Film & TV

Writing Scenes: Part 2

Aaron Sorkin

Lesson time 11:34 min

Your script only has one opening scene. Make it memorable by introducing your theme, grabbing the audience, and setting up your characters' intentions and obstacles.

Play
Aaron Sorkin
Teaches Screenwriting
Aaron Sorkin teaches you the craft of film and television screenwriting in 35 exclusive video lessons.
Get All-Access

Preview

Boy, there are a lot of different great opening scenes. There are some great opening scenes that, without you even realizing it, lay out the theme for the entire movie. Go to Butch Cassidy and the Sundance Kid, which is always a great lesson in everything. Opening scene, Paul Newman goes into a bank. And he looks around. And everywhere he looks are new, modern, modern being late 19th century, new, modern security systems, a safe with a heavy iron door and a big lock, a grate coming down over a thing, things being closed. And he says to the security guard, "What happened to the old bank? It was beautiful." Security guard says, "People kept robbing it." And Paul Newman says, "It's a small price to pay for beauty," and walks out. Three lines in that opening scene, and it lays out the theme with Butch Cassidy and the Sundance Kid, which is that their days are over. This is the end of the wild west. Modernity, I never know how to pronounce that word. Is it modernity? Modernity has caught up to them and is passing them. Now it plays as a very charming scene. Meet Paul Newman. He's a handsome cowboy. And he's great with a quippy one liner. But that scene lays out the theme of the movie. [MUSIC PLAYING] There are opening scenes basically just meant to kind of grab you. I like, for instance, I like starting right in the middle of conversations. Back to The Social Network. It begins in the middle of a conversation. Steve Jobs begins in the middle of a conversation. If you do that, if you drop the audience into a situation where you're already going 100 miles an hour, it forces them to sit forward and catch up. In other cases, with A Few Good Men, it was a very traditional opening scene. You'll see it at roughly the same opening scene at the beginning of any television procedural, which is to say, we see a crime being committed, then cut to main titles, and now we'll-- by the end, it will be resolved. If it's an action movie, there's an action comedy with Will Ferrell and Mark Wahlberg that's terrific called The Other Guys, in which they both do that kind of opening scene and mock that kind of opening scene. It's just a hellacious crime chase with Dwayne Johnson and Samuel Jackson, I think. And you'll find out at the beginning of buddy comedies. They'll just-- they'll be action that'll grab you. And then you have the scene with the captain who gives you your real assignment. And that's what the movie's going to be about. Could you start with that scene with the captain giving the assignment? Absolutely. If you needed to cut 10 minutes off this movie, you could cut the first scene off that kind of movie. But you don't want to, because it's an action comedy. And we want to be grabbed a little bit. It sort of plays like an overture for a Broadway musical, that action scene at the top of action movies. For those...


Your script starts here.

Aaron Sorkin wrote his first movie on cocktail napkins. Those napkins turned into A Few Good Men, starring Jack Nicholson. Now, the Academy Award-winning writer of The West Wing and The Social Network is teaching screenwriting. In this class, you’ll learn his rules of storytelling, dialogue, character development, and what makes a script actually sell. By the end, you’ll write screenplays that capture your audience’s attention.



Reviews

4.7
Students give MasterClass an average rating of 4.7 out of 5 stars.

For me, the best writing course on Masterclass! Aaron teaches you the essential elements of story.

Enjoying it greatly-- how do I go back to a lesson I somehow skipped over?

About what - nothing has happened yet. I like his glasses. The sweater vest can go.

I love the class. Aaron Sorkin was a good teacher


Comments

Jordan C.

Inspiring lesson - it definitely gave me a new appreciation of the opening of Butch Cassidy and the Sundance Kid. I already loved that film, but I appreciate the story even more now. Also (and maybe this is a bit juvenile), I liked that he gave the Other Guys a shout out. I'm the only one amongst my group of friends who likes that movie.

Sophie C.

Jumping from this lesson to watch the social network. He really is a genius!

Carla C.

How do you share your pages here? I see the attachment button, but it isn't working.

Gino M.

I wish there was a "favorite" button so we can save our favorite lessons. I'll be coming back to this one.

Maros M.

Thank you I learnt a lot from these past two lessons. It was great to understand how to open and how to construct a story.

A fellow student

G.M. Thomas, WA We continue to discuss the scene. I learned that bringing an audience into the middle of a discussion caused them to sit forward, as it were. Our instructor mentions an opening scene of Butch Cassidy and the Sundance Kid . Paul Newman walks into a modern bank. Aaron mentions Paul Newman the good looking actor for the character. Here's my chance to name drop. I was an extra in one of Newman's first moves. Sitting between takes Newman told me and another actor about his training in New York and about tuition. The modern bank is a way of saying that the old west was gone. We got to see a clip from American President. I like Sorkin's giving us movie clips to make a point

Evelyn H.

Amazing lessons and I have been learning so much in such less time. I am wondering if anyone guides with how to do the assignments and if I must submit them for the review. Thank you Master Class for the great initiative and Mr. Sorkin for being a wonderful teacher.

Lisa

I loved the scenes in "The American President" and "The Social Network. Brilliant!

Steven H.

This was an important lesson. As writers it is easy to forget the camera is your flamethrower. The main object is to SHOW not TELL. I believe a good script should befriend the camera and seduce the camera into doing the heavy lifting. The words in a screenplay should treat the camera like a big brother who you look up to. I sometimes try an envision a scene with no dialogue just movement. Body language is a powerful story teller. I love Aaron's suggestion to drop the audience into a scene that is already going 100 miles an hour. The opening scene in Chinatown is a good example of how to open a movie with tremendous verbiage. You immediately understand the universe of Jake Gittes and his personally in how he deals with Curley. Comforting in a superficial way then choosing a cheaper brand of liquor to offer him because he is not a top flight client.

Ramona T.

Really liked this lesson and the guidance on how to write interesting and captivating opening scenes. I had thought of an opening scene as establishing the world... like in the Hero's Journey, but did not consider dialogue as a more effective and at times intimate way of establishing the world (or intention) of the characters.