Film & TV
Lesson time 14:46 min
In the final lesson, Aaron offers his parting wisdom and leaves you with one more assignment that will last the rest of your life.
Topics include: Aaron's final advice
So the good news is that you, none of you, none of the five of you are fooling yourselves. You are all professional writers. You're very good. Even better news is, is that as a writer you get, it's the opposite of being an athlete, you get better as you get older. Not just because you've lived more, but it's practice. You've done it a lot, and you've found your voice. You've found your stride. And you know what works for you and what doesn't. Now, you have to get used to tuning out other voices. OK, as a writer, whether you're writing a 30-minute TV show, a 60-minute TV show, or a screenplay, in this day and age, and I mean because of social media, you're going to hear from a lot of people. And what you don't want to do is to try to write in order to change someone's mind. OK? Let's say this show is on the air, or your show is on the air, and three or four episodes in. And you're reading a critic, whether it's the New York Times or Dumbo at dumbo.com, has a problem with your script. There is a very human instinct to write the next episode trying to address that person's concerns. It's going to be a fool's errand. First of all, it is impossible to try to-- it's impossible to make everybody happy who is watching your thing. Second of all, Dumbo at dumbo.com doesn't know what they're talking about, OK? That's why they write a blog and you write what you write. You've got to have Corey-level of confidence in yourself. Now, that's not to say that you should tune our voices of people you trust. Hopefully, you're working with a director who's a real partner, or a producer who's a real partner. Hopefully, you have friends in your life. You just need one, two, three who you can show the pages to and they'll be encouraging and honest. When you're doing that, it's helpful if you ask them questions, rather than just giving pages and saying, well, what did you think? OK. Ask questions like, did you get it? Did you understand this and this and this? Did you feel anything when this happened? And then the final piece of wisdom I want to impart to you. I know that you guys are living in a tricky area that exists between-- listen. I'm Basically, you guys want to be professional writers, right? You want to pay your bills writing. That is your goal right now. I caught a lucky break. I never had to write anything for someone else. I never had to be a staff writer on a television show I didn't really like. But I could do the work and get a paycheck. And I was a professional writer. My first play was A Few Good Men. Like I said, it was a fluke. It opened on Broadway. I was brought out to Los Angeles to turn it into a movie. That was a hit, and from then on I just got paid to write what I wanted to write. Careers generally don't happen like that. So I don't blame you for if you have-- for tryi...
Aaron Sorkin wrote his first movie on cocktail napkins. Those napkins turned into A Few Good Men, starring Jack Nicholson. Now, the Academy Award-winning writer of The West Wing and The Social Network is teaching screenwriting. In this class, you’ll learn his rules of storytelling, dialogue, character development, and what makes a script actually sell. By the end, you’ll write screenplays that capture your audience’s attention.
It helped me to think in a different way and approach writing in a different way. Very helpful at times.
He's and excellent teacher and I appreciate his honesty about the craft.
You can already see the intent for writing this and I can see Aaron is a genuine guy - how could you not be when he writes the things he does
very well organized. I enjoyed the screenwriters room when they were working and commenting on each others work . Sorkin is a well developed teacher.