Film & TV
Lesson time 29:12 min
The offbeat characters in Jeanie's script are a hit with Aaron, who warns about the dangers of getting feedback from close-minded studio execs. (Warning: explicit content).
Topics include: Table read • Script feedback
"E is for Edie," written by our own Jeannie Bergen. This is a half hour pilot. All right. Out of curiosity, because I don't know what you kids are doing these days. OK, I don't know what's down with the kids these days. I try to keep my finger on the pulse of the kids, but what's this internet thing, you guys? Internet? Is that what it's called? OK. Your 60 minute pilot. Is it 60 minutes or 42 minutes? Do you know what I'm asking? It's 60. OK. Your 30 minute pilot, is it 30 minutes or 22 minutes? 30. Streaming or cable network. OK. I'm Sorry. Your show again. Go ahead. All right. Exterior Wisconsin backroad, day. A wood paneled station wagon swerves wildly down the road blasting Whitney Houston's "I Will Always Love You," Super 1994. Rylie Barnes, 9, drives, not well, considering she can barely see over the steering wheel. She's plucky, selfish, determined, blonde, with a chipped front tooth. Edie Barnes, 10, intellectually disabled, stubborn, sits in the passenger seat smiling. She taps her foot to the music. Her shoes are Velcro, the easiest kind. Barney, a small, stuffed, purple dinosaur sits in the back. Rylie veers off the road, screeching to a halt. She gets out, unbuckles Edie's seat belt, tightens the Velcro on her shoe, and leads her into the corn. Interior station wagon later, Rylie peels away, happy. Interior cornfield, day. Edie stands in the middle of the cornfield alone. Interior station wagon, day. Rylie looks in the rear view mirror. Barney is still in the backseat, a smile plastered on his dumb little face. Rylie sighs. Guilty. Interior cornfield day. Edie sits in the corn, scared. A rustling. Rylie stands above her, blocking the sun. Here. Rylie hands Barney to Edie. Edie smiles. Then Rylie runs. Over the cornfield with the station wagon speeding away, and Edie alone, helpless, the title card, "E is for Edie." OK. And let's hang on there for just one second. I just want to make sure that I'm right in this cold open that when you say, "and leads her into the corn." OK, Rylie veers off the road, screeching to a halt. She gets out, unbuckles Edie's seat belt, tightens the Velcro on her shoe, and leads her into the corn. That's the very first mention of corn, right? OK. Got it. That's kind of a surprise. I would just, in the description, a wood paneled station wagon swerves wildly down the road with cornfields on either side. Is flanked by cornfields, or something. On each side the corn is as high as an elephant's eye. A reference to the musical "Oklahoma" by Richard Rodgers and Oscar Hammerstein II, 1944. Boom. OK. It's very good. That was the only note on the cold open. Great. Go ahead. Exterior the Grove, Los Angeles, night. Barbershop quartet sings-- Here co...
Aaron Sorkin wrote his first movie on cocktail napkins. Those napkins turned into A Few Good Men, starring Jack Nicholson. Now, the Academy Award-winning writer of The West Wing and The Social Network is teaching screenwriting. In this class, you’ll learn his rules of storytelling, dialogue, character development, and what makes a script actually sell. By the end, you’ll write screenplays that capture your audience’s attention.
This was a real Nuts-and-Bolts Masterclass: not too prescriptive or formulaic, and not too abstract. It's provided me with the tools to move forward and use my own voice with confidence.
It was helpful to get into practical aspects of the profession and I was able to develop many scenes inspired by Aaron Sorkin. He is a true Maestro of Art and surpassed all the degrees in drama.
Amazing! I love Aaron. The way he speaks is so genuine and what he's teaching is both aspirational and practical. I can definitely relate to being someone who's better at the written word than the spoken one. I would highly recommend this to anyone looking to write for the screen.
I am not a screenwriter nor will I ever be one but I'm a big fan of Sorkin's work. Just to get a glimpse into his process is worth it to me.