From Hans Zimmer's MasterClass

Life of a Composer: Part 2

Hans continues his discussion on an artist's life, telling you why he was inspired to pursue the life of a composer in the first place.

Topics include: Voice • Talent • An Artist's Life

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Hans continues his discussion on an artist's life, telling you why he was inspired to pursue the life of a composer in the first place.

Topics include: Voice • Talent • An Artist's Life

Hans Zimmer

Teaches Film Scoring

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The thing with all of us musicians are being taught, as are all artists are being taught, is find your voice. All right? I remember reading Keith Jarrett talking about this, going everybody was telling him to find his voice. And he's going, I got my voice. I was born with my musical voice. And he was much more interested in what he can use it for, you know? So I don't think I was born with it. But through my cultural influences, where I'm from, what I listened to as a kid, just the way I learned an accent, I have an accent. I have a voice. And when I want to do the blues in "Thelma and Louise," I can do the blues, and it's still my voice. And if stick with Ridley, if I want to go into faux Roman music in "Gladiator," or faux Wagnerian music, it still sounds like me. So rather than trying to find your voice, just acknowledge that it's there, and just listen to it. It's like, recognize it. I remember having some weird fight, undoubtedly about scheduling, which is where things usually get unstuck with me, with Gore Verbinski. And my music editor, Melissa, coming in afterwards, and she's going, oh Gore's really pissed off. And he said he'd fire your sorry ass, except for when you sit down and you play those moody chords. And so, he's-- [PLAYS MOODY CHORDS] You know? Just don't fire me, because I'll play some moody chords for you that might-- [PLAYS MOODY CHORDS] Now I don't play virtuosic, but I have an aesthetic, and I have a feel, and you know-- [PLAYS MOODY CHORD] When my fingers land on the piano, it's different than when somebody else's fingers land on the piano. I don't know if I believe in talent. People keep saying to me oh, he's really talented, or this guy is really talented, or this woman is just an amazing talent. And then when I investigate a little bit further, it turns out it's just somebody who works really, really hard, and really dedicated, and makes their life about something we are passionate about. And at the same time, just being passionate about something doesn't mean you're any good at it. You see it all the time, that you think you think somebody is a talent, and they do something really remarkable. And you go, and what's the next thing you're going to do? And that's sort of nothing. That happens time and time again, where people can create one great thing and then it stops. And the whole point is it's not maybe so much about talent, but it's about what's the next thing? The first thing, yeah, of course you're going to write the greatest album. Because as a teenager, when you join a band, your first 17 years of experience is all going to get packed into that first song. And yeah, there should be enough material there to make something great. Or the first movie you make. Of course it's going to be great, because there's all that. But it's the second movie which is tricky, and the third movie which is tricky. And I think that's wh...

Tell a story with music

Hans Zimmer didn’t see a film until he was 12 years old. Since then, he’s scored over 150 films, including Inception, The Lion King, and The Dark Knight. In his MasterClass, the self-taught Academy Award-winner teaches how he creates sounds from nothing, composes compelling character themes, and scores a movie before ever seeing it. By the end, you’ll have everything you need to start film scoring.

Reviews

4.7
Students give MasterClass an average rating of 4.7 out of 5 stars.

To take more risks to get out there and meet connect with film people, As a storyteller all modes are essential words, pictures and sounds

Hearing Hans Zimmer talk on a more meta level as well as on specific details was really useful to hear. I liked his final words too.

A thinking person's course. I love his attitude and the way he expresses himself. I can hear his voice when dealing with directors which is a lesson.

Its like hanging up with him and he's telling you all his insight from all the years that he's been creating, super interesting

Comments

Kenneth S.

Don't fire me because I'll play those chords... and when I play those chords it's different than when someone else plays those chords... that's really the substance of what you do as a composer and musician. Add to that, that everybody tells you that you can't do it.... but at the end of the day, it's about are you wasting your life or not wasting your life.... it sounds life a nervous commitment to nothing else, but Hans really nails it about the all consuming focus to creating music for a score and telling the story. When you look it it from the context of what Hans is describing and you read Trevor Horn's biography or Wikipedia, you really get the picture of what that No Plan B means.

Kori C.

I am a composer and I do release my own music. Hans, I totally get you when you say find your voice. I've found mine, and your class has given me more fire, more drive to do what I have always wanted to do. Thank you.

Natalie F.

He's always been my favorite that's for sure. :) Thanks so much Hans for making this learning journey so worth it. I have learned the most from you and even more importantly become the most inspired from you. Thank you.

Merriwether S.

I am super embarrassed to admit it, but I kind of fall in love with him with every section. What a truly wonderful man and what a gift to give of himself so freely. Anyone who has had this level of success can put together a Masterclass. To be such a selfless and giving teacher is a true gift. You can always tell when someone is holding back for themselves. Hans wants to consciously use the wealth of his experience to contribute. Hans is genuine, humble, kind, passionate and generous. I am honored, inspired and thrilled to have the chance to know him and what he has to share like this.

Bogdan I.

The most sincere episode so far. This is supposed to be "Master Class" not "Disaster Class". Hans Zimmer has a sense of humor.

Vivian

I really LOVE how Hans talked about "talent"... It's all about hard work and pushing the LIMITs.

Sandy Moonias

Searching for the pattern is what people do when they ask a lot of questions. They are putting everything together piece by piece. Eventually, they understand the pattern There are other people who see the pattern and then deduce the parts - another way of thinking - but, not so common.

Ewen S.

Hans always comes back to the story - It seems like this is his biggest motivator as a musician and a person.

Brenda N.

I liked the part when Hans talked about "I'm not a brain surgeon, I'm not a rocket scientist..." Yes, I had thoughts about becoming a dr. at one point but didn't think I could do or would enjoy all the science classes that were necessary:) What I enjoy is writing scores, so that's what I do.

Brett C.

I have watched a number of Master Classes so far and I must say that Hans is the stand out. A real person who is a creative genius!