dr. Monnie Chan

Our maestro teacher Hans Zimmer live concert in Hong Kong is coming on 26th September 2019. Just 12 days to go. I am going and wonder if there are any classmates I can meet?

Zieliyu Z.

Good invaluable insights But why why the squeaky chair.... I love to appreciate the music and the magnetic voice. Squeaky chair not so much.

Kori C.

I really like the way Hans described each of the characterizations and musical construction within his mind, and what he thought about when creating the music to match the movie, characters, and storytelling. It gives me GREAT insight and inspiration within my musical compositions.


Enjoyed the example and explanation of film scoring for a totally different movie from the previous ones.