Design, Photography, & Fashion
Lesson time 23:28 min
For Marc, it all begins with fabric. Learn how Marc chooses fabrics for his designs and how he works with different fibers. Then learn the story behind the fabric choices for three of his garments.
Topics include: Your Fabric Helps You Express Your Idea • Choose Fabric Colors That Help Tell Your Story • Touch and Feel Your Fabrics • Working With Fibers • Case Study: Reinterpreting and Juxtaposing Fabrics • Case Study: A Sweatshirt Reimagined • Case Study: Letting the Fabric Inspire the Design • Fabrics Are Your Palette
In the beginning, we start with fabric. We start looking at fabrics, touching fabrics, feeling fabrics, and, again, sometimes it just feels so abstract. But-- and, you know, once in a while, it's a fabric that kind of inspires the dress. And other times it's the dress we want to make that inspires the fabric. So there isn't really-- you know, all roads lead to Rome, they say, but-- but, yeah, sometimes we can see something that really looks or feels so great and say, like, oh, I want to make something out of this. And other times there's an idea of something we want to make and so it's about researching the type of fabrics that would make that thing. In terms of rendering the silhouette you want, fabric plays a big role. So if you're interested in creating something that's very constructed, and you want the fabric to do that for you, you obviously need to consider the weight and the sort of-- what the fabric will give you as opposed to like if you wanted to create something where, you know, the fabric rested on an under structure. Again, what you're trying to achieve, if you want the fabric to help you to achieve that, you need to really consider it. I mean, look what we're going through, for instance, now is I want things that have like a sort of sponginess. Well, I don't want to pad them, I want the fabric to do that. So it has to be either by creating a bonded fabric, or you have to use a fabric that's used-- that's created by using a certain yarn. Anyway, knowing a little bit about what we want in the silhouette, or what you want in the silhouette, will help you to choose the fabrics that you use. I think you choose your fabrics. Your fabrics are going to help you express your idea. If you have an idea, if you know where you want to go, you choose the fabrics that-- accordingly. Again, if you want to create something sexy and tight, you need a fabric that stretches, unless you don't want to-- unless you're not concerned with how somebody can move in it, you know. You choose-- if you want to create something diaphanous and drapey, you have to use something light, like chiffon or gauze or-- well, various lightweight fabric. So, it's perhaps important-- or it's definitely important to think about what it is you want to say into it-- in order to choose the fabrics you work with. [MUSIC PLAYING] I think color transmits, or helps to transmit, a mood. So, as in the-- is-- as in the case of wanting to do something very Goth inspired, we made a specific choice to create a very, very dark and moody palette, and we used a lot of black and grays and plums and blues to create this cold Gothic sort of feeling in terms of spirit. When we did the most recent collection, which was inspired by hip hop, we were very sparing with color. We used colors associated with casual clothes from that period, and just red as a strong color. The rest of them were neutral. Becaus...
Marc Jacobs’s infamous grunge collection got him fired. It also won him the CFDA Womenswear Designer of the Year Award. In his first online fashion design class, the 11-time CFDA Award winner teaches his hands-on process for creating clothes that push boundaries and set trends. Learn Marc’s construction techniques, how he creates unique shapes and silhouettes, and how you can develop your own ideas from the first sketch to the final piece.
I'm fashion designer for many years it was very nice to hear from Mark that even him doesn't have answer or creating mood immediately or even he could be scared..love it .
The masterclass was a great lesson in design. I am a trained and practicing furniture designer whom was inspired to take this class to better understand the design process and practice as a whole. Marc Jacobs sharing of experience is a true insight of wisdom and knowledge of not just designing garments but also the very nature of the creative design practice.
Love the juxtapositioning ideas. Would like to see how fabric was actually draped on the model or mannequin to achieve the design.
I feel Marc was well prepared to illustrate his process and guide us to find the same!