Writing

Story Archetypes: How to Recognize the 7 Basic Plots

Written by MasterClass

Last updated: Jan 11, 2020 • 3 min read

The heroes and villains of today’s books and films may be based on the same story archetypes found in fairy tales, the novels of Charles Dickens, the poetry of John Milton, and the theater of the ancient Greeks, but they often deploy those archetypes in innovative ways.

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What Is an Archetype?

An archetype is a character type, storyline, or event that is notably recurrent across the human experience. In the arts, an archetype creates a sense of familiarity, allowing an audience member to easily comprehend an event or character. Thanks to our instincts and life experiences, we’re able to recognize archetypal characters and plots.

The 7 Classic Story Archetypes

In the collective history of literature, theater, and film, seven story archetypes recur over and over again. Referred to as “the seven basic plots” by the literary theorist Christopher Booker, these common archetypes have guided storytelling for countless generations. Here is a brief survey of each archetypal plot structure, with a classic example of each:

  1. Rags to riches: In a rags-to-riches story, a poor and derelict main character gains something they lack (money, power, love) loses it, and then wins it back again by the end of the story. This plot archetype is popular in fairy tales like Cinderella as well as various Disney animated films like Aladdin and Ratatouille. The rags-to-riches tale is effectively an underdog story, wherein a simple, relatable character receives newly begotten privilege (whether via luck, conquest, or a magical trickster like a fairy godmother) and must balance the duties that come along with that privilege.
  2. The quest: In a quest archetype, the main character must reach a certain location, attain a certain object, or fulfill a certain objective while conquering many obstacles along the way. The Odyssey is a classic quest story. So, too, is J.R.R. Tolkien’s The Lord of the Rings trilogy, Watership Down, the films Finding Nemo and The Wizard of Oz, and episodes of J.K. Rowling’s Harry Potter series.
  3. Rebirth: The rebirth story archetype has its roots in religion—think of the biblical resurrection of Jesus—but in common practice, it may simply involve a character changing their ways and becoming a better person, resulting in a happy ending. Charles Dickens’ A Christmas Carol is a classic rebirth story, as Ebenezer Scrooge sees the error of his ways and transforms. Other examples include The Secret Garden, Beauty and the Beast, and the film Groundhog Day.
  4. Overcoming the monster: This story archetype, rooted in ancient classics like Perseus, Beowulf and the biblical David and Goliath, involves a hero who must conquer some sort of evil force—typically physical but sometimes metaphysical. Bram Stoker’s novel Dracula qualifies as an “overcoming the monster” story. Such stories often intertwine with what theorist Joseph Campbell referred to as “the hero’s journey,” wherein an inciting incident presents a call to action for the story’s main character, who will then—via the story’s rising action and climax—rise to the role of a hero. (Note that Campbell himself was extrapolating from the theories of Swiss psychologist Carl Jung.) The original Star Wars trilogy fits this archetype, as do standalone James Bond and Terminator films.
  5. Comedy: The notion of comedy is intrinsic to humans as a species, and written examples trace back to the ancient Greek playwright Aristophanes. Comedic plot lines subvert expectations and blend the familiar with the absurd to keep audiences laughing and on their toes. William Shakespeare mastered classical comedy, with famous jester characters like Sir John Falstaff and ribald plots like that of A Midsummer Night’s Dream. Comedy remains immensely popular in contemporary TV and film, where main characters like Veep’s Selina Meyer and sidekicks like The Office’s Dwight Schrute exemplify comedic archetypes.
  6. Tragedy: Tragedy is comedy’s mirror image. In a tragedy, a protagonist is undone by a critical character flaw or by the cruelty of fate. William Shakespeare mastered tragedy just as thoroughly as he did comedy, and his tragic masterpieces like Macbeth, Hamlet, King Lear, Othello, and Romeo and Juliet remain in heavy rotation in today’s playhouses. Leo Tolstoy’s masterwork Anna Karenina contains elements of both tragedy and rebirth, while twentieth-century films like Nicholas Roeg’s Don’t Look Now combine tragedy with horror to conjure almost nihilistic endings.
  7. Voyage and return: A voyage and return story sends a protagonist to a strange land, from which they will return armed with wisdom and life experience. J.R.R. Tolkien’s The Hobbit is a voyage and return story. Alice in Wonderland and The Chronicles of Narnia feature child protagonists who return from journeys with newfound wisdom.
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