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Arts & Entertainment

Collaborating With Your Director of Photography

Spike Lee

Lesson time 09:00 min

Learn what to look for in a director of photography, including how to “audition” a DP and how to create a plan of action, once you’ve found the right collaborator.

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Spike Lee
Teaches Independent Filmmaking
Academy Award–winning filmmaker Spike Lee teaches his approach to directing, writing, and producing.
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Make films with an impact

Spike Lee didn’t just direct his award-winning 1986 feature debut, She’s Gotta Have It. He was also the writer, star, truck driver, location scout, electrician, and caterer, because that’s what it took to get his film made. In his first-ever online directing class, the visionary behind Do the Right Thing, Malcolm X, and 25th Hour lets you in on his uncompromising approach to filmmaking. Learn about writing, self-producing, working with actors, and making movies that break barriers.



Reviews

4.7
Students give MasterClass an average rating of 4.7 out of 5 stars.

Spike is awesome. He tells it like it is, no sugarcoating. He gets into the nuts and bolts of filmmaking and his enthusiasm for his craft comes shining through!

It confirmed that my instincts are right as a storyteller and reinforced that I don't have to know everything -- just need to have the right team that shares the vision.

learned how to story board and structure a vision thru another point of view with emotions and feelings.

Spike spoke a lot of truth. He was straightforward, frank, and honest. One thing I took away was to enlist help from your community.


Comments

LaVette G.

Great lesson. I'm my own DP so I need to make sure I'm not wasting time trying to get a shot. Just shoot it!

Han C.

Why is there two subtitles choice? English and English (2), which is the correct one.

Dani P.

Good lessons! I’ve just finished shooting my first shortfilm and it's a good advice to all newcomers to keep our feet on Earth!

Matt H.

take 3 used the Spike Lee Angle photo work. The painting is the star. This is layer 5 of "JLo's Painting". I know Spike Lee loves music with photography and moving pictures...this was the music I was painting to the whole entire time, while painting layer 5. https://www.youtube.com/watch?v=wp7cOBoNv7c&list=PLmEi8PrHIgvsTHWqoJL38t7kZFa9e1kZ1 Dialogue "I can't believe you guys are making a big deal out of nothing, you're just a bunch of stupid cry-babies, buncha fraidycats, it's just some stupid legend, paintings don't come to life and kill peo-- it's always the most cocky kid out of the bunch that dies first. Because he does not believe the legend, and he goes around insulting people for it!!! <3 !! *the whole town was in shock... to be continued! https://www.youtube.com/watch?v=5kW0kTLBfG0

Matt H.

This is the artist headshot of "marlo", ORIGINAL painter, invented his own style of oil paintings, like old school. "Post-Modern-Impressionism/Abstract" ~ (c) ~ non-profit for the Nobel Peace Prize. The character photo of marlo that goes with layer 5 of JLo's Painting. This is an abstract artist's character photo. ~marlo's selfie artistic flow~ aka "marlon" named after all time favorite actor, artists and writer Marlon Brando(((Terry Maloy)) !!!epicJusticeNOW!! = The Nobel Peace Prize <3

Matt H.

Here is the current painting I am working on, "JLo's Painting", taking photo's, and this one I tried to apply what I learned in this class, this is the Spike-Lee-Angle character photo, The painting is the star...

Matthew B.

we all need more variations of shiiiiiiit, from that guy; each one blows my mind. Chiraq one seemed like enough though, however wouldn't complain about more.

Sophia E.

I’m aiming to be a DP. Women behind the camera is rare. I would like to change the games.

Max D.

At 5:27 on the subtitles they wrote “inaudible”... Spike said “Storaro”. Vincenzo Storaro, a 3 Oscar prize winner as DP

Jim C.

"You have to get your day." That's what it comes down to. Coming off shorts to my first feature (Donovan's Echo) was such a vastly different experience. I had storyboarded most of the screenplay, only to realize that there just wasn't the luxury of time (4 week shoot) for the setups I conceived, especially with the multiple locations that my partner and I had written. In the end, we got what we needed, but it was an important learning experience that I had to go through firsthand as a filmmaker to fully appreciate the challenges that arise on a day-to-day basis. I looking forward to taking those lessons learned, and Spike's great advice into my next production.