Film & TV

The West Wing Writers' Room: Part 7

Aaron Sorkin

Lesson time 13:00 min

As Aaron says, "You don't have to assault the audience with plot." The writers discuss the value of pacing—plus the limits of reality within fiction.

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What is your idea? Basically, our is pretty similar, actually. Just the person who is talking to President Bartlet is the only thing that's different. So my idea was for Leo to go check in on President Bartlet, and there was some question of whether or not he would be briefing the president still on a day-to-day basis, or whether or not he would be able to deliver that information, or whether something would be withheld because of the acting president's orders. That is interesting and that's something-- I'm sorry, did I interrupt you? I was just going to finish that thought-- Go ahead. No, it's OK-- and say that it would probably be President Bartlet's natural instinct to kind of give Leo orders or to find out more information about whatever it is, but he wouldn't be able to, and Leo would remind him. So it's sort of a call back to the end of 25. That's what we're looking for. I'll add my thought to that in a second. Let's hear your ideas. Kind of similar, only I thought it might be something that we haven't really flexed a lot is-- Bartlet knows Toby's had twins, but that's a new development at the end of 25. They haven't really talked about it. And there's this interesting parallel between Toby having gained children, and Bartlet having potentially lost a child. Sure. And that's a conversation that I think could happen because Bartlet-- maybe to distract himself, maybe because he knows how much it means to Toby-- asks him about his kids. He doesn't really know that much about them. He doesn't. Neither does Toby, for that matter. He just met them a couple of hours ago. I feel like the scene you're talking about is a good scene that has to come later. That right now we are still in the first hours of a really unthinkable crisis, and the kind of early-on talk happened in the Oval Office at the end of 25 in a moment where they're waiting. They're just waiting. Bartlet congratulates Toby and-- I can't remember what exactly what the setup line is, but Bartlet's asked Toby, what do you know now that you didn't know before? Toby said, babies come with hats. And then Bartlet says, slap a-- can't remember what they're called. Those-- Ankle bracelets. Bracelets on her right now and don't take it off. Here's what I know, and again it'll be helpful when we bring in the military, and intelligence, and Secret Service consultants. But here's what I do know-- ex presidents are entitled to-- every morning the president receives an intelligence briefing from the CIA. All the scary stuff that none of us know about. We know about one of them because it became famous. The PDB-- the President's Daily Brief-- that said, "bin Laden determined to attack inside the United States." Presidents get that every morning. Ex-presidents are entitled to get that intelligence briefing, as well. And some of them take it. Ex-presidents want to kind ...

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Aaron Sorkin wrote his first movie on cocktail napkins. Those napkins turned into A Few Good Men, starring Jack Nicholson. Now, the Academy Award-winning writer of The West Wing and The Social Network is teaching screenwriting. In this class, you’ll learn his rules of storytelling, dialogue, character development, and what makes a script actually sell. By the end, you’ll write screenplays that capture your audience’s attention.


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G. M. Thomas, WA We continue to construct scenes with the tension of two Presidents: Bartlett or riding on the 25th amendment, president ,Walkin, John Goodman. Toward the end of this segment. with teacher Sorkin putting class ideas on the board... We can talk about sending a drone to "take out" a pestilential political figure... as long as it is just talk.

Judith M.

Why are there so few ideas being suggested to Aaron? It feels as though he is doing most of the work, instead of mentoring them through the process. I had acts 1-3 as a skeleton for the episode overnight and I'm not an American, so had to look up relevant details like the 25th, and watch a show that I'd never seen before. I'd like to think that real writers rooms are full of enthusiastic people exchanging episode ideas and picking the best for the first few episodes, because that which does not fit in the first may be a good follow up later in the series.


I like the teaser ideas. I wish this could be made. I'd love to see the conflict between Walkin and Bartlett regarding Bartlett's loss of power. The ex-presidents even gets the briefing. Also, Abby finding out he took the 25th and lost his power would be awesome to watch.

Rowan S.

A lot of wisdom shared in this one. Fun and education... that's the ticket to keep 'em coming back!

Anastacia S.

The best writers are those whose hearts are broken over and over again by the poignancy of life.


2 cents: At 1am, the Bartlett's should be in the private residence packing to attend the funeral and trying to figure out where their licenses and credit cards are so they somehow travel as he is no longer President. The staff delivers boxes of stored personal belongings and empty boxes to collect their current belongings to make way for the new President. Maybe even some full boxes of the Walken's belonging. In looking through one of the storage boxes, Mr. Bartlett comes across Zoe's baby book and begins to flip through it. He rubs a favorite photo of Zoe with a thumb and declares, "You will not die at my hands!" or some religious staement about sacrifice.


What I didn't understand is what would Bartlett an office fretting all day? It seems the stronger arc would be his doing everything in his power as President to find her and get her back safely? Seal team.


I like how Aaron keeps pushing more and more to get the best possible story onto the board.