Design, Photography, & Fashion

The Technical Side of Photography

Annie Leibovitz

Lesson time 12:34 min

In this chapter, Annie shares how she approached transitioning from film to digital, and what starting out in the dark room can teach you. Annie also shares her perspective on focus and sharpness—and how above all else it's the content that matters.

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Annie Leibovitz
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Annie brings you into her studio and onto her shoots to teach you everything she knows about portraiture and telling stories through images.
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The Art Of The Photo

Annie Leibovitz was the first woman to be named chief photographer at Rolling Stone and the last person to take a portrait of John Lennon. In her first online photography class, Annie shows us that what makes a picture stunning isn’t the gear or technology—it’s the story. Annie teaches you her philosophy: how to develop concepts, work with subjects, shoot with natural light, and bring images to life in post-production. See the world through her eyes.



Reviews

4.7
Students give MasterClass an average rating of 4.7 out of 5 stars.

This is what a "master" can give you; the concentrated perspective of her approach to her endeavors. You may find you didn't realize you were trapped in a box until she shows you the door you had failed to notice.

I love to explore different situations and every facet of human life, capturing the various expressions and emotions of people through Photography...

Extremely inspiring, and moderately informative. Had hoped for more case studies, how to find work, and other practical applications.

This class has helped me realize that I can use photography to spread love and kindness through my travels.


Comments

Dulce L.

I agree, I feel the same why about digital. I also started with film; Kodachrome and Black and White film; it was sharper; I had a hard time transitioning. There were limitations, and the learning process to me was easier than digital images as an art; as simple art in regard to editing. But yes, one can do a whole lot more in removal and manipulation in digital, without relying on an artist like we did in the past; both are wonderful and slightly different mediums, with different learning and understanding. Thank you for this class; helping me get back into my photography again.

A fellow student

This class is very disappointing As an architect I know how important is the conceptual side of arts, but I also know the importance of the technical side of your tools. I hoped that at least one of the lessons would give a basic idea of how to use a camera. In this lesson Annie mentioning technical terms as if we already learnt and understand them. In general this class is disappointing as it doesn't even seem she teaches us, it's more like a very regular Netflix documentary.

Renee M.

I loved this lesson. Sharpness is something (as a new photographer) I have been spending time thinking and reading about. It made me feel good to know that other photographers are having the same thoughts with digital.

Paul C.

Here's another one I had fun playing with the DOF. Notice how JUST the anther of the flower is in focus...

Paul C.

I liked the lesson, though I have not done the blind assignment yet. I have done blind photos before, and have one that is totally blurry of my friend and her family members, but I still like it. For me, I'm opposite from Annie in that I enjoy playing with depth of field, and have done so since using an original Polaroid Land camera when I was a boy. One of my favorites is attached, and I like how you can see the gradual focus change which sets it apart from fake Bokeh.

Graeme R.

Content is absolutely paramount. I love much of Annie Leibovitz's work, but it's clear from listening to her that she is profoundly ignorant of photographic technology. So many technically proficient photographers produce boring, empty work, devoid of ideas and emotion.

Graeme R.

Kodak did not discontinue manufacturing Kodachrome until 2009, not the 1970's as Annie stated.

A fellow student

when a photographer erase herself out of a picture, she erase a point of view out of it. It gives a picture less of a voice. It becomes a thing that is not a photograph. Regarding focus, it is a complicated topic to discuss here. My first AC is in charge of focusing, it had made me mad when I take still pictures, because that magic of the actors are always carry with them a sharp image is gone and I was left feeling powerless like I am trying to touch that flower in the mirror.

Mandy C.

The photos from the blindfolded shoot feel more intimate than any i have taken. The angles have so much memory, as though it’s the perspective of a baby whose environment is imposed on her. Or the views that we don't notice when we're lying on the couch staring off into space.

Vincent M.

I often take and buy old magazines at garage sales and flea markets. Its away of looking at print work of yesterday and seeing the light and sharpness variances of today's print work. I do here other photographers complain about sharpness to a point where they will actually throw away the image because of the lack of sharpness. I don't use the DOF on my camera (I probably should) but I find that I tend to use the f/stop as my DOF starting point and then move the subject from the background to achieve what I am looking for in the final image. Editing is so much more creative then the darkroom but the editing software's that are out there are based on the darkroom techniques of the day. This was taken many years ago and was one a few attempts at print work. I still like it.