Music & Entertainment

Music Diary: Sherlock Holmes

Hans Zimmer

Lesson time 24:17 min

Hans creates music diaries to each film to help him along. Learn how and why he does it as he walks through his diary for Sherlock Holmes.

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This is my prison. This is the room I spend 98% of my life in. Because that's all I really do. I go home. I come here. I love writing music. So what have I got in front of me? It's my computer. And it makes all sorts of-- I think the novelty that people don't realize that a computer can play any type of instrument, I think that's sort of gone by now. So in front of me is my virtual orchestra basically, because that's how I work. So the way I work is after a lot of procrastination, I have to sit down, and eventually you have to start somewhere. And this usually means I have to put the glasses on, because I can't see the screen anymore. And after having a conversation with the director and sort of knowing where this film is going, I just start writing my ideas down in a sort of diary type fashion, where every day I just move forward in this piece. And it starts somewhere, and it's trying to find the theme or trying to find a vibe or trying to find a mood or something like this. But everyday I just add to it. I don't go back and revise things. Because sometimes, things that you discarded weeks earlier, you suddenly remember and go, hang on a second. It was a terrible idea at the time, but actually turns out it's quite cool. So the way that I work is I sort of know the movie pretty well. Or I know it as well as you can at this point where a movie doesn't really exist other than in the head of the director, scenes are being shot, et cetera. But I do need to go and start fishing around for some material. You come from a conversation with the director, and you're all enthusiastic, because it's all new possibilities, opportunities, great ideas, et cetera. And then you get into this room, and you sit in front of this, and it's all gone, and you just go, oh my god, I have no idea what to do. But you need the courage of starting somewhere. So the first marker says intro, because it needs to start somewhere. You know, and I'm pretty sure I remember what I did. I think the first thing I literally did was just put this line in because I thought-- [OMINOUS BASS AND PERCUSSION] I just knew that. I sort of heard it in my head. And the thing about this piece is it's not a piece. It literally is a diary. You can see how my ideas slowly sort of firm up. You know, and I was going, oh, OK, hang on a second. This would be cool if I did it on a clarinet, so the next marker is called clarinet. [CLARINET MELODY] Since this is literally my process here-- so I mean with Sherlock it starts fairly hesitantly as I'm trying to figure this all out. So I knew I had to go and find something dark. I knew I had to go and find something remarkable or something good enough for our villain. And really this whole thing is just sort of literally presents my thought process. Where up here you see little markers floating around, which are my me...


Tell a story with music

Hans Zimmer didn’t see a film until he was 12 years old. Since then, he’s scored over 150 films, including Inception, The Lion King, and The Dark Knight. In his MasterClass, the self-taught Academy Award-winner teaches how he creates sounds from nothing, composes compelling character themes, and scores a movie before ever seeing it. By the end, you’ll have everything you need to start film scoring.



Reviews

4.7
Students give MasterClass an average rating of 4.7 out of 5 stars.

Very inspiring, as a creative director i was blown away by the thinking process, the way hans's makes complicated topics so simple. highly recommended

This course has helped me see a more logical approach towards my career. Thanks so much to all who made this possible.

I'm so excited to have started scoring my first documentary. Hans' class has helped me so much in getting started on this journey. I have already used so much what is in this class while writing. Hans is a genius!!! Thank you so much for all the input, thought, tips and insight to your expertise!!

As inspiring as 10 years ago when his music made me want to become a composer.


Comments

Laura H.

Wow what an inspiring lesson. I'd love to hear him talk about his preparation harmonically- what understanding does he feel is important? Also, how does that experience on the computer translate to writing notes? Does he do any of that?

Jessica J.

I love when Hans goes to play his cue and cringes because it’s loud ...like when you’re a kid and you turn on the stereo and the volume is too loud and you know you’re in trouble with mom and dad now....

Dr. Monnie Chan

Our maestro teacher Hans Zimmer live concert in Hong Kong is coming on 26th September 2019. Just 12 days to go. I am going and wonder if there are any classmates I can meet?

Ethan F.

Once again he proves that composing music is not that obvious, even if you just got out of a discussion with the director and feel enthusiastic and inspired. Reality is that once you're in front of your keyboard you just go "argh" ! Love it !

Andy C.

Would have been good to get a chapter on the process. It was only during this lesson I realised that the music is written in chunks and then edited together to make the score. It make sense but wondered what the full process is - does Hans never hear his final score until the full movie final edit is done?

Yu-Han

Anyone would have assumed a legendary Oscar winning composer must have had zero tolerance toward any kind of messy, distracting, meaningless noises... Hans Zimmer: Nah. composes beautiful music and rolls around comfortably in his squeaky armchair.

A fellow student

11:13 !!!! amazing mysterious moment :D really enjoying this master class!!! thank you Mr Zimmer

Rudy B.

Oh yes. This is by far the best so far. I never considered scoring linearly over the course of days. Notes in the Dairy will ease my fear of losing inspiration or cadence if developing the score over several days amid life's distractions.

J.P.

I've been enjoying these classes more and more. And yet, I can't stop asking myself the same question over and over: "How can Hans work in such a squeaky chair?"

Art D.

This is the best section of the class so far. Very cool process. Just sketches of materials to draw from.