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A Brief History of the Aria in Music
- 1300–1500s: Arias date back to the Medieval music of the fourteenth century, when the term referred to a specific style of singing. By the sixteenth century Renaissance period, arias were associated with the popular vocal forms of the time, including madrigals and strophic poetry.
- 1600s–1700s: By the seventeenth century, the aria was common in Baroque operas, a trend led by composers such as the Frenchman Jean-Baptiste Lully. Eighteenth-century Classical period composers such as the Italian Alessandro Scarlatti and the Austrian Wolfgang Amadeus Mozart helped build their popular reputations on various forms of arias in their comic operas, dramatic operas, and cantatas.
- 1800s–present: The Romantic era of the nineteenth century and early twentieth century birthed some of the most widely performed arias in classical music. Italian opera composers Gioachino Rossini, Giuseppe Verdi, and Giacomo Puccini wrote operatic arias that are still performed in full length operas and as part of vocal recitals. The German composer Richard Wagner also used arias in his operas. Arias remain an essential element of opera composition, including works composed in the present day.
7 Types of Arias
All arias feature a melody for voice, but different types of arias have different idiomatic qualities.
- Da capo aria: An ornamented form of Baroque aria in ternary form (A–B–A). A primary theme in the tonic key is established in the A section, a new episode appears in the B section in either the dominant key (for major key arias) or the relative major (for minor key arias), and then the main theme returns in a ritornello ("little return") section.
- Aria parlante: A "speaking style" aria closely related to recitative vocal performance.
- Aria di bravura: An aria of bravery, often given to a heroic soprano in opera seria (dramatic opera).
- Aria buffa: A comedic aria frequently performed by a bass or a baritone in opera buffa (comic opera).
- Cabaletta: A multi-section aria popular in Italian opera that functions almost like a standalone song.
- Concert aria: A standalone vocal concerto, often with orchestral accompaniment, that serves as a show piece for a virtuoso singer.
- Arietta: A short form aria contained within an opera, cantata, or oratorio—or as a standalone piece.