Film & TV

Introduction

Aaron Sorkin

Lesson time 4:30 min

Meet Aaron. He's an Oscar winner, a TV hitmaker, and the writer of some of the smartest dramas ever to hit the screen. And now, he's your instructor.

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Aaron Sorkin
Teaches Screenwriting
Aaron Sorkin teaches you the craft of film and television screenwriting in 35 exclusive video lessons.
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Preview

You wouldn't be Sidney Ellen Wade by any chance, would you? There's always bit of concern about the two Bartlets. You want answers. I think I'm entitled to it. You want answers? I want the truth. You can't handle the truth. This is the voice demo. The voice demo is flaky. I've been telling you that. This thing is overbuilt. It worked last night. It worked the night before that. It worked three hours ago. It's not working now, so just skip over the voice demo. Fuck you! Everything else is working. In future, if you're wondering, crime, boy, I don't know is when I decided to kick your ass. Match.com for hard luck guys. May I continue with my deposition? You know, you really don't need a forensics team to get to the bottom of this? If you guys were the inventors of Facebook, you'd have invented Facebook. Writing, like any other artform, there are chunks of it that can be taught, and there are chunks of it that can't be taught. So we're here for the parts that can be taught. The way you're going to be taught these things is, there are teachers. You can be a playwriting major or screenwriting major. There are books of varying quality that you can read. You can listen to schmucks like me talking. Every writer is different, so it's entirely possible that the way I work and the way I approach it, another person would not be able to relate to at all, and they're going to do their thing. But my hope is that I'm able to say something in here that will be meaningful to some writer, and will allow them to do what they want to do and get better. Here's what we're going to talk about. Unfortunately, and I apologize for this in advance, when I'm speaking out loud as opposed to writing, I swerve all over the road. I can't go in a straight line from the beginning of the sentence to the end of the sentence. And I would much rather communicate with the world on paper, where I have an opportunity just to be alone in my room and get it right. I communicate much better on paper than I do when I open my mouth. So I apologize in advance. But we're going to talk about intention and obstacle, which is the most important thing in drama. Without that, you're screwed blue. Without a strong, clear intention and a formidable obstacle, you don't have drama. We're going to talk about success and failure and the importance of failure. I'm going to try to give some examples from things that I've written that you might be familiar with. There are mechanics. And then there's, as a golfer would say, there is the grip it and rip it part. What golfers mean by that is, a golf swing has a zillion different components. And if you're learning how to play golf, you're going to be told, well, your hips have to be here, and your left arm has to turn here, but this has to swivel through first. This has to go to-- it's...


Your script starts here.

Aaron Sorkin wrote his first movie on cocktail napkins. Those napkins turned into A Few Good Men, starring Jack Nicholson. Now, the Academy Award-winning writer of The West Wing and The Social Network is teaching screenwriting. In this class, you’ll learn his rules of storytelling, dialogue, character development, and what makes a script actually sell. By the end, you’ll write screenplays that capture your audience’s attention.



Reviews

4.7
Students give MasterClass an average rating of 4.7 out of 5 stars.

The class is helpful in letting me know that everyone is going through the same problems I am, and that they are able to work around them.

I really like the way Aaron Sorkin thinks. He makes sense to me. In this class you learn what you really need to know to write a screenplay.

This Masterclass has fascinating insights, great practical advice and the group lesson was insightful. Thank you.

Genial, es el orador que necesitaba escuchar, me lleno de energía para continuar con mis proyectos y siento que no esta tan lejos el sueño de vivir haciendo lo que me gusta. Muchas gracias


Comments

Coach T.

As a recently retired teacher, I finally have time to write and this is something I want to do for me. Like the approach as it fits my limited skill set.

Aaron J.

Underwhelming. Like his work. Amazing how little it takes to be a celebrated genius.

Freddy L R.

I started this course two years ago. Since then, finished typing up a hand written novel I wrote, adapted the novel into a feature length screenplay. Now, time to buckle down and get back into this wonderful Masterclass led by an AMAZING screenwriter!

Brandon J.

It’s been two years since I bought this class and I have yet to finish it. I did a couple of lessons before I got distracted by my own college courses and general life activities. There have been plenty of opportunities for me to pick it back up and finish it but in reality I got lazy and discouraged by people who didn’t believe that I could make this a career (like I desire to). Now that I’ve graduated college, and am doing that silly thing called “adulting,” I’ve made the time to get back into this course and to give it my all and not give up like I did in the past. For the people out there who are reading through these comments and are wondering if you’re the only one who

Malcolm W.

Hi, Aaron. thanks for the Lesson. I love how you mention having a foundation of what a characters intention are in the story and what the obstacles are in his way. Best regards, Malcolm

EK T.

Hello everyone. I am pretty sure only 14 people enrolled in this class before me. I have taken and reviewed this class several times. I am going through it again after taking many of the other writing, directing and film-making courses in Masterclass. All the courses I took were pretty impressive. Because I tend to write the way Aaron does (not his genius, but the tendency to be more comfortable on paper than in person), I thought I would go through the course again testing the knowledge acquired from other courses and personal experiences (including a bad down that left me nearing paralyze that set me back a full year, but I am grateful for my recovery).

Joseph B.

Lesson 1 was slow . . . but necessarily so, in my opinion. This pulled us in to being thoughtful, not expecting too much, too soon--which is how writing goes! He--intentionally or not!--showed us dif between speaking off the cuff and carefully polished prose. He's a real person here, not some writer perfecto. if this guy, who stumbles along a little as he formulates his thoughts as we all do, can do it, so can we. Lesson 2 will, I am sure, get more down to specifics.

Darryl B.

I can totally relate. So much more comfortable writing than speaking extemporaneously. I can think of a million reasons while this might be so, all irrelevant. What is important is Grip It and Rip It. Got it!

Victoria B.

Loved this course so much I'm retaking it. Quick question. Aaron joked in one of the lessons to always include a baby in a pilot, as though it was good luck! Does anyone know which lesson this was in?

Jay R.

Along with the key take-aways of obstacle and intention, I loved the authenticity.