The Range of a Cello: A Look at the Different Parts of a Cello

The cello is a bowed string instrument often used in classical music; it is the second-largest member of the [violin](https://www.masterclass.com/articles/music-101-what-is-the-difference-between-a-fiddle-and-a-violin) family. A part of the string section in a standard orchestra, the cello is similar in shape to (but larger than) a violin and has four strings tuned in perfect fifth intervals, which is the distance between the first to the fifth note in terms of [musical scales](https://www.masterclass.com/articles/music-101-what-is-a-musical-scale-plus-learn-the-difference-between-major-scale-vs-minor-scale). You can tune cello strings from A, its highest note, to D, G, and C, which is its lowest note. The sound of a cello is notable for its deep, melancholic qualities, powerful [vibrato](https://www.masterclass.com/articles/violin-101-what-is-vibrato-in-violin-learn-string-vibrato-with-violinist-itzhak-perlman), and clarity of notes. In a symphony orchestra, you may find about eight to twelve cellos. In a chamber orchestra, the cello can serve as a bass instrument because it is tuned an octave lower than the viola. A cellist can play the cello by plucking its strings (pizzicato) or drawing a bow across the strings (bowing). Additionally, musicians can use an array of accessories, such as practice or hotel mutes, which attach to the bridge to modify [timbre](https://www.masterclass.com/articles/guide-to-timbre-in-music) and volume. The instrument’s name derives from the Italian word “violoncello,” or “little violone.” The violone was a member of the viola da gamba family of string instruments, popular from the fifteenth to seventeenth centuries before the more amplified violin family supplanted it. The violone is one of the earliest iterations of what is now known as the double bass, which is the largest instrument in the violin group. The cello consists of several parts, including: - __Scroll__: The scroll is a decorative piece of hardwood positioned at the topmost part of the cello that derives its name from its shape, which cello makers, or luthiers, design to resemble a scroll of paper. - __Pegbox__: The pegbox sits below the scroll and above the cello’s neck and contains the four tuning pegs. Each peg features a flat, rounded end and fits into a hollow hole in the pegbox. One end of each of the cello’s strings is wound around one of the four pegs, and cellists can tighten it by turning the pegs. Tightening the string will cause the sound or pitch of its note to become higher, or sharpen, while loosening the string will cause the note to become lower, or flatten. - __Nut__: The nut is a raised strip of wood that rests below the pegboard on the cello and all stringed instruments. Each string rests in a groove cut into the nut, which raises it away from the fingerboard while holding it in place. - __Neck__: The neck connects the scroll and pegbox to the body of the cello. The cellist holds the neck in one hand and presses down on the strings to play the notes. - __Fingerboard__: The fingerboard is a long strip of wood that extends along the neck and over the cello’s body. The cellist presses down on the strings with their left hand to make the notes. Cello players can also create the higher-pitched sound of artificial harmonics by simultaneously pressing two fingers on the same string without touching the fingerboard. The fingerboard also lends support and strength to the neck. Both the fingerboard and the pegs are often made of dense hardwood, like ebony. - __Strings__: Four open strings stretch from the pegboard and along the fingerboard down the length of the cello’s body. These strings pass over the bridge—a small piece of wood that raises the strings away from the fingerboard—and end at the tailpiece, a piece of curved wood that anchors the strings near the end of the cello’s body. The strings are fixed into the tailpiece with metal screws called fine tuners, which aid in adjusting the sound of the strings. - __Endpin__: The cellists support the instrument while playing it by resting it between their legs and against their chest, balancing it on the endpin rod, or spike, which extends from the base of the cello’s body to the floor. Cellists can raise or lower the endpin with a thumbscrew to adjust the height of the cello. Composers write for the cello in three clefs: Musical notations that indicate to cellists which [notes](https://www.masterclass.com/articles/music-101-what-are-musical-notes-learn-more-about-how-to-read-music) they are playing. The bass clef, or F-clef, is the cello’s standard clef and covers two octaves below middle C to G above middle C. The tenor clef, or C-clef, encompasses A below middle C to C above middle A, and is the second most frequently used clef for cello. The [treble clef](https://www.masterclass.com/articles/treble-clef-and-bass-clef-guide), or G-clef, is concerned with the upper two octaves above middle C. At a full range of four octaves, the cello range is the widest and most versatile of any musical instrument. The cello has drawn comparisons to the human voice due to its ability to express various emotions through musical notes. The cello can reach a bright tenor note, and even access alto and soprano notes with its highest string, the A string. The middle two strings—the D-string and the G-string—handle the warm baritone notes, while the lowest string, the C string, can reach a deep, rich bass note two full octaves below its middle strings. 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