Arts & Entertainment
Lesson time 04:28 min
Meet your new instructor: Man Booker Prize-winning author Margaret Atwood. In your first lesson, Margaret shares her perspective on the art of writing and who ultimately gives your book its meaning.
Creativity is one of the essential things about being human. You don't have to apologize for it. It's something human beings do. Sometimes people say, express yourself. I don't really think that that's necessarily the key thing. Expressing yourself can be shouting in a field. So rather than expressing yourself, why don't you think in terms of evoking, conjuring up for the reader some curiosity, some suspense, some interest rather than this is my ego? [CLASSICAL MUSIC PLAYING] If you're a writer, you have a very limited repertoire of tools. Your repertoire is a blank page and some words that you put on it. So you're not making a film. You don't have sound effects. You don't have actors. You only have those words that the reader is reading. And that's what you use to build everything in your story as words. Words on a page are inert. They're like black musical notes on a score. They're inert until the music is played, or in the case of a book, the reader is reading. And when the reader is reading, the words transform back into representations, sounds, smells, colors, people. Reading is the most participative of the arts. There's more brain activity when you're reading that kind of intense text than there is, for instance, when you're watching television, when you're watching film, because the brain has to supply everything with the words used just as cues, clues. So what you're providing the reader with is a score, a score that the reader will then interpret. And all you can do as a writer is make your book as good as it can be. You throw it out into the world, hope for the best. And that's all you can do. You can not dictate to the reader how they should read your book or receive your book. Because the meaning of a book, once it's is out in the world, is not decided by the writer anymore. Even if the writer has thought the writer was putting x meaning into the book, the reader may have quite a different idea, and usually does over time. So Thomas Hardy thought that "Tess of the D'urbervilles" was about the irony of fate, and we think it's a pretty kinky story about what happened to women in the Victorian period. I mean, that's what I think. What do you think? When I wrote "The Handmaid's Tale," I didn't give the central character a name. The readers decided that her name was June. There's nothing in the book that contradicts that. In fact, it all fits. But it wasn't something I thought up. The readers figured it out. It has to be June once you come to think of it, because each of the names that are mentioned in chapter 1, they all occur again in the book except for June. I thought that was pretty smart of them. I'm Margaret Atwood, and this is my MasterClass.
Called the “Prophet of Dystopia,” Margaret Atwood is one of the most influential literary voices of our generation. In her first-ever online writing class, the author of The Handmaid’s Tale teaches how she crafts compelling stories, from historical to speculative fiction, that remain timeless and relevant. Explore Margaret’s creative process for developing ideas into novels with strong structures and nuanced characters.
Playback is sometimes slow and lagging, which I thought might be a problem on my side until I re-watched lessons and they lagged in the same spots every time. Other than that, the lessons are great!
I have identified my fear and now can look it in the face - it's only me and the page. A real treat to hear from such a master.
You are delightful, smart, insightful, and awesome! I loved this class. Thank you for being a part of my writing journey.
Ms. Atwood's humor is contagious and her insights welcome. I'm sorry to see the class end.